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2020 – today
- 2021
[j2]Lauren Hayes
, Adnan Marquez-Borbon:
Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies. Comput. Music. J. 44(2-3): 24-38 (2021)- 2020
- [c11]Yanjun Lyu, Brandon Mechtley, Lauren Hayes, Sha Xin Wei:
Tableware: Social Coordination Through Computationally Augmented Everyday Objects Using Auditory Feedback. HCI (47) 2020: 332-349 - [c10]Lauren Hayes, Adnan Marquez-Borbon:
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. NIME 2020: 428-433 - [i3]Gabriella Isaac, Lauren Hayes, Todd Ingalls:
Cross-Modal Terrains: Navigating Sonic Space through Haptic Feedback. CoRR abs/2012.00922 (2020) - [i2]Lauren Hayes, Adnan Marquez-Borbon:
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. CoRR abs/2012.00923 (2020) - [i1]Lauren Hayes:
Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices. CoRR abs/2012.00927 (2020)
2010 – 2019
- 2019
- [c9]Brandon Mechtley, Todd Ingalls, Lauren Hayes, Byron Lahey, Jessica J. Rajko, Seth Dominicus Thorn, Robert LiKamWa, Julian Stein, Garrett Laroy Johnson, Emiddio Vasquez, Connor Rawls, Peter Weisman, Assegid Kidané, Sha Xin Wei:
Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures. TEI 2019: 707-709 - [e1]Stacey Kuznetsov, Daniel Saakes, Ron Wakkary, Luc Geurts, Lauren Hayes, Manfred Lau:
Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction, TEI 2019, Tempe, AZ, USA, March 17-20, 2019. ACM 2019, ISBN 978-1-4503-6196-5 [contents] - 2018
- [c8]Lauren Hayes:
Live Electronic Music Performance: Embodied and Enactive Approaches. MOCO 2018: 52:1-52:3 - 2017
- [j1]Lauren Hayes:
Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education. Comput. Music. J. 41(3): 36-49 (2017) - [c7]Lauren Hayes, Jessica J. Rajko:
Towards an Aesthetics of Touch. MOCO 2017: 22:1-22:8 - [c6]Gabriella Isaac, Lauren Hayes, Todd Ingalls:
Cross-modal terrains: navigating sonic space through haptic feedback. NIME 2017: 38-41 - 2016
- [c5]Lauren Hayes:
Sound, Electronics and Music: an evaluation of early embodied education. ICMC 2016 - 2015
- [c4]Lauren Hayes:
Skin Music (2012): an Audio-Haptic Composition for Ears and Body. Creativity & Cognition 2015: 359-360 - [c3]Lauren Hayes:
Enacting musical worlds: common approaches to using nimes within both performance and person-centred arts practices. NIME 2015: 299-302 - 2012
- [c2]Lauren Hayes:
Performing articulation and expression through a Haptic Interface. ICMC 2012 - 2011
- [c1]Lauren Hayes:
Vibrotactile Feedback-Assisted Performance. NIME 2011: 72-75
Coauthor Index
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