default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDRoger B. Dannenberg
Person information
- affiliation: Carnegie Mellon University, Pittsburgh, USA
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
showing all ?? records
2020 – today
- 2024
[j30]Zhejing Hu
, Xiao Ma, Yan Liu, Gong Chen, Yongxu Liu, Roger B. Dannenberg:
The Beauty of Repetition: An Algorithmic Composition Model With Motif-Level Repetition Generator and Outline-to-Music Generator in Symbolic Music Generation. IEEE Trans. Multim. 26: 4320-4333 (2024)- [c131]Ruibin Yuan, Hanfeng Lin, Yi Wang, Zeyue Tian, Shangda Wu, Tianhao Shen, Ge Zhang, Yuhang Wu, Cong Liu, Ziya Zhou, Liumeng Xue, Ziyang Ma, Qin Liu, Tianyu Zheng, Yizhi Li, Yinghao Ma, Yiming Liang, Xiaowei Chi, Ruibo Liu, Zili Wang, Chenghua Lin, Qifeng Liu, Tao Jiang, Wenhao Huang, Wenhu Chen, Jie Fu, Emmanouil Benetos, Gus Xia, Roger B. Dannenberg, Wei Xue, Shiyin Kang, Yike Guo:
ChatMusician: Understanding and Generating Music Intrinsically with LLM. ACL (Findings) 2024: 6252-6271 - [c130]Yizhi Li, Ruibin Yuan, Ge Zhang, Yinghao Ma, Xingran Chen, Hanzhi Yin, Chenghao Xiao, Chenghua Lin, Anton Ragni, Emmanouil Benetos, Norbert Gyenge, Roger B. Dannenberg, Ruibo Liu, Wenhu Chen, Gus Xia, Yemin Shi, Wenhao Huang, Zili Wang, Yike Guo, Jie Fu:
MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training. ICLR 2024 - [i15]Ruibin Yuan, Hanfeng Lin, Yi Wang, Zeyue Tian, Shangda Wu, Tianhao Shen, Ge Zhang, Yuhang Wu, Cong Liu, Ziya Zhou, Ziyang Ma, Liumeng Xue, Ziyu Wang, Qin Liu, Tianyu Zheng, Yizhi Li, Yinghao Ma, Yiming Liang, Xiaowei Chi, Ruibo Liu, Zili Wang, Pengfei Li, Jingcheng Wu, Chenghua Lin, Qifeng Liu, Tao Jiang, Wenhao Huang, Wenhu Chen, Emmanouil Benetos, Jie Fu, Gus Xia, Roger B. Dannenberg, Wei Xue, Shiyin Kang, Yike Guo:
ChatMusician: Understanding and Generating Music Intrinsically with LLM. CoRR abs/2402.16153 (2024) - [i14]Hanzhi Yin, Gang Cheng, Christian J. Steinmetz, Ruibin Yuan, Richard M. Stern, Roger B. Dannenberg:
Modeling Analog Dynamic Range Compressors using Deep Learning and State-space Models. CoRR abs/2403.16331 (2024) - [i13]Yinghao Ma, Anders Øland, Anton Ragni, Bleiz Macsen Del Sette, Charalampos Saitis, Chris Donahue, Chenghua Lin, Christos Plachouras, Emmanouil Benetos, Elio Quinton, Elona Shatri, Fabio Morreale, Ge Zhang, György Fazekas, Gus Xia, Huan Zhang, Ilaria Manco, Jiawen Huang, Julien Guinot, Liwei Lin, Luca Marinelli, Max W. Y. Lam, Megha Sharma, Qiuqiang Kong, Roger B. Dannenberg, Ruibin Yuan, Shangda Wu, Shih-Lun Wu, Shuqi Dai, Shun Lei, Shiyin Kang, Simon Dixon, Wenhu Chen, Wenhao Huang, Xingjian Du, Xingwei Qu, Xu Tan, Yizhi Li, Zeyue Tian, Zhiyong Wu, Zhizheng Wu, Ziyang Ma, Ziyu Wang:
Foundation Models for Music: A Survey. CoRR abs/2408.14340 (2024) - 2023
- [j29]Roger B. Dannenberg, Jorge Sastre Martínez, Stefano Scarani, Nuria Lloret Romero, Elizabeth Carrascosa:
Mobile Devices and Sensors for an Educational Multimedia Opera Project. Sensors 23(9): 4378 (2023) - [c129]Yuxuan Wu, Yifan He, Xinlu Liu, Yi Wang, Roger B. Dannenberg:
Transplayer: Timbre Style Transfer with Flexible Timbre Control. ICASSP 2023: 1-5 - [c128]Le Zhuo, Ruibin Yuan, Jiahao Pan, Yinghao Ma, Yizhi Li, Ge Zhang, Si Liu, Roger B. Dannenberg, Jie Fu, Chenghua Lin, Emmanouil Benetos, Wenhu Chen, Wei Xue, Yike Guo:
LyricWhiz: Robust Multilingual Zero-Shot Lyrics Transcription by Whispering to ChatGPT. ISMIR 2023: 343-351 - [c127]Yinghao Ma, Ruibin Yuan, Yizhi Li, Ge Zhang, Chenghua Lin, Xingran Chen, Anton Ragni, Hanzhi Yin, Emmanouil Benetos, Norbert Gyenge, Ruibo Liu, Gus Xia, Roger B. Dannenberg, Yike Guo, Jie Fu:
On the Effectiveness of Speech Self-Supervised Learning for Music. ISMIR 2023: 457-465 - [c126]Shuqi Dai, Yuxuan Wu, Siqi Chen, Roy Huang, Roger B. Dannenberg:
SingStyle111: A Multilingual Singing Dataset With Style Transfer. ISMIR 2023: 765-773 - [c125]Ruibin Yuan, Yinghao Ma, Yizhi Li, Ge Zhang, Xingran Chen, Hanzhi Yin, Le Zhuo, Yiqi Liu, Jiawen Huang, Zeyue Tian, Binyue Deng, Ningzhi Wang, Chenghua Lin, Emmanouil Benetos, Anton Ragni, Norbert Gyenge, Roger B. Dannenberg, Wenhu Chen, Gus Xia, Wei Xue, Si Liu, Shi Wang, Ruibo Liu, Yike Guo, Jie Fu:
MARBLE: Music Audio Representation Benchmark for Universal Evaluation. NeurIPS 2023 - [i12]Yizhi Li, Ruibin Yuan, Ge Zhang, Yinghao Ma, Xingran Chen, Hanzhi Yin, Chenghua Lin, Anton Ragni, Emmanouil Benetos, Norbert Gyenge, Roger B. Dannenberg, Ruibo Liu, Wenhu Chen, Gus Xia, Yemin Shi, Wenhao Huang, Yike Guo, Jie Fu:
MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training. CoRR abs/2306.00107 (2023) - [i11]Ruibin Yuan, Yinghao Ma, Yizhi Li, Ge Zhang, Xingran Chen, Hanzhi Yin, Le Zhuo, Yiqi Liu, Jiawen Huang, Zeyue Tian, Binyue Deng, Ningzhi Wang, Chenghua Lin, Emmanouil Benetos, Anton Ragni, Norbert Gyenge, Roger B. Dannenberg, Wenhu Chen, Gus Xia, Wei Xue, Si Liu, Shi Wang, Ruibo Liu, Yike Guo, Jie Fu:
MARBLE: Music Audio Representation Benchmark for Universal Evaluation. CoRR abs/2306.10548 (2023) - [i10]Le Zhuo, Ruibin Yuan, Jiahao Pan, Yinghao Ma, Yizhi Li, Ge Zhang, Si Liu, Roger B. Dannenberg, Jie Fu, Chenghua Lin, Emmanouil Benetos, Wenhu Chen, Wei Xue, Yike Guo:
LyricWhiz: Robust Multilingual Zero-shot Lyrics Transcription by Whispering to ChatGPT. CoRR abs/2306.17103 (2023) - [i9]Yinghao Ma, Ruibin Yuan, Yizhi Li, Ge Zhang, Xingran Chen, Hanzhi Yin, Chenghua Lin, Emmanouil Benetos, Anton Ragni, Norbert Gyenge, Ruibo Liu, Gus Xia, Roger B. Dannenberg, Yike Guo, Jie Fu:
On the Effectiveness of Speech Self-supervised Learning for Music. CoRR abs/2307.05161 (2023) - [i8]Yuxuan Wu, Roger B. Dannenberg, Gus Xia:
Motif-Centric Representation Learning for Symbolic Music. CoRR abs/2309.10597 (2023) - 2022
- [c124]Shuqi Dai, Huiran Yu, Roger B. Dannenberg:
What is missing in deep music generation? A study of repetition and structure in popular music. ISMIR 2022: 659-666 - [i7]Shuqi Dai, Huiran Yu, Roger B. Dannenberg:
What is missing in deep music generation? A study of repetition and structure in popular music. CoRR abs/2209.00182 (2022) - [i6]Nikolas McNeal, Jennifer Huang, Aniekan Umoren, Shuqi Dai, Roger B. Dannenberg, Richard Randall, Tai Sing Lee:
Relating Human Perception of Musicality to Prediction in a Predictive Coding Model. CoRR abs/2210.16587 (2022) - 2021
- [j28]Roger B. Dannenberg:
Communication for Real-Time Music Systems: An Overview of O2. Comput. Music. J. 45(4): 7-19 (2021) - [j27]Alexandra Bonnici, Roger B. Dannenberg, Steven T. Kemper, Kenneth P. Camilleri:
Editorial: Music and AI. Frontiers Artif. Intell. 4: 651446 (2021) - [c123]Shuqi Dai, Zeyu Jin, Celso Gomes, Roger B. Dannenberg:
Controllable deep melody generation via hierarchical music structure representation. ISMIR 2021: 143-150 - [c122]Roger B. Dannenberg:
Canons for Conlon: Composing and Performing Multiple Tempi on the Web. NIME 2021 - [i5]Shuqi Dai, Xichu Ma, Ye Wang, Roger B. Dannenberg:
Personalized Popular Music Generation Using Imitation and Structure. CoRR abs/2105.04709 (2021) - [i4]Shuqi Dai, Zeyu Jin, Celso Gomes, Roger B. Dannenberg:
Controllable deep melody generation via hierarchical music structure representation. CoRR abs/2109.00663 (2021) - 2020
- [c121]Rowland Chen, Roger B. Dannenberg, Bhiksha Raj, Rita Singh:
Artificial Creative Intelligence: Breaking the Imitation Barrier. ICCC 2020: 319-325 - [i3]Shuqi Dai, Huan Zhang, Roger B. Dannenberg:
Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music. CoRR abs/2010.07518 (2020)
2010 – 2019
- 2019
- [j26]Stefano Scarani, Adolfo Muñoz, Jaime Serquera, Jorge Sastre Martínez, Roger B. Dannenberg:
Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software. Comput. Music. J. 43(4): 12-24 (2019) - [j25]Roger B. Dannenberg:
Review of "The Haskell School of Music: from Signals to Symphonies, " by Paul Hudak and Donya Quick, Cambridge University Press, 2018. J. Funct. Program. 29: e18 (2019) - [j24]Masataka Goto, Roger B. Dannenberg:
Music Interfaces Based on Automatic Music Signal Analysis: New Ways to Create and Listen to Music. IEEE Signal Process. Mag. 36(1): 74-81 (2019) - [j23]Roger B. Dannenberg:
O2: A Network Protocol for Music Systems. Wirel. Commun. Mob. Comput. 2019: 8424381:1-8424381:12 (2019) - 2018
- [j22]Roger B. Dannenberg:
Languages for Computer Music. Frontiers Digit. Humanit. 5: 26 (2018) - [c120]Roger B. Dannenberg:
UGG: a Unit Generator Generator. ICMC 2018 - [c119]Gus Xia, Roger B. Dannenberg:
ShIFT: A Semi-haptic Interface for Flute Tutoring. NIME 2018: 162-167 - [i2]Gus Xia, Carter Jacobsen, Qianwen Chen, Xingdong Yang, Roger B. Dannenberg:
ShIFT: A Semi-haptic Interface for Flute Tutoring. CoRR abs/1803.06625 (2018) - 2017
- [c118]Roger B. Dannenberg:
Time-Flow Concepts and Architectures For Music and Media Synchronization. ICMC 2017 - [c117]Guangyu Xia, Roger B. Dannenberg:
Improvised duet interaction: learning improvisation techniques for automatic accompaniment. NIME 2017: 110-114 - [i1]Anders Øland, Aayush Bansal, Roger B. Dannenberg, Bhiksha Raj:
Be Careful What You Backpropagate: A Case For Linear Output Activations & Gradient Boosting. CoRR abs/1707.04199 (2017) - 2016
- [c116]Roger B. Dannenberg, Zhang Chi:
O2: Rethinking Open Sound Control. ICMC 2016 - 2015
- [c115]Roger B. Dannenberg, Jesse Stiles, Yuezhang Li, Qiao Zhang:
An Online Interactive Course on Computer Music. ICMC 2015 - [c114]Dan Ringwalt, Roger B. Dannenberg:
Image Quality Estimation for Multi-Score OMR. ISMIR 2015: 17-23 - [c113]Mutian Fu, Guangyu Xia, Roger B. Dannenberg, Larry A. Wasserman:
A Statistical View on the Expressive Timing of Piano Rolled Chords. ISMIR 2015: 578-583 - [c112]Guangyu Xia, Yun Wang, Roger B. Dannenberg, Geoffrey Gordon:
Spectral Learning for Expressive Interactive Ensemble Music Performance. ISMIR 2015: 816-822 - [c111]Dan Ringwalt, Roger B. Dannenberg, Andrew Russell:
Optical music recognition for interactive score display. NIME 2015: 95-98 - [c110]Guangyu Xia, Roger B. Dannenberg:
Duet interaction: learning musicianship for automatic accompaniment. NIME 2015: 259-264 - [c109]Roger B. Dannenberg, Andrew Russell:
Arrangements: flexibly adapting music data for live performance. NIME 2015: 315-316 - 2014
- [j21]Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia:
Methods and Prospects for Human-Computer Performance of Popular Music. Comput. Music. J. 38(2): 36-50 (2014) - [j20]Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia:
Active Scores: Representation and Synchronization in Human-Computer Performance of Popular Music. Comput. Music. J. 38(2): 51-62 (2014) - [c108]Roger B. Dannenberg, Thomas P. Neuendorffer:
Scaling Up Live Internet Performance with The Global Net Orchestra. ICMC 2014 - [c107]Steven Yi, Victor Lazzarini, Roger B. Dannenberg, John ffitch:
Extending Aura with Csound Opcodes. ICMC 2014 - 2013
- [b1]Mary Simoni, Roger B. Dannenberg:
Algorithmic Composition - A Guide to Composing Music with Nyquist. University of Michigan Press 2013, ISBN 978-0-472-03523-6, pp. I-XII, 1-249 - [c106]Jiuqiang Tang, Roger B. Dannenberg:
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance. CMMR 2013: 72-85 - [c105]Guangyu Xia, Tongbo Huang, Yifei Ma, Roger B. Dannenberg, Christos Faloutsos:
MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases. CMMR 2013: 259-276 - [c104]Zeyu Jin, Roger B. Dannenberg:
Formal Semantics for Music Notation control Flow. ICMC 2013 - [c103]Zeyu Jin, Roger B. Dannenberg:
Formal Semantics for Music Notation control Flow. ICMC 2013 - 2012
- [c102]Guangyu Xia, Roger B. Dannenberg, Junyun Tay, Manuela M. Veloso:
Autonomous robot dancing driven by beats and emotions of music. AAMAS 2012: 205-212 - [p3]Roger B. Dannenberg:
Human Computer Music Performance. Multimodal Music Processing 2012: 121-134 - 2011
- [c101]Roger B. Dannenberg:
A Vision of Creative Computation in Music Performance. ICCC 2011: 84-89 - [c100]Roger B. Dannenberg:
A Virtual Orchestra for Human-Computer Music Performance. ICMC 2011 - [c99]Roger B. Dannenberg, Sukrit Mohan:
Characterizing Tempo Change In Musical Performances. ICMC 2011 - [c98]Guangyu Xia, Dawen Liang, Roger B. Dannenberg, Mark Harvilla:
Segmentation, Clustering, and Display in a Personal Audio Database for Musicians. ISMIR 2011: 139-144 - [c97]Nicolas E. Gold, Roger B. Dannenberg:
A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems. NIME 2011: 36-39 - [c96]Dawen Liang, Guangyu Xia, Roger B. Dannenberg:
A Framework for Coordination and Synchronization of Media. NIME 2011: 167-172 - 2010
- [c95]Roger B. Dannenberg, Tomas Laurenzo:
Critical point, a composition for cello and computer. CHI Extended Abstracts 2010: 2985-2988 - [c94]Yuxiang Liu, Roger B. Dannenberg, Lianhong Cai:
The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing. ICIC (2) 2010: 123-131 - [c93]Roger B. Dannenberg, Robert Kotcher:
Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance. ICMC 2010 - [c92]Roger B. Dannenberg, Daniel P. Siewiorek, Noel Zahler:
Exploring Meaning And Intention In Music Conducting. ICMC 2010 - [c91]Özgür Izmirli, Roger B. Dannenberg:
Understanding Features and Distance Functions for Music Sequence Alignment. ISMIR 2010: 411-416 - [c90]Roger B. Dannenberg, Will Dormann, David Keaton, Robert C. Seacord, David Svoboda, Alex Volkovitsky, Timothy Wilson, Thomas Plum:
As-If Infinitely Ranged Integer Model. ISSRE 2010: 91-100 - [p2]Roger B. Dannenberg:
Style in Music. The Structure of Style 2010: 45-57
2000 – 2009
- 2009
- [c89]Sebastian Ewert, Meinard Müller, Roger B. Dannenberg:
Towards Reliable Partial Music Alignments Using Multiple Synchronization Strategies. Adaptive Multimedia Retrieval 2009: 35-48 - [c88]Roger B. Dannenberg, Larry A. Wasserman:
Estimating the Error Distribution of a Single Tap Sequence without Ground Truth. ISMIR 2009: 297-302 - [c87]Byeong-jun Han, Seungmin Rho, Roger B. Dannenberg, Eenjun Hwang:
SMERS: Music Emotion Recognition Using Support Vector Regression. ISMIR 2009: 651-656 - 2008
- [c86]Roger B. Dannenberg:
The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface. ICMC 2008 - [c85]Roger B. Dannenberg:
Is Music Audio Processing Embarrassingly Parallel? ICMC 2008 - [c84]David Wessel, Roger B. Dannenberg, Yann Orlarey, Miller S. Puckette, Peter Van Roy, Ge Wang:
Reinventing Audio and Music Computation for Many-Core Processors. ICMC 2008 - 2007
- [j19]Roger B. Dannenberg:
David Temperley, Music and Probability , MIT Press (2007). Artif. Intell. 171(18): 1118-1121 (2007) - [j18]Roger B. Dannenberg, William P. Birmingham, Bryan Pardo, Ning Hu, Colin Meek, George Tzanetakis:
A comparative evaluation of search techniques for query-by-humming using the MUSART testbed. J. Assoc. Inf. Sci. Technol. 58(5): 687-701 (2007) - [c83]William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen:
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses. CMMR 2007: 276-287 - [c82]Roger B. Dannenberg:
Abstract Behaviors for Structured Music Programming. ICMC 2007 - [c81]Roger B. Dannenberg:
An Intelligent Multi-Track audio Editor. ICMC 2007 - [c80]Roger B. Dannenberg, Sofia Cavaco, Eugene Ang, Igor Avramovic, Barkin Aygun, Jinwook Baek, Eric Barndollar, Daniel Duterte, Jeffrey Grafton, Robert Hunter, Chris Jackson, Umpei Kurokawa, Daren Makuck, Timothy Mierzejewski, Michael L. Rivera, Dennis Torres, Apphia Yu:
The Carnegie Mellon Laptop Orchestra. ICMC 2007 - [c79]William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen:
Placement of sound Sources in the Stereo Field using measured Room impulse responses. ICMC 2007 - [c78]Stephen Travis Pope, Roger B. Dannenberg:
Models and APIs for audio synthesis and Processing a Panel Discussion. ICMC 2007 - [c77]Wei You, Roger B. Dannenberg:
Polyphonic Music Note Onset Detection Using Semi-Supervised Learning. ISMIR 2007: 279-282 - [c76]Edith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford:
TagATune: A Game for Music and Sound Annotation. ISMIR 2007: 361-364 - [c75]Dominik Schmidt, Roger B. Dannenberg, Asim Smailagic, Daniel P. Siewiorek, B. Biigge:
Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform. ISWC 2007: 113-114 - [c74]Roger B. Dannenberg:
New Interfaces for Popular Music Performance. NIME 2007: 130-135 - 2006
- [j17]Roger B. Dannenberg:
David Cope, Computer Models of Musical Creativity, MIT Press (2005). Artif. Intell. 170(18): 1218-1221 (2006) - [j16]Roger B. Dannenberg, Christopher Raphael:
Music score alignment and computer accompaniment. Commun. ACM 49(8): 38-43 (2006) - [j15]William P. Birmingham, Roger B. Dannenberg, Bryan Pardo:
Query by humming with the VocalSearch system. Commun. ACM 49(8): 49-52 (2006) - [j14]Ning Hu, Roger B. Dannenberg:
Bootstrap learning for accurate onset detection. Mach. Learn. 65(2-3): 457-471 (2006) - [c73]Roger B. Dannenberg:
The Interpretation of MIDI Velocity. ICMC 2006 - [c72]Roger B. Dannenberg:
Concatenative Synthesis Using Score-Aligned Transcriptions. ICMC 2006 - [c71]John F. Woodruff, Bryan Pardo, Roger B. Dannenberg:
Remixing Stereo Music with Score-Informed Source Separation. ISMIR 2006: 314-319 - 2005
- [j13]Roger B. Dannenberg:
Interactive Visual Music: A Personal Perspective. Comput. Music. J. 29(4): 25-35 (2005) - [c70]Roger B. Dannenberg:
A Virtual Patchbay for robust Distributed Interactive Music Systems. ICMC 2005 - [c69]Cornelius Poepel, Roger B. Dannenberg:
Audio signal Driven sound synthesis. ICMC 2005 - [c68]Ning Hu, Roger B. Dannenberg:
A Bootstrap Method for Training an Accurate Audio Segmenter. ISMIR 2005: 223-229 - [c67]Roger B. Dannenberg:
Toward Automated Holistic Beat Tracking, Music Analysis and Understanding. ISMIR 2005: 366-373 - [c66]Roger B. Dannenberg, Ben Brown, Garth Zeglin, Ron Lupish:
McBlare: A Robotic Bagpipe Player. NIME 2005: 80-84 - 2004
- [j12]Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo:
The MUSART Testbed for Query-by-Humming Evaluation. Comput. Music. J. 28(2): 34-48 (2004) - [c65]Roger B. Dannenberg:
Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing. ICMC 2004 - [c64]Jonghyun Lee, Roger B. Dannenberg, Joohwan Chun:
Cancellation of Unwanted Audio to Support Interactive Computer Music. ICMC 2004 - [c63]Matthew Wright, Roger B. Dannenberg, Stephen Travis Pope, Xavier Rodet, Xavier Serra, David Wessel:
Panel: Standards from the Computer Music Community. ICMC 2004 - [c62]Roger B. Dannenberg, Ning Hu:
Understanding Search Performance in Query-by-Humming Systems. ISMIR 2004 - [c61]Roger B. Dannenberg:
Aura II: Making Real-Time Systems Safe for Music. NIME 2004: 132-137 - 2003
- [c60]Roger B. Dannenberg, Ning Hu:
Polyphonic Audio Matching for Score Following and Intelligent Audio Editors. ICMC 2003 - [c59]Roger B. Dannenberg, Thomas P. Neuendorffer:
Sound Synthesis from Real-Time Video Images. ICMC 2003 - [c58]Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo:
The MUSART testbed for query-by-humming evaluation. ISMIR 2003 - 2002
- [j11]Roger B. Dannenberg:
Letters. Comput. Music. J. 26(2): 4 (2002) - [j10]Dominic Mazzoni, Roger B. Dannenberg:
A Fast Data Structure for Disk-Based Audio Editing. Comput. Music. J. 26(2): 62-76 (2002) - [c57]Roger B. Dannenberg, Ning Hu:
Discovering Musical Structure in Audio Recordings. ICMAI 2002: 43-57 - [c56]Roger B. Dannenberg:
Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio. ICMC 2002 - [c55]Roger B. Dannenberg:
A Language for Interactive Audio Applications. ICMC 2002 - [c54]Ning Hu, Roger B. Dannenberg, Ann L. Lewis:
A Probabilistic Model of Melodic Similarity. ICMC 2002 - [c53]Roger B. Dannenberg, Ning Hu:
Pattern Discovery Techniques for Music Audio. ISMIR 2002 - [c52]Ning Hu, Roger B. Dannenberg:
A comparison of melodic database retrieval techniques using sung queries. JCDL 2002: 301-307