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ORCID7th ICMC 1981: Denton, Texas, USA
- Proceedings of the 1981 International Computer Music Conference, ICMC 1981, Denton, Texas, USA, 1981. Michigan Publishing 1981
- Lejaren Hiller, James W. Beauchamp, Charles Dodge:
Tutorials. - David Keane:
The Quest for 'Musically Interesting' Structures in Computer Music. - Joel Chadabe:
Paths to a Point in a Musical Landscape. - Tod Machover:
A Survey of Recent Compositional and Musical Research at IRCAM. - Otto E. Laske:
Toward a Definition of Computer Music. - Malgorzata Mikulska:
Some Remarks on Computer-Assisted Composition. - Brad Albers:
Designing an Integrated Environment for the Composer and Teacher. - Allan Schindler, Alexander R. Brinkman:
The Eastman School of Music Computer Music Studio. - Bruce W. Pennycook:
Computer Music at Queen's University. - Wayne Slawson:
Sound Color and Filters: The Hybrid Studio Revisited. - Sever Tipei:
Solving Specific Compositional Problems with MPI. - Michael Matthews:
Algorithms for Harmonic Pitch Structure Generation. - Jon Meinecke:
Stochastic Melody Writing Procedures: An Analysis Based Approach. - Charles Ames:
Protocol: Motivation, Design, and Implementation of a Computer-Assisted Composition for Solo Piano. - John F. Abel, Paul S. Barth:
Computer Composition of Melodic Deep Structures. - Bruce McLean:
Current Problems in Score Input Methods. - Philip C. Baczewski, Dan W. Scott:
An Intuitive Control Structure for the Generation of Computer-Synthesized Musical Sound. - Alexander R. Brinkman:
Data Structures for a Music-11 Preprocessor. - Colin Banger, Bruce W. Pennycook:
GCOMP: Graphic Control of Mixing and Processing. - Paul E. Dworak:
Using Hierarchical Thinking Strategies in Creative Behavior. - Ikuo Kitagaki, Kunihiro Suetake:
Piano Training System on the Use of a Micro-Computer of the Characteristic Extraction of the Learners' Playing a Fundamental Etude. - Dan Senn:
The White Side Program: The Application of Microcomputers to Music Composition Both as a Clerical Tool and as a Generative Device. - Gary S. Kendall, C. A. Puddie Rodgers:
The Simulation of Three-Dimensional Localization Cues for Headphone Listening. - James Anderson Moorer:
The Lucasfilm Audio Signal Processing Station. - John M. Snell:
Real-time Console for Live Performance of Computer Music and for Recording Studios. - Curtis Abbott:
Microprogramming a Generalized Signal Processor Architecture. - John P. Stautner, Barry Vercoe, Miller S. Puckette:
A Four-Channel Reverberation Network. - Alexandre Parodi:
Low Cost Sound Analysis/Synthesis Technique. - G. Digiugno, Jean Kott, Andrew Gerzo:
Progress Report on the 4X Machine and Its Use. - Jean-Baptiste Barrière, Jean Holleville, Yves Potard, Xavier Rodet:
Musical Synthesis: Evolution of the 'Chant' Project. - Barton McLean:
The Fairlight CMI and Its Uses in Advanced Laser Graphics. - Neil B. Rolnick:
Idiomatic Instruments. - Jeffrey S. Risberg:
Evolution of Interactive Control and Real-time Synthesis in a Digtital Music System. - Max V. Mathews, Joseph Pasquale:
RTSKED, A Scheduled Performance Language for the Crumar General Development System. - Stanley Haynes:
15 Months of Musical Production Using a Real-Time Digital Sound Synthesis System. - Miller S. Puckette, Barry Vercoe, John P. Stautner:
A Real-time Music 11 Emulator. - Lawrence Sasaki, Guy C. Fedorkow, William Buxton, C. Retterath, Kenneth C. Smith:
A Touch-Sensitive Input Device. - Martin Piszczalski, Bernard A. Galler:
Perceptual Organization in Music Listening. - Stephen McAdams, David Wessel:
A General Synthesis Package Based on Principles of Auditory Perception. - David N. Stewart:
Innovative Programming Method for Sound Waveform Production: A Plucked String Sound. - Dexter Morrill:
The Dynamic Aspects of Trumpet Phrases. - James W. Beauchamp:
Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis Technique. - J. Timothy Kolosick:
Microcomputers and Future Work in Computer-Assisted Music Analysis. - William F. Blair:
A Selection Method for Organization of Proportions and Musical Intervals for Composition and Analytic Purpose. - John H. Chalmers:
Combination Product Sets and Other Harmonic And Melodic Structures. - Denise A. Legassé:
A Model Computer Program for the Parametral Analysis of Atonal Music. - Caesar Castro:
The Casheab Synthesizer: How it Works. - William Buxton:
An Overview Demonstration of the SSSP System. - Martin Lamb:
Computer Games for Developing Musical Skills. - William Buxton, Stephen Hull, Alain Fournier:
On Contextually Adaptive Timbres. - David Crawford:
Gregory's Scribe: Interactive Graphics for Music Notation before 1600. - John Maxwell, Severo M. Ornstein:
Mockingbird: A Composer's Amanuensis.
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