default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDTransactions of the International Society for Music Information Retrieval, Volume 4
Volume 4, Number 1, February 2021
- Tsung-Ping Chen, Li Su:
Attend to Chords: Improving Harmonic Analysis of Symbolic Music Using Transformer-Based Models. 1-13 - Daniel Schneider
, Nikolaus Korfhage, Markus Mühling, Peter Lüttig, Bernd Freisleben:
Automatic Transcription of Organ Tablature Music Notation with Deep Neural Networks. 14-28 - Mengyi Shan, T. J. Tsai:
Automatic Generation of Piano Score Following Videos. 29-41 - Daniel Yang, T. J. Tsai:
Piano Sheet Music Identification Using Dynamic N-gram Fingerprinting. 42-51 - Fanny Roche, Thomas Hueber, Maëva Garnier, Samuel Limier, Laurent Girin:
Make That Sound More Metallic: Towards a Perceptually Relevant Control of the Timbre of Synthesizer Sounds Using a Variational Autoencoder. 52-66 - Johannes Hentschel, Markus Neuwirth, Martin Rohrmeier:
The Annotated Mozart Sonatas: Score, Harmony, and Cadence. 67-80 - Katherine M. Kinnaird, Brian McFee:
Automatic Hierarchy Expansion for Improved Structure and Chord Evaluation. 81-92 - Katharina Prinz, Arthur Flexer, Gerhard Widmer:
On End-to-End White-Box Adversarial Attacks in Music Information Retrieval. 93 - Fabio Morreale:
Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation. 105-113 - Lorenzo Porcaro, Carlos Castillo, Emilia Gómez:
Diversity by Design in Music Recommender Systems. 114-126 - Michael Krause, Meinard Müller, Christof Weiß:
Towards Leitmotif Activity Detection in Opera Recordings. 127-140 - Daphne Odekerken, Hendrik Vincent Koops, Anja Volk:
Improving Audio Chord Estimation by Alignment and Integration of Crowd-Sourced Symbolic Music. 141-155 - Jon Gillick, Joshua Yang, Carmine-Emanuele Cella, David Bamman:
Drumroll Please: Modeling Multi-Scale Rhythmic Gestures with Flexible Grids. 156 - Albin Andrew Correya, Jorge Marcos-Fernández, Luis Joglar-Ongay, Pablo Alonso-Jiménez, Xavier Serra, Dmitry Bogdanov:
Audio and Music Analysis on the Web using Essentia.js. 167-181 - Arthur Flexer, Taric Lallai, Katja Rasl:
On Evaluation of Inter- and Intra-Rater Agreement in Music Recommendation. 182 - Bochen Li, Yuxuan Wang, Zhiyao Duan:
Audiovisual Singing Voice Separation. 195-209 - Fabian Ostermann, Igor Vatolkin, Günter Rudolph:
Evaluating Creativity in Automatic Reactive Accompaniment of Jazz Improvisation. 210 - Dror Chawin, Uri B. Rom:
Sliding-Window Pitch-Class Histograms as a Means of Modeling Musical Form. 223-235 - John Ashley Burgoyne, Hendrik Vincent Koops:
We are Not Groupies⋯ We are Band Aids': Assessment Reliability in the AI Song Contest. 236 - Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate, Moises Betancur Peláez:
Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version. 248 - Gianluca Micchi, Louis Bigo, Mathieu Giraud, Richard Groult, Florence Levé:
I Keep Counting: An Experiment in Human/AI Co-creative Songwriting. 263
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-10-27 23:40 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
