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Joanna Berzowska
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2010 – 2019
- 2019
- [c23]Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley:
The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. HCI (5) 2019: 70-89 - [c22]Joanna Berzowska, Alex Mommersteeg, Laura Isabel Rosero Grueso, Eric Ducray, Michael Patrick Rabo, Geneviève Moisan:
Baby Tango: Electronic Textile Toys for Full-Body Interaction. TEI 2019: 437-442 - [c21]Joanna Berzowska, Aisling Kelliher
, Daniela K. Rosner, Matt Ratto
, Suzanne Kite:
Critical Materiality: Creating Toolkits and Methods for Engaging Materiality in HCI. TEI 2019: 691-694 - 2012
- [c20]Jill Fantauzzacoffin, Joanna Berzowska, Ernest A. Edmonds, Ken Goldberg
, D. Fox Harrell, Brian K. Smith
:
The arts, HCI, and innovation policy discourse: invited panel. CHI Extended Abstracts 2012: 1111-1114 - [c19]Joanna Berzowska:
Programming materiality. TEI 2012: 23-24 - 2010
- [c18]Joanna Berzowska, Marc Beaulieu, Vincent Leclerc, Gaia Orain, Catherine Marchand, Catou Cournoyer, Emily Paris, Lois Frankel, Miliana Sesartic:
Captain electric and battery boy: prototypes for wearable power-generating artifacts. TEI 2010: 129-136 - [c17]Joanna Berzowska, Maksim Skorobogatiy:
Karma chameleon: bragg fiber jacquard-woven photonic textiles. TEI 2010: 297-298
2000 – 2009
- 2009
- [c16]Marcelo Coelho, Lyndl Hall, Joanna Berzowska, Pattie Maes:
Pulp-based computing: a framework for building computers out of paper. CHI Extended Abstracts 2009: 3527-3528 - [c15]Marcelo Coelho, Ivan Poupyrev, Sajid Sadi, Roel Vertegaal, Joanna Berzowska, Leah Buechley, Pattie Maes, Neri Oxman:
Programming reality: from transitive materials to organic user interfaces. CHI Extended Abstracts 2009: 4759-4762 - [c14]Joanna Berzowska, Maksim Skorobogatiy:
Karma Chameleon: jacquard-woven photonic fiber display. SIGGRAPH Talks 2009 - 2008
- [c13]Joanna Berzowska, Di Mainstone:
SKORPIONS: kinetic electronic garments. SIGGRAPH Talks 2008: 46:1 - [c12]Joanna Berzowska, Di Mainstone:
Skorpions: kinetic electronic garments. SIGGRAPH Art Gallery 2008: 92 - 2006
- [j1]Joanna Berzowska:
Personal technologies: memory and intimacy through physical computing. AI Soc. 20(4): 446-461 (2006) - [c11]Joanna Berzowska, Marcelo Coelho:
Memory-rich clothing. CHI Extended Abstracts 2006: 275-278 - [c10]Joanna Berzowska, Marcelo Coelho:
SMOKS: the memory suits. CHI Extended Abstracts 2006: 538-543 - [c9]Joanna Berzowska:
Krakow: a woven story of memory and erasure. SIGGRAPH Art Gallery 2006: 24 - 2005
- [c8]Joanna Berzowska:
Memory rich clothing: second skins that communicate physical memory. Creativity & Cognition 2005: 32-40 - [c7]Joanna Berzowska, Marcelo Coelho:
Kukkia and Vilkas: Kinetic Electronic Garments. ISWC 2005: 82-85 - [c6]Joanna Berzowska, Paul Yarin:
Memory rich garments: body-based displays. SIGGRAPH Electronic Art and Animation Catalog 2005: 168-171 - 2004
- [c5]Joanna Berzowska:
Very slowly animating textiles: shimmering flower. SIGGRAPH Sketches 2004: 34
1990 – 1999
- 1999
- [c4]Joanna Berzowska, Walter Bender:
Computational expressionism, or how the role of random () is changing in computer art. Human Vision and Electronic Imaging 1999: 45-57 - [c3]Joanna Berzowska:
Computational expressionism. SIGGRAPH Electronic Art and Animation Catalog 1999: 89 - [c2]Hiroshi Ishii, H. Rich Fletcher, Jay Lee, Seungho Choo, Joanna Berzowska, Craig Wisneski, Charlie Cano, Andres Hernandez, Colin Bulthaup:
musicBottles. SIGGRAPH Abstracts and Applications 1999: 174 - [c1]Joanna Berzowska:
Computational expressionism: a model for drawing with computation. SIGGRAPH Abstracts and Applications 1999: 210
Coauthor Index
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