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ORCIDErnest A. Edmonds
Person information
- affiliation: University of Technology, Sydney, Creativity and Cognition Studios (CCS), Australia
- affiliation: Loughborough University, Leicestershire, UK
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Books and Theses
- 2018
[b2]Ernest A. Edmonds:
The Art of Interaction: What HCI Can Learn from Interactive Art. Synthesis Lectures on Human-Centered Informatics, Morgan & Claypool Publishers 2018, ISBN 978-3-031-01094-1- 2002
- [b1]Linda Candy, Ernest A. Edmonds:
Explorations in Art and Technology. Springer 2002, ISBN 978-1-85233-545-8, pp. I-XV, 1-304
Journal Articles
- 2022
- [j55]Neha Kumar, Julie A. Adams, Bill Buxton, Linda Candy, Pablo César, Leigh Clark, Benjamin R. Cowan, Anind K. Dey, Phoebe O. Toups Dugas, Ernest A. Edmonds, Michael A. Goodrich, Mark Green, Jonathan Grudin, Yoshifumi Kitamura, Joe Konstan, Celine Latulipe, Minha Lee
, Tom Malone, Regan L. Mandryk, Panos Markopoulos, Michael J. Muller, Lennart E. Nacke, Yukiko I. Nakano, Marianna Obrist, Martin Porcheron, Aleksandra Sarcevic, Johannes Schöning, Stacey D. Scott, Bonita Sharif, Frank Steinicke, Simone Stumpf, Edward Tse, Vinoba Vinayagamoorthy:
A chronology of SIGCHI conferences: 1983 to 2022. Interactions 29(6): 34-41 (2022) - 2020
- [j54]Ernest A. Edmonds:
A journey from abstract film to concrete interaction. Digit. Creativity 31(3): 147-155 (2020) - 2019
- [j53]Myounghoon Jeon, Rebecca Fiebrink, Ernest A. Edmonds, Damith C. Herath:
From rituals to magic: Interactive art and HCI of the past, present, and future. Int. J. Hum. Comput. Stud. 131: 108-119 (2019) - 2013
- [j52]Ernest A. Edmonds, Francesca Franco:
From Communications Game to Cities Tango. Int. J. Creative Comput. 1(1): 120-132 (2013) - 2012
- [j51]Mika Luma Tuomola, Ernest A. Edmonds, Lone Malmborg:
Collaboration and Community: Foreword. Digit. Creativity 23(2): 95-97 (2012) - [j50]Roman Danylak, Ernest A. Edmonds:
The planning and experience of time and space in three gestural media: theatre, film and interactive film. Int. J. Arts Technol. 5(1): 1-16 (2012) - 2010
- [j49]Ernest A. Edmonds:
The art of interaction. Digit. Creativity 21(4): 257-264 (2010) - [j48]Shigeki Amitani, Ernest A. Edmonds:
A method for visualising possible contexts. Int. J. Adv. Intell. Paradigms 2(2/3): 110-124 (2010) - 2009
- [j47]Margaret A. Boden, Ernest A. Edmonds:
What is generative art? Digit. Creativity 20(1-2): 21-46 (2009) - [j46]Ernest A. Edmonds, Zafer Bilda, Lizzie Muller:
Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience. Digit. Creativity 20(3): 141-151 (2009) - 2008
- [j45]Roman Danylak, Ernest A. Edmonds:
Interactive film and the multiplied self. Comput. Entertain. 6(3): 37:1-37:9 (2008) - 2006
- [j44]Rodney Berry, Mao Makino, Naoto Hikawa, Masahide Naemura, Yusuf Pisan, Ernest A. Edmonds:
Programming in the world. Digit. Creativity 17(1): 36-48 (2006) - [j43]Ben Shneiderman, Gerhard Fischer, Mary Czerwinski, Mitchel Resnick, Brad A. Myers, Linda Candy, Ernest A. Edmonds, Michael Eisenberg, Elisa Giaccardi, Thomas T. Hewett, Pamela Jennings, Bill Kules, Kumiyo Nakakoji, Jay F. Nunamaker Jr., Randy F. Pausch, Ted Selker, Elisabeth Sylvan, Michael A. Terry:
Creativity Support Tools: Report From a U.S. National Science Foundation Sponsored Workshop. Int. J. Hum. Comput. Interact. 20(2): 61-77 (2006) - 2005
- [j42]Dave Burraston, Ernest A. Edmonds:
Cellular automata in generative electronic music and sonic art: a historical and technical review. Digit. Creativity 16(3): 165-185 (2005) - [j41]Ernest A. Edmonds, Linda Candy:
Computer support for creativity. Int. J. Hum. Comput. Stud. 63(4-5): 363-364 (2005) - [j40]Ernest A. Edmonds, Alastair Weakley, Linda Candy, Mark Fell, Roger Knott, Sandra Pauletto:
The studio as laboratory: Combining creative practice and digital technology research. Int. J. Hum. Comput. Stud. 63(4-5): 452-481 (2005) - [j39]Alastair Weakley, Ernest A. Edmonds:
Web-based support for creative collaboration. Int. J. Web Based Communities 1(4): 436-449 (2005) - 2004
- [j38]Alastair Weakley, Ernest A. Edmonds:
Shared Visualizations in Support of Distributed Creative Communities. Australas. J. Inf. Syst. 11(2) (2004) - [j37]Ernest A. Edmonds, Dave Everitt, Michael Macaulay, Greg Turner:
On physiological computing with an application in interactive art. Interact. Comput. 16(5): 897-915 (2004) - 2003
- [j36]Ernest A. Edmonds:
Logics for constructing generative art systems. Digit. Creativity 14(1): 23-28 (2003) - 2002
- [j35]Ernest A. Edmonds, Linda Candy:
Creativity, art practice, and knowledge. Commun. ACM 45(10): 91-95 (2002) - [j34]Lena Mamykina, Linda Candy, Ernest A. Edmonds:
Collaborative creativity. Commun. ACM 45(10): 96-99 (2002) - 2000
- [j33]Linda Candy, Ernest A. Edmonds:
The human element: creativity enhancement with emerging technologies. Commun. ACM 43(8): 62-65 (2000) - [j32]Ernest A. Edmonds:
Art practice augmented by digital agents. Digit. Creativity 11(4): 193-204 (2000) - [j31]Conn V. Copas, Ernest A. Edmonds:
Intelligent interfaces through interactive planners. Interact. Comput. 12(6): 545-564 (2000) - [j30]G. P. Heliades, Ernest A. Edmonds:
Notation and nature of task in comprehending design rationale. Knowl. Based Syst. 13(4): 215-224 (2000) - [j29]Michael Smyth, Ernest A. Edmonds:
Supporting design through the strategic use of shape grammars. Knowl. Based Syst. 13(6): 385-393 (2000) - 1999
- [j28]G. P. Heliades, Ernest A. Edmonds:
On facilitating knowledge transfer in software design. Knowl. Based Syst. 12(7): 391-395 (1999) - 1998
- [j27]Dipan Shah, Linda Candy, Ernest A. Edmonds:
An investigation into supporting collaboration over the Internet. Comput. Commun. 20(16): 1458-1466 (1998) - [j26]Ernest A. Edmonds, Thomas P. Moran, Ellen Do:
Interactive systems for supporting the emergence of concepts and ideas: A CHI 97 workshop. ACM SIGCHI Bull. 30(1): 24-25 (1998) - 1997
- [j25]Rachel M. Jones, Conn V. Copas, Ernest A. Edmonds:
GIS Support for Distributed Group-Work in Regional Planning. Int. J. Geogr. Inf. Sci. 11(1): 53-71 (1997) - 1996
- [j24]Elizabeth Pollitzer, Ernest A. Edmonds:
Editorial: the evolving partnership between cognitive science and HCI. Int. J. Hum. Comput. Stud. 44(6): 731-741 (1996) - 1995
- [j23]Ernest A. Edmonds:
Editorial. Knowl. Based Syst. 8(1): 3- (1995) - 1994
- [j22]Ernest A. Edmonds, Linda Candy, Rachel M. Jones, Bassel Soufi:
Support for Collaborative Design: Agents and Emergence. Commun. ACM 37(7): 41-47 (1994) - [j21]Ernest A. Edmonds:
Knowledge-based systems: a new perspective. Knowl. Based Syst. 7(1): 3-4 (1994) - [j20]Ernest A. Edmonds:
Special section: Creativity and cognition. Knowl. Based Syst. 7(4): 219-220 (1994) - 1993
- [j19]Ernest A. Edmonds, Stella M. O'Brien, T. Bayley, Eddy McDaid:
Constructing End-User Knowledge Manipulation Systems. Int. J. Man Mach. Stud. 38(1): 51-70 (1993) - [j18]Linda Candy, Stella M. O'Brien, Ernest A. Edmonds:
End-User Manipulation of a Knowledge-Based System: A Study and an Expert's Practice. Int. J. Man Mach. Stud. 38(1): 129-145 (1993) - [j17]Nick P. Rousseau, Linda Candy, Ernest A. Edmonds:
Influence, Discretion and Time Available: A Case Study of HCI Practice in Software Development. Interact. Comput. 5(4): 397-411 (1993) - [j16]Ernest A. Edmonds:
Editorial. Knowl. Based Syst. 6(1): 2 (1993) - [j15]Rachel M. Jones, Linda Candy, Ernest A. Edmonds:
Knowledge-based system requirements. Knowl. Based Syst. 6(1): 31-37 (1993) - [j14]Ernest A. Edmonds:
Editorial. Knowl. Based Syst. 6(2): 66 (1993) - 1992
- [j13]Mark Lansdale, Ernest A. Edmonds:
Using Memory for Events in the Design of Personal Filing Systems. Int. J. Man Mach. Stud. 36(1): 97-126 (1992) - [j12]Ernest A. Edmonds:
Design, AI and designers: a challenge. Knowl. Based Syst. 5(1): 2- (1992) - 1990
- [j11]Ernest A. Edmonds:
Frameworks for knowledge-based systems. Knowl. Based Syst. 3(4): 187-191 (1990) - [j10]Ernest A. Edmonds, Eddy McDaid:
An architecture for knowledge-based front ends. Knowl. Based Syst. 3(4): 221-224 (1990) - 1987
- [j9]Ernest A. Edmonds:
Expert systems and document handling. Inf. Process. Manag. 23(2): 77-80 (1987) - [j8]Ernest A. Edmonds:
Adaptation, response and knowledge. Knowl. Based Syst. 1(1): 3-10 (1987) - 1986
- [j7]Ernest A. Edmonds:
Negative Knowledge Toward a Strategy for Asking in Logic Programming. Int. J. Man Mach. Stud. 24(6): 597-600 (1986) - [j6]Andre Schappo, Ernest A. Edmonds:
Support for Tentative Design: Incorporating the Screen Image, as a Graphical Object, into PROLOG. Int. J. Man Mach. Stud. 24(6): 601-609 (1986) - [j5]John H. Connolly, Ernest A. Edmonds, J. J. Guzy, S. R. Johnson, A. Woodcock:
Automatic Speech Recognition Based on Spectrogram Reading. Int. J. Man Mach. Stud. 24(6): 611-621 (1986) - 1983
- [j4]Ernest A. Edmonds:
Image Handling - The Bringing Together of Computer Graphics and Image Processing. Comput. Graph. Forum 2(1): 30-34 (1983) - 1981
- [j3]Ernest A. Edmonds:
Domains of Interest in Fuzzy Sets. Int. J. Man Mach. Stud. 15(4): 461-468 (1981) - 1980
- [j2]Ernest A. Edmonds:
Lattice Fuzzy Logics. Int. J. Man Mach. Stud. 13(4): 455-465 (1980) - 1969
- [j1]Ernest A. Edmonds:
Independence of Rose's Axioms for m-Valued Implication. J. Symb. Log. 34(2): 283-284 (1969)
Conference and Workshop Papers
- 2021
- [c96]Ernest A. Edmonds:
C&C Past, Present and Future. Creativity & Cognition 2021: 1:1-1:2 - [c95]Jonathan P. Bowen, Camille Baker, Ghislaine Boddington, Ernest A. Edmonds, Merel van Helsdingen, Terrence Masson:
EVA London 2021: Keynote summaries. EVA 2021 - 2020
- [c94]Ernest A. Edmonds, Damian Hills, Yi Ji, Xin Tong:
H Space: Interactive Augmented Reality Art. TEI 2020: 683-688 - 2019
- [c93]Ernest A. Edmonds:
Art and Code: Programming as a Medium. ArtsIT/DLI 2019: 3-12 - 2018
- [c92]Ernest A. Edmonds, Pip Greasley:
Constructs: Conducts. CHI Extended Abstracts 2018 - [c91]Ernest A. Edmonds:
What has Art Got to do With It? ACM Multimedia 2018: 773 - 2017
- [c90]Ernest A. Edmonds:
SIGCHI Lifetime Practice Award Talk - Creatively Crossing Boundaries. CHI Extended Abstracts 2017: 12-13 - [c89]Ernest A. Edmonds:
Shaping Form S17. CHI Extended Abstracts 2017: 1431-1432 - [c88]Ernest A. Edmonds:
Lifetime achievement award in digital art. SIGGRAPH Speakers 2017: 4:1-4:2 - 2016
- [c87]David England, Celine Latulipe, Nick Bryan-Kinns, Ernest A. Edmonds, Sean M. Clark:
Art.CHI II: Digital Art in a Post-Digital World. CHI Extended Abstracts 2016: 3477-3483 - [c86]Ernest A. Edmonds, Sean M. Clark:
Tango Apart: Moving Together. CHI Extended Abstracts 2016: 3663-3666 - 2015
- [c85]Nic Lupfer, Bill Hamilton, Andrew M. Webb, Rhema Linder, Ernest A. Edmonds, Andruid Kerne:
The Art.CHI Gallery: An Embodied Iterative Curation Experience. CHI Extended Abstracts 2015: 391-394 - [c84]David England, Linda Candy, Celine Latulipe, Thecla Schiphorst, Ernest A. Edmonds, Younghui Kim, Sean M. Clark, Andruid Kerne:
Art.CHI. CHI Extended Abstracts 2015: 2329-2332 - [c83]Yi Ji, Chek Tien Tan, Ernest A. Edmonds:
Towards Personalized Interfaces for Mobile Applications Using a Natural Text-Based Interaction. HCI (28) 2015: 16-21 - 2014
- [c82]David England, Jocelyn Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford:
Curating the digital: spaces for art and interaction. CHI Extended Abstracts 2014: 21-24 - [c81]David England, Jocelyn C. Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford:
Art and interaction SIG: cataloging the digital arts. CHI Extended Abstracts 2014: 1115-1118 - 2013
- [c80]Ernest A. Edmonds, Steve Benford, Zafer Bilda, Jill Fantauzzacoffin, Roger F. Malina, Hugues Vinet:
Digital arts: did you feel that? CHI Extended Abstracts 2013: 2439-2446 - [c79]Sean M. Clark, Ernest A. Edmonds:
ColourNet: a system of interactive and interacting digital artworks. CHI Extended Abstracts 2013: 2911-2914 - [c78]Ernest A. Edmonds:
Shaping Form Sussex (the movie). EVA 2013 - [c77]Rodney Berry, Ernest A. Edmonds, Andrew Johnston:
Representational systems with tangible and graphical elements. ISMAR 2013: 1-4 - 2012
- [c76]Jill Fantauzzacoffin, Joanna Berzowska, Ernest A. Edmonds, Ken Goldberg, D. Fox Harrell, Brian K. Smith:
The arts, HCI, and innovation policy discourse: invited panel. CHI Extended Abstracts 2012: 1111-1114 - [c75]Jill Fantauzzacoffin, Linda Candy, Ayoka Chenzira, Ernest A. Edmonds, David England, Thecla Schiphorst, Atau Tanaka:
Articulating lines of research in digital arts, HCI, and interaction (invited SIG). CHI Extended Abstracts 2012: 1177-1180 - [c74]Jennifer Seevinck, Ernest A. Edmonds, Linda Candy:
Emergent participant interaction. OZCHI 2012: 540-549 - 2011
- [c73]Viveka Weiley, Ernest A. Edmonds:
The HCI researcher as artist and designer: approaches to creativity and distance. Creativity & Cognition 2011: 233-238 - [c72]David England, Ernest A. Edmonds, Jennifer G. Sheridan, Scott Pobiner, Nick Bryan-Kinns, Peter C. Wright, Michael B. Twidale, Carla Diana:
Digital arts and interaction (invited). CHI Extended Abstracts 2011: 609-612 - [c71]Ernest A. Edmonds:
Art, Interaction and Engagement. IV 2011: 451-456 - 2010
- [c70]Ernest A. Edmonds:
Beyond abstract film: constructivist digital time. EVA 2010 - [c69]Aram Dulyan, Ernest A. Edmonds:
AUXie: initial evaluation of a blind-accessible virtual museum tour. OZCHI 2010: 272-275 - 2009
- [c68]Brigid Mary Costello, Ernest A. Edmonds:
Directed and emergent play. Creativity & Cognition 2009: 107-116 - [c67]Julien Phalip, Ernest A. Edmonds, David Jean:
Supporting remote creative collaboration in film scoring. Creativity & Cognition 2009: 211-220 - [c66]Ernest A. Edmonds, Mark Fell:
Two generative pieces: port hacking and DC_release. Creativity & Cognition 2009: 473-474 - [c65]Ernest A. Edmonds:
New constructs in Art: Structure, Time, Correspondences and Interaction. EVA 2009 - [c64]Shigeki Amitani, Zafer Bilda, Damian Hills, Ernest A. Edmonds:
Our Content: Generative Montage Methods for Multimedia Data. ICIW 2009: 655-660 - [c63]Andrew Johnston, Linda Candy, Ernest A. Edmonds:
Designing for Conversational Interaction. NIME 2009: 207-212 - [c62]Jennifer Seevinck, Ernest A. Edmonds:
Open in art, nature and emergence. OZCHI 2009: 365-368 - 2008
- [c61]Ernest A. Edmonds:
The creativity and cognition studios. BCS HCI (2) 2008: 167-168 - [c60]Zafer Bilda, Chris Bowman, Ernest A. Edmonds:
Experience evaluation of interactive art: study of GEO landscapes. IE 2008: 1 - [c59]Damian Hills, Yusuf Pisan, Ernest A. Edmonds:
Towards a generic framework for situated collaborative storytelling. IE 2008: 3 - [c58]Sarah L. Moss, Ernest A. Edmonds:
The reflective practitioner: in creation of PEGASYS. OZCHI 2008: 291-294 - [c57]Julien Phalip, David Jean, Ernest A. Edmonds:
Resolving ambiguity of scope in remote collaboration: a study in film scoring. OZCHI 2008: 339-342 - [c56]Ernest A. Edmonds, Shigeki Amitani:
Shaping Forms on The Web with a Collective Memory. SoMeT 2008: 309-315 - [c55]Roman Danylak, Ernest A. Edmonds:
The Organisation of Time and Space in Three Gestural Media. SoMeT 2008: 328-336 - 2007
- [c54]Zafer Bilda, Ernest A. Edmonds, Deborah Turnbull:
Interactive experience in a public context. Creativity & Cognition 2007: 243-244 - [c53]Brigid Mary Costello, Ernest A. Edmonds:
A study in play, pleasure and interaction design. DPPI 2007: 76-91 - [c52]Yun Zhang, Alastair Weakley, Ernest A. Edmonds:
Resolving Assumptions in Art-Technology Collaboration as a Means of Extending Shared Understanding. HCI (9) 2007: 204-211 - [c51]Shigeki Amitani, Ernest A. Edmonds:
A Method for Visualising Possible Contexts. KES (2) 2007: 901-908 - [c50]Julien Phalip, Matthew Morphett, Ernest A. Edmonds:
Alleviating communication challenges in film scoring: an interaction design approach. OZCHI 2007: 9-16 - [c49]Shigeki Amitani, Ernest A. Edmonds:
A context visualiser: the generative website project. SIGGRAPH Posters 2007: 163 - [c48]Ernest A. Edmonds:
The Art of Programming or Programs as Art. SoMeT 2007: 119-125 - [c47]Roman Danylak, Zafer Bilda, Ernest A. Edmonds:
Establishing research criteria for performed gestures and emotional interaction in an gestural film game: To be or not to be. SoMeT 2007: 166-181 - 2006
- [c46]Ernest A. Edmonds:
Abstraction and Interaction: an Art System for White Noise. CGIV 2006: 423-427 - [c45]Rodney Berry, Masahide Naemura, Yuichi Kobayashi, Masahiro Tada, Naomi Inoue, Yusuf Pisan, Ernest A. Edmonds:
An interface test-bed for 'Kansei' filters using the touch designer visual programming environment. AUIC 2006: 173-176 - [c44]Lizzie Muller, Greg Turner, George Poonkhin Khut, Ernest A. Edmonds:
Creating Affective Visualisations for a Physiologically Interactive Artwork. IV 2006: 651-657 - [c43]Jennifer Seevinck, Linda Candy, Ernest A. Edmonds:
Exploration and reflection in interactive art: glass pond. OZCHI 2006: 143-150 - [c42]Lizzie Muller, Ernest A. Edmonds:
Living Laboratories: Making and Curating Interactive Art. SIGGRAPH Art Gallery 2006: 160 - 2005
- [c41]Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds:
Amplifying reflective thinking in musical performance. Creativity & Cognition 2005: 166-175 - [c40]Shigeki Amitani, Ernest A. Edmonds:
Knowledge nebula crystallizer for time-based information. Creativity & Cognition 2005: 218-221 - [c39]Ernest A. Edmonds, Mark Fell:
Kyoto to Sheffield. Creativity & Cognition 2005: 289-290 - [c38]Ernest A. Edmonds:
On creative engagement with interactive art. GRAPHITE 2005: 297 - [c37]Andrew Johnston, Benjamin Marks, Ernest A. Edmonds:
An Artistic Approach to Designing Visualisations to Aid Instrumental Music Learning. CELDA 2005: 175-182 - [c36]Greg Turner, Ernest A. Edmonds, Alastair Weakley:
Seeing Eye-to-Eye: Supportive Transdisciplinary Environments for Interactive Art. IV 2005: 912-919 - [c35]Greg Turner, Alastair Weakley, Yun Zhang, Ernest A. Edmonds:
Attuning: A Social and Technical Study of Artist-Programmer Collaborations. PPIG 2005: 10 - [c34]Ernest A. Edmonds, Linda Candy:
Computation, Interaction and Imagination: Into Virtual Space and Back to Reality. SoMeT 2005: 353-363 - [c33]Greg Turner, Alastair Weakley, Yun Zhang, Ernest A. Edmonds:
A Grounded Theory Study of Programming in Artist-Programmer Collaborations. SoMeT 2005: 388-400 - [c32]Roman Danylak, Ernest A. Edmonds:
Acting Interactively in a Digital World. SoMeT 2005: 401-406 - 2004
- [c31]Ernest A. Edmonds, Andrew Martin, Sandra Pauletto:
Audio-visual interfaces in digital art. Advances in Computer Entertainment Technology 2004: 331-336 - [c30]Linda Candy, Ernest A. Edmonds:
Creative Expertise and Collaborative Technology Design. APCHI 2004: 60-69 - [c29]Ernest A. Edmonds, Greg Turner, Linda Candy:
Approaches to interactive art systems. GRAPHITE 2004: 113-117 - [c28]Dave Burraston, Ernest A. Edmonds, Dan Livingstone, Eduardo Reck Miranda:
Cellular Automata in MIDI based Computer Music. ICMC 2004 - [c27]Ernest A. Edmonds, Greg Turner:
Intelligent interaction in art systems. IUI 2004: 354-355 - [c26]Ernest A. Edmonds, Mark Fell:
Broadway one. SIGGRAPH Art Gallery 2004: 30 - [c25]Ernest A. Edmonds, Sandra Pauletto:
Audiovisual Discourse in Digital Art. SIGGRAPH Art Gallery 2004: 116-119 - 2003
- [c24]Ernest A. Edmonds, Linda Candy, Mark Fell, Roger Knott, Alastair Weakley:
Macaroni Synthesis: A Creative Multimedia Collaboration. IV 2003: 646-651 - 2002
- [c23]Linda Candy, Bronac Ferran, Judith Mottram, Ernest A. Edmonds, John Haworth, Jon Pettigrew:
Panel: research into art and technology. Creativity & Cognition 2002: 25-30 - [c22]Linda Candy, Ernest A. Edmonds:
Modeling co-creativity in art and technology. Creativity & Cognition 2002: 134-141 - 2001
- [c21]Kumiyo Nakakoji, Mark D. Gross, Linda Candy, Ernest A. Edmonds:
Tools, conceptual frameworks, and empirical studies for early stages of design. CHI Extended Abstracts 2001: 493-494 - 2000
- [c20]Clarisse S. de Souza, Raquel Oliveira Prates, Simone Diniz Junqueira Barbosa, Ernest A. Edmonds:
Semiotic approaches to user interface design. CHI Extended Abstracts 2000: 366 - [c19]Ernest A. Edmonds:
Artists augmented by agents (invited speech). IUI 2000: 68-73 - 1999
- [c18]Linda Candy, Ernest A. Edmonds:
Introducing creativity to cognition. Creativity & Cognition 1999: 3-6 - [c17]Ernest A. Edmonds, Linda Candy, Geoff Cox, Jacob Eisenstein, Gerhard Fischer, Bob Hughes, Thomas T. Hewett:
Individual and/versus social creativity (panel session). Creativity & Cognition 1999: 36-39 - [c16]Kingsley W. Pang, Ernest A. Edmonds:
Modelling the Learner in a World Wide Web Guided Discovery Hypertext Learning Environment. INTERACT 1999: 597-604 - 1998
- [c15]James Britton, Linda Candy, Ernest A. Edmonds:
Software Support for Usability Measurement: An Application to Systems Engineering Data Exchange Development. BCS HCI 1998: 37-52 - 1997
- [c14]Ernest A. Edmonds, Thomas P. Moran:
Interactive Systems for Supporting the Emergence of Concepts and Ideas. CHI Extended Abstracts 1997: 233 - [c13]Lesley M. Parks, Ernest A. Edmonds:
A Method for Graphical Input on the WWW. CHI Extended Abstracts 1997: 339-340 - 1996
- [c12]Conn V. Copas, Ernest A. Edmonds:
Declarative Interaction through Interactive Planners. CADUI 1996: 265-284 - 1995
- [c11]Ernest A. Edmonds:
Creativity: interacting with computers (panel session). CHI 95 Conference Companion 1995: 185-186 - 1994
- [c10]Conn V. Copas, Ernest A. Edmonds:
Executable Task Analysis: Integration Issues. BCS HCI 1994: 339-352 - [c9]Ernest A. Edmonds:
Computers and Creative Thought. ECAI 1994: 779-784 - 1993
- [c8]Ernest A. Edmonds, Linda Candy:
Knowledge Support Systems for Conceptual Design: The Amplification of Creativity. HCI (2) 1993: 350-355 - [c7]Ernest A. Edmonds:
The future of intelligent interfaces: not just "how?", but "what?" and "why?". IUI 1993: 13-17 - [c6]Haishan Huang, Ernest A. Edmonds:
An Experimental Knowledge-Based User Interface Management System. VCHCI 1993: 13-24 - 1992
- [c5]Ernest A. Edmonds, Bryan S. Murray:
Intelligent Presentation and Dialogue Management. Advanced Topics in Artificial Intelligence 1992: 465-476 - [c4]Stella M. O'Brien, Linda Candy, Ernest A. Edmonds, T. J. Foster, Eddy McDaid:
End-User Knowledge Manipulation Systems: The Speech Knowledge Interface. ACM Conference on Computer Science 1992: 359-366 - [c3]Ernest A. Edmonds, L. Y. Pan, Stella M. O'Brien:
Automatic feature extraction from spectrograms for acoustic-phonetic analysis. ICPR (2) 1992: 701-704 - 1990
- [c2]Ernest A. Edmonds, Noriko Hagiwara:
An experiment in interactive architectures. INTERACT 1990: 601-606 - 1984
- [c1]Steve Guest, Ernest A. Edmonds:
Graphical Support in a User Interface Management System. Eurographics 1984
Parts in Books or Collections
- 2019
- [p4]Ernest A. Edmonds, Francesca Franco:
Evolving Installations: "Shaping Space". Museums and Digital Culture 2019: 367-379 - 2017
- [p3]Ernest A. Edmonds:
Generative Art: A Semiotic Exchange. Conversations Around Semiotic Engineering 2017: 71-79 - 2014
- [p2]Ernest A. Edmonds:
Human Computer Interaction, Art and Experience. Interactive Experience in the Digital Age 2014: 11-23 - [p1]Ximena Alarcón-Díaz, Kira Askaroff, Linda Candy, Ernest A. Edmonds, Jane Faram, Gillian Hobson:
Evaluation in Public Art: The Light Logic Exhibition. Interactive Experience in the Digital Age 2014: 187-208
Editorship
- 2005
- [e4]Ernest A. Edmonds, Linda Candy, Paul Brown, Thomas T. Hewett, Janis Jefferies:
Proceedings of the 5th Conference on Creativity & Cognition, London, United Kingdom, April 12-15, 2005. ACM 2005, ISBN 1-59593-025-6 [contents] - 2002
- [e3]Ernest A. Edmonds, Linda Candy, Terence Kavanagh, Thomas T. Hewett:
Proceedings of the 4th Conference on Creativity & Cognition, Loughborough, United Kingdom, October 13-16, 2002. ACM 2002, ISBN 1-58113-465-7 [contents] - 1999
- [e2]Ernest A. Edmonds, Linda Candy:
Proceedings of the 3rd Conference on Creativity & Cognition, Loughborough, United Kingdom, October 11-13, 1999. ACM 1999, ISBN 1-58113-078-3 [contents] - 1997
- [e1]Johanna D. Moore, Ernest A. Edmonds, Angel R. Puerta:
Proceedings of the 2nd International Conference on Intelligent User Interfaces, IUI 1997, Orlando, Florida, USA, January 6-9, 1997. ACM 1997, ISBN 0-89791-839-8 [contents]
Informal and Other Publications
- 2009
- [i2]Ernest A. Edmonds:
Statement. Computational Creativity: An Interdisciplinary Approach 2009 - [i1]Ernest A. Edmonds:
Words on the Creativity and Cognition Studios contribution. Computational Creativity: An Interdisciplinary Approach 2009
Coauthor Index
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