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8th MOCO 2022: Chicago, IL, USA
- MOCO '22: 8th International Conference on Movement and Computing, Chicago, IL, USA, June 22 - 24, 2022. ACM 2022, ISBN 978-1-4503-8716-3

Session 1: Short and Long Papers: Design Analysis and Visualization in Movement
- Doga Cavdir

, Sofia Dahl
:
Performers' Use of Space and Body in Movement Interaction with A Movement-based Digital Musical Instrument. 1:1-1:12 - Stephanie Fulton, Dexter Aichele, Eva Coulon, Mattew Kizer, Anna Conser, William Bares:

Stage Together: Remote Rehearsal of Theater Blocking. 2:1-2:5 - Daniel Bisig:

Generative Dance - a Taxonomy and Survey. 3:1-3:10 - Eugenia Sangmie Kim

, Jayson Haebich, Álvaro Cassinelli
:
Radiant Soma: Visualization of Movement Through Motion Capture and Lasers. 4:1-4:5 - Marina Stergiou, Spyros Vosinakis:

Exploring costume-avatar interaction in digital dance experiences. 5:1-5:6 - Patrick Martin

, Kate Sicchio
, Charles Dietzel
, Alicia Olivo:
Towards A Framework For Dancing Beyond Demonstration. 6:1-6:7
Session 2: Short and Long Papers: Modeling and Experience Robotic Interactions
- Amit Rogel, Richard Savery

, Ning Yang, Gil Weinberg
:
RoboGroove: Creating Fluid Motion for Dancing Robotic Arms. 7:1-7:9 - Michael Krzyzaniak, Laura Bishop

:
Professor Plucky: Expressive body movement in human-robot musical ensembles. 8:1-8:8 - Robin Otterbein, Elizabeth Jochum

, Daniel Overholt, Shaoping Bai, Alex Dalsgaard:
Dance and Movement-Led Research for Designing and Evaluating Wearable Human-Computer Interfaces. 9:1-9:9
Session 3: Short and Long Papers: Moving, Reflecting, Sensing, Knowing
- Harmony Bench, Kate Elswit

:
"So... Will You Be Looking at Dance?": Data-led Dance History and the Edges of Movement Computing. 10:1-10:8 - Shannon Cuykendall

, Thecla Schiphorst:
The I-TEC Design Framework for Kinesthetic Transmission in Online Spaces. 11:1-11:12 - Jessica J. Rajko:

Geocultural Precarities in Canonizing Computing Research Involving Dance: The effects of treating western, EuroAmerican concert dance as universally applicable across geoculturally diverse movement computing research efforts. 12:1-12:14 - Mary Mainsbridge

:
Feeling movement in live electronic music: An embodied autoethnography. 13:1-13:7 - Jenny Oyallon-Koloski, Michael J. Junokas:

Enhancing Film Choreography Through Digital Representation of Camera Movement and Agency. 14:1-14:5 - Shuhei Tsuchida, Haomin Mao, Hideaki Okamoto, Yuma Suzuki, Rintaro Kanada, Takayuki Hori, Tsutomu Terada, Masahiko Tsukamoto:

Dance Practice System that Shows What You Would Look Like if You Could Master the Dance. 15:1-15:8
Session 4: Short and Long Papers: Movement Recognition and Analysis
- Jules Françoise, Gabriel Meseguer-Brocal, Frédéric Bevilacqua:

Movement Analysis and Decomposition with the Continuous Wavelet Transform. 16:1-16:13 - Jamal Knight, Andrew Johnston, Adam Berry

:
Machine Art: Exploring Abstract Human Animation Through Machine Learning Methods. 17:1-17:7 - Perrine Chassat, Juhyun Park

, Nicolas J.-B. Brunel:
Analysis of variability in sign language hand trajectories: development of generative model. 18:1-18:8 - Emily Napier, Gavin Gray, Sageev Oore:

Spectral Analysis for Dance Movement Query and Interpolation. 19:1-19:7 - Imen Trabelsi

, Jules Françoise, Yacine Bellik:
Sensor-based Activity Recognition using Deep Learning: A Comparative Study. 20:1-20:8 - Asako Soga, Bin Umino, Motoko Hirayama:

Experimental Creation of Contemporary Dance Works Using a Body-part Motion Synthesis System. 21:1-21:5
Session 5: Poster Presentations
- Adrián Artacho, Leonhard Horstmeyer:

SmoothOperator : A Device for Characterizing Smoothness in Body Movement. 22:1-22:6 - Ana Tajadura-Jiménez, Judith Ley-Flores, Omar Valdiviezo-Hernández

, Aneesha Singh
, Milagrosa Sanchez-Martin
, Joaquín Díaz Durán, Elena Márquez Segura:
Exploring the Design Space for Body Transformation Wearables to Support Physical Activity through Sensitizing and Bodystorming. 23:1-23:9 - Vilelmini Kalampratsidou, Pandelis Diamantides, Marina Stergiou, Katerina El Raheb, Yannis E. Ioannidis

, Philia Issari, Eugenie Georgaca, Dora Skali, Flora Koliouli, Evangelia Karydi, Panos Giokas, Virginia Vassilakou, Yannis Pappas:
From capturing the embodied social experience to music composition: data as mediation. 24:1-24:4 - Saliha Akbas

, Asim Evren Yantaç, Terry Eskenazi, Kemal Kuscu, Sinem Semsioglu, Onur Topal Sumer, Asli Ozturk:
Virtual Dance Mirror: A Functional Approach to Avatar Representation through Movement in Immersive VR. 25:1-25:4 - William Bares, Dexter Aichele, Eva Coulon, Nick Hager, Tina Wang, Julian Le, Abdelrahman Elawadly:

Motion-Sensor Programming for Accessible Interfaces. 26:1-26:5 - Alexandra Bacula, Heather Knight:

Incoherent Robot Groups: How Divergent Motions within a Robot Group Predict Functional and Social Interpretations. 27:1-27:6 - Markus Toverud Ruud, Tale Hisdal Sandberg, Ulrik Johan Vedde Tranvaag, Benedikte Wallace, Seyed Mojtaba Karbasi, Jim Torresen:

Reinforcement Learning Based Dance Movement Generation. 28:1-28:5
Session 6: Practice Works: Demos, Installations, Live Performances, Workshops
- Shannon Cuykendall

, Steve DiPaola:
Floating Departures: Developing Quarantine Dance Technique as an Artistic Practice Beyond the Pandemic. 29:1-29:7 - Courtney Douglass Brown, Ira Greenberg, Brent Brimhall:

Skin Hunger: A Telematic Installation. 30:1-30:3 - Kristin Carlson, Zahra Irannezhad, Laina Carney:

Desquamation. 31:1-31:3 - Tara Burns

:
Extending the Body: An Embodied Practice as Choreography in Virtual Reality Performance. 32:1-32:6 - Yoav Bergner, William Christopher Payne

, Kathleen McDermott, Kayla DesPortes:
danceON and softWEAR: Education-level creative coding and programmable wearables. 33:1-33:3 - Max Percy:

Haptic Technology and Motion Capture to Make Dance More Accessible for the Blind and Visually Impaired. 34:1-34:3 - Steven T. Kemper:

Manus Tremens. 35:1-35:2 - Ryan Ingebritsen, Christopher Knowlton

:
And She Will Sound The Alarm: Performance and Demo of the Body Sample Player. 36:1-36:4 - Lins Derry, Jordan Kruguer, Maximilian M. Mueller, Jeffrey Schnapp:

Designing a Choreographic Interface During COVID-19. 37:1-37:7 - Elias Jarzombek, Yiran Marcel Wang:

Pendular. 38:1-38:3 - Avital Meshi, Treyden Chiaravalloti:

InVisible - Movement on the Edge of Two Realities. 39:1-39:2 - Amy LaViers, Cat Maguire:

The BESST System: Explicating a New Component of Time in Laban/Bartenieff Movement Studies Through Work With Robots. 40:1-40:3 - Renee Carmichael:

Blockchain Feels: A Workshop in Choreographing Complexity. 41:1-41:4

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