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Emmanuel Deruty
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2020 – today
- 2025
- [i10]Emmanuel Deruty:
Harmonic And Transposition Constraints Arising From The Use Of The Roland TR-808 Bass Drum. CoRR abs/2502.07524 (2025) - [i9]Emmanuel Deruty, Luc Leroy, Yann Macé, David Meredith:
Methods for pitch analysis in contemporary popular music: highlighting pitch uncertainty in Primaal's commercial works. CoRR abs/2502.08131 (2025) - [i8]Emmanuel Deruty, Maarten Grachten:
Insights on Harmonic Tones from a Generative Music Experiment. CoRR abs/2506.07073 (2025) - [i7]Emmanuel Deruty, Pascal Arbez-Nicolas, David Meredith:
Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance. CoRR abs/2506.07207 (2025) - [i6]Emmanuel Deruty:
An introduction to pitch strength in contemporary popular music analysis and production. CoRR abs/2506.07473 (2025) - [i5]Emmanuel Deruty, David Meredith, Maarten Grachten, Pascal Arbez-Nicolas, Andreas Hasselholt Jørgensen, Oliver Søndermølle Hansen, Magnus Stensli, Christian Nørkær Petersen:
Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music. CoRR abs/2506.12405 (2025) - [i4]Emmanuel Deruty:
Evolving music theory for emerging musical languages. CoRR abs/2506.14504 (2025) - 2024
- [c6]Emmanuel Deruty:
Harmonic and Transposition Constraints Arising From the Use of the Roland TR-808 Bass Drum. ISMIR 2024: 78-85 - [i3]Emmanuel Deruty, David Meredith, Stefan Lattner:
The evolution of inharmonicity and noisiness in contemporary popular music. CoRR abs/2408.08127 (2024) - 2022
- [j2]Emmanuel Deruty, Maarten Grachten, Stefan Lattner, Javier Nistal, Cyran Aouameur:
On the Development and Practice of AI Technology for Contemporary Popular Music Production. Trans. Int. Soc. Music. Inf. Retr. 5(1): 35 (2022) - [i2]Emmanuel Deruty, Maarten Grachten:
"Melatonin": A Case Study on AI-induced Musical Style. CoRR abs/2208.08968 (2022)
2010 – 2019
- 2019
- [c5]Maarten Grachten, Emmanuel Deruty, Alexandre Tanguy:
Auto-adaptive Resonance Equalization using Dilated Residual Networks. ISMIR 2019: 405-411 - 2018
- [i1]Maarten Grachten, Emmanuel Deruty, Alexandre Tanguy:
Auto-adaptive Resonance Equalization using Dilated Residual Networks. CoRR abs/1807.08636 (2018) - 2015
- [c4]Emmanuel Deruty, François Pachet:
The MIR Perspective on the Evolution of Dynamics in Mainstream Music. ISMIR 2015: 722-727 - 2014
- [c3]Frédéric Bimbot, Gabriel Sargent, Emmanuel Deruty, Corentin Guichaoua, Emmanuel Vincent:
Semiotic Description of Music Structure: An Introduction to the Quaero/Metiss Structural Annotations. Semantic Audio 2014 - 2012
- [c2]Frédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent:
Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions. ISMIR 2012: 235-240 - 2011
- [c1]Frédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent:
Methodology and Resources for The Structural Segmentation of Music Pieces into Autonomous and Comparable Blocks. ISMIR 2011: 287-292 - 2010
- [j1]Geoffroy Peeters, Emmanuel Deruty:
Sound Indexing Using Morphological Description. IEEE Trans. Speech Audio Process. 18(3): 675-687 (2010)
Coauthor Index

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last updated on 2025-07-11 22:37 CEST by the dblp team
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