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ORCIDDigital Creativity, Volume 8
Volume 8, Number 1, 1997
- Pierre Lévy:
Welcome to virtuality. 3-10 - Leslie Sawin Kepner:
Dance and digital media: Troika Ranch and the art of technology. 11-19 - Mike Sharpies:
Storytelling by computer. 20-29
- George Whale:
The algorithmic mark: A constraint-based approach to digital printmaking. 30-33
- Mike King:
Towards a science of consciousness 1996 "Tucson II". 34-35
- Gail Braybon:
The ArCADE II exhibition. 36-39
Volume 8, Number 2, 1997
- Ioannis D. Zaharakis, Achilles D. Kameas, Panayiotis E. Pintelas:
A hybrid expert system as an embedded module in tutoring systems. 47-58 - Nadia Magnenat-Thalmann, Igor S. Pandzic, Jean-Claude Moussaly:
The making of the Xian terra-cotta soldiers. 59-66
- John Sören Pettersson:
Framing the written sign. 67-73
- Stephen A. R. Scrivener:
CADE'97. 74-75 - Robert Ward, Graham R. Gibbs, Steve Draper, Susan English:
CAL 97. 76-82
- Mike King:
Osmose. 83-84
- Michael Pierce, Ian Tilsed:
Book reviews. 85-91
Volume 8, Numbers 3-4, 1997
- Stephen A. R. Scrivener:
Editorial. 95-96
- Gill Chapman, Tom Fisher, Peter Ashworth, Paula Reavey:
Creativity and the Computer Nerd: An exploration of attitudes. 97-105 - Ian Kelly:
A two-stage evolutionary model for the computer-aided design of colour combinations. 106-112 - Andrée Woodcock, Margaret Galer Flyte:
The development of computer-based tools to support ergonomics in design education and practice. 113-120 - John K. Owen, Michael J. Tovey, K. P. Dekker:
From imagining to image: An examination of visual realisation of 3D forms. 121-129
- Mike Phillips:
Mediaspace. 130-159
- Meurig Beynon:
2nd International conference on cognitive technology. 160-164 - Susan English:
Internet as a vehicle for teaching. 165-167 - Liam Birtles:
3D on the net. 168-172
- Paul Honeywill:
CD Review. 175-176
- Maurice Yolles, Jane Greaves, Sarah Peers, Rashpal Liddar:
Book reviews. 177-181
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