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Thomas Wilmering
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2020 – today
- 2020
- [j2]Panos Kudumakis, Thomas Wilmering, Mark B. Sandler, Víctor Rodríguez-Doncel, Laurent Boch, Jaime Delgado:
The Challenge: From MPEG Intellectual Property Rights Ontologies to Smart Contracts and Blockchains [Standards in a Nutshell]. IEEE Signal Process. Mag. 37(2): 89-95 (2020) - [c13]Florian Thalmann, Kazuyoshi Yoshii, Thomas Wilmering, Geraint A. Wiggins, Mark B. Sandler:
A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph Theory. ISMIR 2020: 343-350
2010 – 2019
- 2019
- [c12]Panos Kudumakis, Thomas Wilmering, Mark B. Sandler, Jeremy D. Foss:
MPEG Intellectual Property Rights Ontologies for Media Trading and Personalization. DataTV@TVX 2019 - 2018
- [j1]Matthew John Yee-King, Thomas Wilmering, Maria Teresa Llano Rodriguez, Maria Krivenski, Mark d'Inverno:
Technology Enhanced Learning: The Role of Ontologies for Feedback in Music Performance. Frontiers Digit. Humanit. 5: 29 (2018) - [c11]Florian Thalmann, Thomas Wilmering, Mark B. Sandler:
Cultural Heritage Documentation and Exploration of Live Music Events with Linked Data. SAAM@ISWC 2018: 1-5 - [c10]Thomas Wilmering, Florian Thalmann, Mark B. Sandler:
Exploration of Grateful Dead Concerts and Memorabilia on the Semantic Web. ISWC (P&D/Industry/BlueSky) 2018 - 2017
- [c9]Kevin R. Page, Sean Bechhofer, György Fazekas, David M. Weigl, Thomas Wilmering:
Realising a Layered Digital Library: Exploration and Analysis of the Live Music Archive through Linked Data. JCDL 2017: 89-98 - [c8]Sean Bechhofer, Kevin R. Page, David M. Weigl, György Fazekas, Thomas Wilmering:
Linked Data Publication of Live Music Archives and Analyses. ISWC (2) 2017: 29-37 - 2016
- [c7]Ryan Stables, Brecht De Man, Sean Enderby, Joshua D. Reiss, György Fazekas, Thomas Wilmering:
Semantic Description of Timbral Transformations in Music Production. ACM Multimedia 2016: 337-341 - [c6]Thomas Wilmering, György Fazekas, Mark B. Sandler:
AUFX-O: Novel Methods for the Representation of Audio Processing Workflows. ISWC (2) 2016: 229-237 - [c5]Thomas Wilmering, Mark B. Sandler:
Interdisciplinary Classification of Audio Effects in the Audio Effect Ontology. ISWC (Posters & Demos) 2016 - 2015
- [c4]Thomas Wilmering, Kevin R. Page, György Fazekas, Simon Dixon, Sean Bechhofer:
Automating Annotation of Media with Linked Data Workflows. WWW (Companion Volume) 2015: 737-738 - 2013
- [c3]Thomas Wilmering, György Fazekas, Mark B. Sandler:
The Audio Effects Ontology. ISMIR 2013: 215-220 - 2011
- [c2]György Fazekas, Thomas Wilmering, Mark B. Sandler:
A Knowledge Representation Framework for Context-Dependent Audio Processing. Semantic Audio 2011 - 2010
- [c1]Thomas Wilmering, Mark B. Sandler:
RDFx: Audio Effects Utilising Musical Metadata. ICSC 2010: 452-453
Coauthor Index
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