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ORCID8th ICMC 1982: Venice, Italy
- Proceedings of the 1982 International Computer Music Conference, ICMC 1982, Venice, Italy, September 27 - October 1, 1982. Michigan Publishing 1982
- Barry Truax:
The New Electronic and Computer Music Facility at Simon Fraser University. - F. Richard Moore, D. Gareth Loy:
Computer Audio Research Laboratory Studio Report. - Benedict Mailliard, Yann Geslin, Jean-François Allouis:
The GRM Digital Studio for Treating Natural Sounds. - John A. Celona, Michael Longton:
Real-Time Synthesis at the University of Victoria. - Stefano Petrarca, Nicola Sani:
Studio Report S.I.M./Rome (Use of Advanced Digital Technology for Musical Purpose). - C. Turco:
Studio Report IASM Napoli. - Thomas Blum:
Phthong - An Interactive System for Music Composition. - Sylviane Sapir, Ricard Kronland-Martinet:
Use of Microprocessor in Real-Time Synthesis of Sounds. - Claude Cadoz, Annie Luciani, Jean-Loup Florens, Talin Dars-Berberyan:
The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models. - Leslie Kleen:
A Generalized Orchestra Compiler for the Z80 Microprocessor. - Alan Marr, Bruce W. Pennycook:
An Alternative Approach to Software for the DMX-1000. - Goffredo Haus, Mario Malcangi:
A Portable "Walsh" Synthesizer. - Sergio Cavaliere, Immacolata Ortosecco, Pasquale Parascandolo, Aldo Piccialli:
An Efficient Method to Implement Amplitude Modulation: A Hardware Realization. - Leonello Tarabella:
A μ-Processor-Based System for Music Composition and Production. - D. Gareth Loy:
A Sound File System for UNIX. - Vito Asta, Adrian Freed:
The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer. - Curtis Abbott:
Remembering Performance Gestures. - Stephen Travis Pope:
Introduction to the Mshell. - Bruce W. Pennycook:
The Audio Composition System at The Defense and Civil Institute for Environmental Medicine. - Andrew S. Noetzel:
A Multimicrocomputer System for Real-Time Music Synthesis: Design and Implementation. - Giovanni B. Debiasi, Maurizio Rubbazzer:
Architecture of a Processor for the Digital Analysis/Synthesis of Sound. - Jean-François Allouis, Jean-Yves Bernier:
The SYTER Project: Sound Processor Design and Software Overview. - Martin De Loye:
Real-Time Control System for Digital Synthesizer. - Alfio Andronico, Alberto Ciampa:
On Automatic Pattern Recognition and Acquisition of Printed Music. - Giovanni Degli Antoni, Goffredo Haus:
Music and Causality. - M. Santoiemma:
Formal Representation of Basic Blocks for Sound Synthesis. - Julius O. Smith III:
Synthesis of Bowed Strings. - Daniel Arfib:
Is MUSIC V a Real Time Program? (Oldies but Goodies). - Jean-Claude Risset:
Computer Synthesis of Sound Applied to Composition with Sonic Processes. - James W. Beauchamp:
A Computer Orchestra. - John Rogers:
Digital Simulation of the Piano. - Antonio De Santis:
A Microprocessor Oriented Toward the Frequency Synthesis. - Marc Battier, Thierry Lancino:
The Simulation and Extrapolation of Instrumental Sounds Using Direct Synthesis at IRCAM. - John P. Stautner, Roger L. Hale:
A Flexible Acoustic Ambience Simulator. - Xavier Rodet, Jean-Baptiste Barrière, Pierre Cointe, Yves Potard:
The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes. - Pietro Grossi, Graziano Bertini, Riccardo Andreoni:
Computer Music as a Permanent Service - Towards Musical Telematics. - Lars Frydén, Johan Sundberg, Anders Askenfelt:
From Music Score to Sound: A Rule System for Musical Performance of Melodies. - John Strawn:
Research on Timbre and Musical Contexts at CCRMA. - John P. Stautner:
Analysis and Synthesis of Music Using a Model of the Auditory Transform. - Rena Upitis:
A Computer-Assisted Instruction Approach to Music for Junior-Age Children: Using ALF for Teaching Music Composition. - Peter J. Clements:
Design Considerations for Computer-Assisted Music Instruction. - John H. Chalmers:
Construction and Harmonization of Microtonal Scales in Non-12-Tone Equal Temperaments. - Emilio Gagliardo, Mauro Ghislandi:
Did Beethoven use the Enneadecaphonic Algorithm? - Pietro Grossi, Graziano Bertini:
A Program of Tomographic Analysis of Musical Texts. - Hélène Charnassé:
The Automatic Transcription of German Lute Tabulatures: Researches Concerning Algorithms Polyphonic Structures. - G. W. Swift, M. Yunik:
A Microprocessor Based Keyboard Instrument for Microtonal Music. - Robert A. Moog:
A Multiply Touch-Sensitive Clavier for Computer Music Systems. - Josef Marc:
Computer Music Language Aids Interaction between Composer and Choreographer. - Larry Austin:
PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance. - Gottfried Michael Koenig:
The Aesthetic Integration of Computer-Composed Scores. - Lejaren Hiller:
Stochastic Generation of Note Parameters for Music Composition. - Walter Branchi:
Composing within Sound (An Introduction). - J. Stephen Dydo:
Surface Control of Computer Music. - Alfonso Belfiore:
ALGOMUSIC: An Algorithm for the Genesis of Musical Structures. - Curtis Roads:
Interactive Orchestration Based on Score Analysis. - Giovanni Melzi, Vito Ozzola:
Una teoria neurale della musica e tecniche compositive derivate. - Charles Ames:
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