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ORCID6th DH 2011: Stanford, CA, USA
- 6th Annual International Conference of the Alliance of Digital Humanities Organizations, DH 2011, Stanford, CA, USA, June 19-22, 2011, Conference Abstracts. Stanford University Library 2011, ISBN 978-0-911221-47-3
Plenary Sessions
- Chad Gaffield:
Re-Imagining Scholarship in the Digital Age. 7 - Erez Lieberman Aiden, Jean-Baptiste Michel:
Culturomics: Quantitative Analysis of Culture Using Millions of Digitized Books. 8 - David Rumsey:
Reading Historical Maps Digitally: How Spatial Technologies Can Enable Close, Distant and Dynamic Interpretations. 9-12
Pre-Conference Workshops and Tutorials
- Susan Brown, Stan Ruecker, Geoffrey Rockwell, Stéfan Sinclair:
Visualization for Literary History. 13-14 - James Cummings, Sebastian Rahtz:
Introductory TEI ODD. 15 - Christopher D. Manning:
Natural Language Processing Tools for the Digital Humanities. 16 - John Nerbonne, Charlotte Gooskens, Peter Kleiweg, Therese Leinonen, Martijn Wieling:
gabmap - A Web Application for Measuring and Visualizing Distances Between Language Varieties. 17 - Stéfan Sinclair, Geoffrey Rockwell:
Introduction to Text Analysis With Voyeur Tools. 18 - Michael Sperberg-McQueen:
An Introduction to XForms for Digital Humanists: How XForms Can Help Your Project. 19-20 - Kathryn Tomasek, Rebecca Frost Davis:
Integrating Digital Humanities Projects into the Undergraduate Curriculum. 21 - Scott B. Weingart, Katy Börner, Russell J. Duhon, Micah Linnemeier, Patrick Phillips, Joseph Biberstine, Chintan Tank, Chin Hua Kong:
Network and Topical Analysis for the Humanities using NWB and Sci2. 22-26
Panels
- Robert C. Allen, Natasha Smith, Pamella Lach, Richard Marciano, Chris Speed, Todd Presner, Philip Ethington, David Lawrence Shepard, Chien-Yi Hou, Christopher Johanson:
Virtual Cities/Digital Histories. 27 - Ryan Baumann, Gabriel Bodard, Hugh Cayless, Joshua Sosin, Raffaele Viglianti:
Integrating Digital Papyrology. 28-36 - Jean-François Blanchette, Johanna Drucker, Matthew Kirschenbaum:
New Models of Digital Materialities. 37-41 - Teresa Dobson, Stan Ruecker, Monica Brown, Omar Rodriguez-Arenas, Piotr Michura, Dustin Grue:
The Theory and Design of PlotVis. 42-44 - Elijah Meeks, Ruth Mostern, Karl E. Grossner, Ryan Shaw, Ramesh C. Jain, Vitit Kantabutra:
Modeling Event-Based Historical Narratives: A Conversation Between Digital Humanists, Information Scientists and Computer Scientists. 45-46 - Franco Moretti, Ed Finn, Rhian Lewis, Zephyr Frank:
Networks, Literature, Culture. 47-51 - Bethany Nowviskie, Julia Flanders, Tanya E. Clement, Douglas Reside, Dorothy (Dot) Porter, Eric Rochester:
The "#alt-ac" Track: Digital Humanists off the Straight and Narrow Path to Tenure. 52-54 - Daniel Pitti, Ray R. Larson, Krishna Janakiraman, Brian Tingle:
The Social Networks and Archival Context Project. 55-62 - Rita Raley, Sandy Baldwin, Nick Montfort, Noah Wardrip-Fruin, John Cayley:
Literary Practice and the Digital Humanities, Redux: Data as/and Poetry. 63 - Geoffrey Rockwell, Stan Ruecker, Mihaela Ilovan, Daniel Sondheim, Milena Radzikowska, Peter Organisciak, Susan Brown:
The Interface of the Collection. 64-70
Papers
- Hiroyuki Akama, Maki Miyake, Jaeyoung Jung:
Automatic Extraction of Hidden Keywords by Producing "Homophily" within Semantic Networks. 71-73 - Yahya Ahmed Ali Al-Hajj, Marc Wilhelm Küster:
The Text-Image-Link-Editor: A tool for Linking Facsimiles & Transcriptions and Image Annotations. 74-76 - Sheila Anderson, Mark Hedges:
Content Patterns in Digital Humanities: a Framework for Sustainability and Reuse of Digital Resources. 77-78 - Jean Anderson, Marc Alexander, Johanna Green, Muhammad S. Sarwar, Richard O. Sinnott:
Enroller: A Grid-based Research Platform for English and Scots Language. 79-81 - Deborah Anderson:
Handling Glyph Variants: Issues and Developments. 82-84 - Peter Bajcsy, Rob Kooper, Luigi Marini, Tenzing Shaw, Anne D. Hedeman, Robert Markley, Michael Simeone, Natalie Hansen, Simon Appleford, Dean Rehberger, Justine Richardson, Matthew Geimer, Steve M. Cohen, Peter F. Ainsworth, Michael Meredith, Jennifer Guiliano:
Supporting Scientific Discoveries to Answer Art Authorship Related Questions Across Diverse Disciplines and Geographically Distributed Resources. 85-87 - Reinhild Barkey, Erhard W. Hinrichs, Christina Hoppermann, Thorsten Trippel, Claus Zinn
:
Trailblazing through Forests of Resources in Linguistics. 88-90 - Susana Smith Bautista:
Lurking in Museums: In Support of Passive Participation. 91-92 - David Beavan:
ComPair: Compare and Visualise the Usage of Language. 93-94 - Tobias Blanke, Richard Connor, Mark Hedges, Conny Kristel, Mike Priddy, Fabio Simenoni:
gMan: Creating General-Purpose Virtual Environments for (Digital) Archival Research. 95-96 - Cameron Blevins:
Topic Modeling Historical Sources: Analyzing the Diary of Martha Ballard. 97-99 - Arno Bosse, Yuri Tsivian, Keith Brisson:
Cinemetrics: A Digital Laboratory for Film Studies. 100 - Adam Brin, Francis McManamon, Allen Lee:
The Digital Archaeological Record-an Analytic Data Repository for Archaeology. 101-102 - Paul Caton:
On the Meaning of the Term 'text' in Digital Humanities. 103-105 - Shih-Pei Chen, Yu-Ming Huang, Hou Ieong Ho, Ping-Yen Chen, Jieh Hsiang:
Discovering Land Transaction Relations from Land Deeds of Taiwan. 106-110 - Karina van Dalen-Oskam:
Names in Novels: an Experiment in Computational Stylistics. 111-113 - Michelle Dalmau, Angela Courtney:
Victorian Women Writers Project Revived: A Case Study in Sustainability. 114-115 - Marie-Luce Demonet:
Reusability of Literary Corpora: the "Montaigne at work" Project. 116-118 - Michael Eberle-Sinatra, Tom C. Crochunis, Jon Sachs:
Joanna Baillie's Witchcraft: from Hypermedia Edition to Resonant Responses. 119 - Thomas Eckart, David Pansch, Marco Büchler:
Integration of Distributed Text Resources by Using Schema Matching Techniques. 120-123 - Maciej Eder, Jan Rybicki:
Do Birds of a Feather Really Flock Together, or How to Choose Test Samples for Authorship Attribution. 124-127 - Fenella G. France, Michael B. Toth:
Knowledge and Reasoning: Connecting Scientific Data and Cultural Heritage. 128-131 - Alan Galey:
Approaching the Coasts of Utopia: Visualization Strategies for Mapping Early Modern Paratexts. 132-134 - Isabel Galina, Ernesto Priani:
Is There Anybody out There? Discovering New DH Practitioners in other Countries. 135-137 - Gabriella Giannachi, Henry Lowood, Duncan Rowland, Steve Benford, Dominic Price:
CloudPad - A Cloud-based Documentation and Archiving Tool for Mixed Reality Artworks. 138-141 - Fred Gibbs:
Moving Beyond Anecdotal History. 142 - Wayne Graham, Bethany Nowviskie:
Historic Interpretation, Preservation, and Augmented Reality in Falmouth Jamaica. 143-144 - Sebastian Heath:
The Digital Materiality of Early Christian Visual Culture: Building on John 20: 24-29. 145-146 - Martin Holmes, Meagan Timney:
Image Markup Tool 2.0. 147-148 - David L. Hoover:
The Tutor's Story: A Case Study of Mixed Authorship. 149-151 - David L. Hoover:
Modes of Composition in Three Authors. 152-155 - Leif Isaksen, Elton T. E. Barker, Eric C. Kansa, Kate Byrne:
Googling Ancient Places. 156-158 - Matthew L. Jockers:
Detecting and Characterizing National Style in the 19th Century Novel. 159-160 - Christopher Johanson:
Geo-Temporal Argumentation: The Roman Funeral Oration. 161-162 - Steven E. Jones, George K. Thiruvathukal:
The Object of Platform Studies: Relational Materialities and the Social Platform (the case of the Nintendo Wii). 163 - Ilkka Juuso, Lisa Lena Opas-Hänninen, Anthony W. Johnson, Tapio Seppänen:
The Time Machine: Capturing Worlds across Time in Texts. 164-166 - Heunggyu Kim, Beom-mo Kang, Do-Gil Lee, Eugene Chung, Ilhwan Kim:
Trends 21 Corpus: A Large Annotated Korean Newspaper Corpus for Linguistic and Cultural Studies. 167-169 - Long Le-Khac, Ryan Heuser:
Abstract Values in the 19th Century British Novel: Decline and Transformation of a Semantic Field. 170-173 - Ana Lucic, Catherine Blake:
Comparing the Similarities and Differences between Two Translations. 174-176 - Lev Manovich, William Huber, Jeremy Douglass:
Digital Image Analysis and Interactive Visualization of 1000000 Manga Pages. 177 - Yves Marcoux, Michael Sperberg-McQueen, Claus Huitfeldt:
Expressive Power of Markup Languages and Graph Structures. 178-179 - Allison C. Marsh:
Omeka in the Classroom: The Challenges of Teaching Material Culture in a Digital World. 180-181 - John McIntosh, Grant De Lozier, Jacob Cantrell, May Yuan:
Towards a Narrative GIS. 182-185 - John Melson, John Funchion:
Charlotte's Web: Encoding the Literary History of the Sentimental Novel. 186-187 - A. Charles Muller:
The Digital Dictionary of Buddhism: A Collaborative XML-Based Reference Work that has become a Field Standard: Technology and Sustainable Management Strategies. 188-189 - Trevor Muñoz, Virgil Varvel, Allen H. Renear, Kevin Trainor, Molly Dolan:
Tasks vs. Roles: A Center Perspective on Data Curation Needs in the Humanities. 190-193 - Peter Organisciak:
When to Ask for Help: Evaluating Projects for Crowdsourcing. 194-195 - Stephen Paling:
The Cultural Impact of New Media on American Literary Writing: Refining a Conceptual Framework. 196-198 - Michele Pasin:
Browsing Highly Interconnected Humanities Databases Through Multi-Result Faceted Browsers. 199-201 - Kenneth M. Price, Brett Barney, Liz Lorang:
Civil War Washington: An Experiment in Freedom, Integration, and Constraint. 202-203 - Malte Rehbein:
A Data Model for Visualising Textuality - The Würzburg Saint Matthew. 204-205 - Allen B. Riddell:
Toward a Demography of Literary Forms: Building on Moretti's Graphs. 206 - Geoffrey Rockwell, Victoria Smith, Sophia Hoosein, Sean Gouglas, Harvey Quamen:
Computing in Canada: a History of the Incunabular Years. 207-209 - Nuria Rodríguez, Alida Isolani, Dianella Lombardini, Daniele Marotta:
Religo: A Relationship System. 210-212 - Nuria Rodríguez:
Development of Digital Projects as Learning Strategies. The Desingcrea/Diseñoteca Project. 213-215 - Matteo Romanello, Michele Pasin:
An Ontological View of Canonical Citations. 216-217 - Jan Rybicki:
Alma Cardell Curtin and Jeremiah Curtin: the Translator's Wife's Stylistic Fingerprint. 218-220 - Susan Schreibman, Laura Mandell, Stephen Olsen:
Evaluating Digital Scholarship: A Case Study in the Field of Literature. 221-223 - Roni Shweka, Yaacov Choueka, Lior Wolf, Nachum Dershowitz, Masha Zeldin:
Automatic Extraction of Catalog Data from Genizah Fragments' Images. 224-225 - Lynne Siemens, Elisabeth Burr, Richard Cunningham, Wendy Duff, Dominic Forest, Claire Warwick:
A Trip Around the World: Balancing Geographical Diversity in Academic Research Teams. 226-229 - Gary F. Simons, Steven Bird, Christopher Hirt, Joshua Hou, Sven Pedersen:
Mining Language Resources from Institutional Repositories. 230-231 - Lisa Spiro:
Knowing and Doing: Understanding the Digital Humanities Curriculum. 232-233 - Rombert J. Stapel:
Layer upon Layer. "Computational Archaeology" in 15th Century Middle Dutch Historiography. 234-236 - Joshua Sternfeld:
Reforming Digital Historical Peer Review: Guidelines for Applying Digital Historiography to the Evaluative Process. 237-239 - Craig Stroupe:
You Suck at Narrative: Disciplinarity, Popular Culture, and the Database Logic of Photoshop. 240-241 - Radu Suciu:
Medical Case Studies on Renaissance Melancholy: Online Publication Project. 242 - Toma Tasovac, Natalia Ermolaev:
A User-Centered Digital Edition of Vuk Stefanović Karadžić's Lexicon Serbico-Germanico-Latinum. 243-246 - Jacob Thaisen:
Probabilistic Analysis of Middle English Orthography: the Auchinleck Manuscript. 247-248 - Meagan Timney, Cara Leitch, Ray Siemens:
Opening the Gates: A New Model for Edition Production in a Time of Collaboration. 249-251 - Sharon Webb, Aja Teehan, John G. Keating:
The Born Digital Graduate: Multiple Representations of and within Digital Humanities PhD Theses. 252-254 - Scott B. Weingart, Jeana Jorgensen:
Computational Analysis of Gender and the Body in European Fairy Tales. 255-257 - Willeke Z. Wendrich:
The UCLA Encyclopedia of Egyptology: Lessons Learned. 258-259 - Jacqueline Wernimont, Julia Flanders:
Possible Worlds: Authorial Markup and Digital Scholarship. 260-261 - Joris van Zundert, Gregor Middell, Dirk Van Hulle, Tara L. Andrews, Ronald Haentjens Dekker, Vincent Neyt:
Interedition: Principles, Practice and Products of an Open Collaborative Development Model for Digital Scholarly Editions. 262-268
Posters
- Sean Aery, Will Sexton:
Digital Collections at Duke University Libraries. 269 - Andrew Thomas Ashton:
Semantically Rich Tools for Text Exploration: TEI and SEASR. 270-271 - Charlotte Becker, Shannon Meyer:
Extending the Life of the Broadside Ballad: The English Broadside Ballad Archive from Microfilm to Color Photography. 272 - Anna Bentkowska-Kafel, Christos Giachritsis, David Prytherch:
Virtual Touch. Towards an Interdisciplinary Research Agenda for the Arts and Humanities. 273-276 - Hanno Biber:
Improving the AAC-FACKEL, a Scholarly Digital Edition of the Satirical Journal "Die Fackel". 277-278 - Tobias Blanke, Christiane Fritze, Laurent Romary:
Constructing DARIAH - the e-Infrastructure for the Arts and Humanities. 279-280 - Beth Bonsignore, Georgina Goodlander, Derek L. Hansen, Margeaux C. Johnson, Kari Kraus, Amanda Visconti:
The Arcane Gallery of Gadgetry: A Design Case Study of an Alternate Reality Game. 281-283 - John Bradley, Timothy Hill:
When WordHoard Met Pliny: Breaking Down of Interaction Silos Between Applications. 284-286 - Gerhard Brey:
The Wellcome Arabic Manuscripts Project. 287-288 - Susan Brown:
The Canadian Writing Research Collaboratory: Infrastructure Development through Partnership. 289-290 - Shih-Pei Chen, Hou Ieong Ho, Hsieh-Chang Tu, Jieh Hsiang:
Discovering Citation Relations among the Imperial Court Documents of Qing China. 291-295 - Worawat Choensawat, Sachie Takahashi, Minako Nakamura, Kozaburo Hachimura:
A Labanotation Editing Tool for Description and Reproduction of Stylized Traditional Dance Body Motion. 296-299 - Neil Coffee, Jean-Pierre Koenig, Shakthi Poornima, Christopher W. Forstall, Roelant Ossewaarde, Sarah L. Jacobson:
The Tesserae Project: Intertextual Analysis of Latin Poetry. 300-302 - Timothy Cole, Neil Fraistat, David Greenbaum, David Lester, Emma Millon:
Bamboo Technology Project: Building Cyberinfrastructure for the Arts and Humanities. 303-304 - James Cummings, Giles Bergel:
Wandering Jew's Chronicle Research Archive. 305-306 - Michael Eberle-Sinatra:
Synergies: On the Production of a Sustainable, Open, e-Publication Infrastructure for the Academy. 307 - Maciej Eder, Jan Rybicki:
Stylometry with R. 308-310 - Tom Elliott, Sean Gillies:
Pleiades: an un-GIS for Ancient Geography. 311-312 - Christopher W. Forstall, Walter J. Scheirer:
Visualizing Sound as Functional N-Grams in Homeric Greek Poetry. 313-314 - Joseph Gilbert, Julie Meloni, Bethany Nowviskie, Stéfan Sinclair:
DHAnswers: Building a Community-Based Q&A Board for the Digital Humanities. 315-318 - Katherine D. Harris:
Pedagogy & Play: Revising Learning through Digital Humanities. 319-320 - Martin Holmes, Kim Shortreed-Webb:
The Colonial Despatches of Vancouver Island and British Columbia: a Digital Edition of a Large-Scale Document Collection. 321-322 - Lorna M. Hughes, Fotis Jannadis, Susan Schreibman:
NeDiMAH a Network for Digital Arts and Humanities. 323-325 - Sho Itsubo, Takahiko Osaki, Fuminori Kimura, Taro Tezuka, Akira Maeda:
Visualization of Co-occurrence Relationships Using the Historical Persons and Locational Names from Historical Documents. 326-329 - Andy Keenan:
The Effect of Cheating on Player Engagement in Video Games. 330-331 - Douglas W. Knox:
Between Close and Distant: Historical Editing Methods at Intermediate Scale. 332-333 - Christopher Maraffi:
Roots of Performatology: From Uber-Marionette to Embodied Performative Agent. 334-337 - Richard Marciano, Mark Hedges, Alexandra Chassanoff, Andreas Aschenbrenner, Adil Hasan, Tobias Blanke:
Good Evidence is Hard to Find: Policy-based Approaches to Curating and Preserving Digital Humanities Data. 338 - Aditi S. Muralidharan:
A Visual Interface for Exploring Language Use in Slave Narratives. 339-341 - Kiyonori Nagasaki, Toru Tomabechi, Masahiro Shimoda:
Toward a Digital Research Environment for Buddhist Studies. 342-343 - Angel David Nieves:
ArchiTrace: An Urban Social History and Mapping Platform. 344-345 - Tomaz Onic:
An Analysis of Recurrences in Harold Pinter's Plays Using CATMA Concordancing Software. 346