Stop the war!Остановите войну!
for scientists:
default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID5th ICMC 1978: Evanston, Illinois, USA
- Proceedings of the 1978 International Computer Music Conference, ICMC 1978, Evanston, Illinois, USA, 1978. Michigan Publishing 1978
- Curtis Roads:
Preface. - Iannis Xenakis:
Opening Address. - Hal G. Alles:
An Inexpensive Digital Sound Synthesizer. - Jean-François Allouis:
Use of High-Speed Microprocessors for Digital Synthesis. - Martin Bartlett:
A Microcomputer-controlled Synthesis System for Live Performance. - Richard Blum:
A Low Cost, Real-time, Frequency Modulation Hardware Module for Mini and Micro Computers. - William Buxton, E. A. Fogels, Guy C. Fedorkow, Lawrence Sasaki, Kenneth C. Smith:
An Introduction to the SSSP Digital Synthesizer. - Dean Wallraff:
The DMX-1000 Signal Processing Computer. - Daniel Arfib:
Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine Waves. - James W. Beauchamp:
Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions. - Nelson J. Bridwell:
Interactive Synthesis Without Obscure Diagnostics. - William Buxton, William T. Reeves, Ronald Baecker, Leslie Mezei:
The Use of Hierarchy and Instance in a Data Structure for Computer Music. - Richard L. Cann:
A Musical View of Analysis-Synthesis. - Ercolino Ferretti:
Nuance Blending for the Synthesis of a Brass Choir. - David J. Murray, James W. Beauchamp, Gary Loitz:
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language. - Tracy Lind Petersen:
Interactive Digital Composition. - Neil B. Rolnick:
A Composer's Notes on the Development and Implementation of Software for a Digital Synthesizer. - Emmanuel Ghent:
Further Studies in Compositional Algorithms. - Lejaren Hiller:
Phrase Structure in Computer Music. - Hubert S. Howe Jr.:
Timbral Structures for Computer Music. - Gerald Lefkoff:
Tuned Cyclic Tone Systems. - Justus Matthews:
Music 3150, A Fortran Program for Composing Music for Conventional Instruments. - John R. Myhill:
Some Simplifications and Improvements in the Stochastic Music Program. - Gary Lee Nelson:
Reflections on my use of Computers in Composition 1970-1975. - John Rogers, John Rockstroh:
Score-Time and Real-Time. - Barry Truax:
Polyphonic Timbral Construction in "Androgyny". - Maurice Wright:
Plucking - One Aspect of Plucked String Synthesis and its Realization by Computer and a Musical Application. - William T. Reeves, William Buxton, Rob Pike, Ronald Baecker:
Ludwig: an Example of Interactive Computer Graphics in a Score Editor. - Dean Wallraff:
Nedit - A Graphical Editor for Musical Scores. - W. Kenton Bales, Richard L. Hamilton, Dan W. Scott:
Computer-aided Composition and Performance with AMUS. - William Buxton, Guy C. Fedorkow, Ronald Baecker, William T. Reeves, Kenneth C. Smith, Gustav Ciamaga, Leslie Mezei:
An Overview of the Structured Sound Synthesis Project. - James Dashow, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Computer Music at University of Padova. - Wayne Slawson:
Studio Report: Computer Music at the University of Pittsburgh. - Stephen McAdams, Albert S. Bregman:
The Perceptual Factoring of Acoustic Sequences into Musical Streams. - Tracy Lind Petersen:
Time-Frequency Analysis in the Context of a Perceptual Model. - Martin Piszczalski, Bernard A. Galler:
The Analysis and Transcription of Musical Sound. - C. Aperghis-Tramoni:
Coding and Drawing Music Scores. - Charles G. Boody:
The Micro-computer as an Input Device for Music Analysis or Composition by Computer. - John A. Celona:
Command-String Notation - A New Music Notational System. - Warren E. Hultberg:
Computer-based Processes for Tablature Transcription: Input Language Applications and Development; Analytical Aspects. - Rosalee Nerheim:
Current Applications of a Music Representation and Processing System. - Alexander R. Brinkman:
A Computer-assisted Analysis of Melodic Borrowing from the Cantus Firmus in the Chorale Preludes of Bach's Orgelbüchlein. - Sh. A. Gadgiev:
Statistical Analysis of Structure of Azerbaijan Folk Songs. - István Halmos, György Köszegi, György Mandler:
Computational Ethnomusicology in Hungary in 1978. - Vladimir Hosovsky, Igor Mkrtoumian, Edward Hakopian:
Armenian Universal Structural-Analytical Catalogue of Musical Texts - UNSACAT. - Larry Polansky:
A Hierarchical Analysis of Ruggles' Portals. - Rosalie L. Sward:
The Computer Assists in Attempting to Solve a Problem of Twentieth Century Music.
a service of 
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-04-22 20:01 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
