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ORCIDEduardo Reck Miranda
Eduardo R. Miranda
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- affiliation: Interdisciplinary Centre for Computer Music Research (ICCMR), University of Plymouth, Plymouth, UK
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2020 – today
- 2024
[c77]Patrizia Di Campli San Vito
, Xiaochen Yang, James Ross, Gözel Shakeri, Stephen A. Brewster, Satvik Venkatesh, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda:
RadioMe: Adaptive Radio with Music Intervention and Reminder System for People with Dementia in Their Own Home. AHs 2024: 304-306- 2023
- [c76]Patrizia Di Campli San Vito, Xiaochen Yang, Stephen A. Brewster, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda:
RadioMe: Adaptive Radio to Support People with Mild Dementia in Their Own Home. HHAI 2023: 413-415 - [i12]Paulo Vitor Itaboraí, Eduardo R. Miranda:
Quantum Representations of Sound: from mechanical waves to quantum circuits. CoRR abs/2301.01595 (2023) - [i11]Paulo Vitor Itaboraí, Tim Schwägerl, María Aguado Yáñez, Arianna Crippa, Karl Jansen, Eduardo Reck Miranda, Peter Thomas:
Variational Quantum Harmonizer: Generating Chord Progressions and Other Sonification Methods with the VQE Algorithm. CoRR abs/2309.12254 (2023) - 2022
- [j37]Eduardo R. Miranda, Satvik Venkatesh, José D. Martín-Guerrero, Carlos Hernani-Morales, Lucas Lamata, Enrique Solano:
An Approach to Interfacing the Brain with Quantum Computers: Practical Steps and Caveats. Int. J. Unconv. Comput. 17(3): 159-171 (2022) - [j36]Eduardo Reck Miranda, Brian N. Siegelwax:
Teaching Qubits to Sing: Mission Impossible? Int. J. Unconv. Comput. 17(4): 303-331 (2022) - [i10]Eduardo Reck Miranda, Satvik Venkatesh, José David Martín-Guerrero, Carlos Hernani-Morales, Lucas Lamata, Enrique Solano:
An approach to interfacing the brain with quantum computers: practical steps and caveats. CoRR abs/2201.00817 (2022) - [i9]Satvik Venkatesh, David Moffat, Eduardo Reck Miranda:
Word Embeddings for Automatic Equalization in Audio Mixing. CoRR abs/2202.08898 (2022) - [i8]Eduardo Reck Miranda, Brian N. Siegelwax:
Teaching Qubits to Sing: Mission Impossible? CoRR abs/2207.08225 (2022) - 2021
- [c75]Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda:
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. ICASSP 2021: 636-640 - [i7]Eduardo Reck Miranda:
On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind. CoRR abs/2101.03887 (2021) - [i6]Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda:
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. CoRR abs/2102.09959 (2021) - [i5]Satvik Venkatesh, David Moffat, Eduardo Reck Miranda:
You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection. CoRR abs/2109.00962 (2021) - [i4]Eduardo R. Miranda, Suchitra T. Basak:
Quantum Computer Music: Foundations and Initial Experiments. CoRR abs/2110.12408 (2021) - [i3]Eduardo Reck Miranda, Richie Yeung, Anna Pearson, Konstantinos Meichanetzidis, Bob Coecke:
A Quantum Natural Language Processing Approach to Musical Intelligence. CoRR abs/2111.06741 (2021) - 2020
- [j35]Eduardo Reck Miranda:
Genetic Music System with Synthetic Biology. Artif. Life 26(3): 366-390 (2020) - [j34]Ian Daly, Duncan Williams, Asad Malik, James Weaver, Alexis Kirke, Faustina Hwang, Eduardo Reck Miranda, Slawomir J. Nasuto:
Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing. IEEE Trans. Affect. Comput. 11(1): 111-124 (2020) - [c74]Satvik Venkatesh, Edward Braund, Eduardo R. Miranda:
Composing Popular Music with Physarum polycephalum-based Memristors. NIME 2020: 514-519 - [c73]Satvik Venkatesh, Edward Braund, Eduardo R. Miranda:
Designing Brain-computer Interfaces for Sonic Expression. NIME 2020: 525-530 - [i2]Eduardo R. Miranda:
Creative Quantum Computing: Inverse FFT, Sound Synthesis, Adaptive Sequencing and Musical Composition. CoRR abs/2005.05832 (2020) - [i1]Eduardo R. Miranda:
Quantum Computer: Hello, Music! CoRR abs/2006.13849 (2020)
2010 – 2019
- 2019
- [j33]Edward Braund, Satvik Venkatesh, Eduardo R. Miranda:
PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors. Int. J. Unconv. Comput. 14(3-4): 217-233 (2019) - 2018
- [j32]Eduardo Reck Miranda, Edward Braund, Satvik Venkatesh:
Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? Comput. Music. J. 42(3) (2018) - [j31]Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston:
Unconsciously interactive Films in a cinema environment - a demonstrative case study. Digit. Creativity 29(2-3): 165-181 (2018) - 2017
- [j30]Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, Faustina Hwang, James Weaver, Slawomir Nasuto:
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System. ACM Trans. Appl. Percept. 14(3): 17:1-17:13 (2017) - [c72]Ian Daly, Aileen Ho, Julien Marcon, Faustina Hwang, Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Slawomir Nasuto:
Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease. GBCIC 2017 - [c71]Jared Drayton, Eduardo R. Miranda, Alexis Kirke:
A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels. GECCO (Companion) 2017: 271-272 - [c70]Federico Visi, Baptiste Caramiaux, Michael Mcloughlin, Eduardo Reck Miranda:
A knowledge-based, data-driven method for action-sound mapping. NIME 2017: 231-236 - [p9]Eduardo R. Miranda, Alexis Kirke, Edward Braund, Aurélien Antoine:
On Unconventional Computing for Sound and Music. Guide to Unconventional Computing for Music 2017: 23-61 - [p8]Alexis Kirke, Eduardo R. Miranda:
Experiments in Sound and Music Quantum Computing. Guide to Unconventional Computing for Music 2017: 121-157 - [p7]Edward Braund, Eduardo R. Miranda:
An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors. Guide to Unconventional Computing for Music 2017: 219-244 - [e3]Eduardo Reck Miranda:
Guide to Unconventional Computing for Music. Springer 2017, ISBN 978-3-319-49880-5 [contents] - 2016
- [c69]Marcelo Gimenes, Pierre-Emmanuel Largeron, Eduardo R. Miranda:
Frontiers: Expanding Musical Imagination With Audience Participation. NIME 2016: 350-354 - 2015
- [j29]Alexis Kirke, Samuel Freeman, Eduardo Reck Miranda:
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. Comput. Music. J. 39(3): 59-70 (2015) - [j28]Alexis J. Kirke, Peter Shadbolt, Alex Neville, Eduardo Reck Miranda:
A Hybrid Computer Case Study for Unconventional Virtual Computing. Int. J. Unconv. Comput. 11(3-4): 205-226 (2015) - [j27]Alexis Kirke, Eduardo Reck Miranda:
A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications. J. Artif. Soc. Soc. Simul. 18(2) (2015) - [j26]Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, James Hallowell, James Weaver, Asad Malik, Etienne B. Roesch, Faustina Hwang, Slawomir J. Nasuto:
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition. ACM Trans. Appl. Percept. 12(3): 8:1-8:21 (2015) - [j25]Rodrigo Schramm, Cláudio Rosito Jung, Eduardo Reck Miranda:
Dynamic Time Warping for Music Conducting Gestures Evaluation. IEEE Trans. Multim. 17(2): 243-255 (2015) - [c68]Ian Daly, Asad Malik, James Weaver, Faustina Hwang, Slawomir J. Nasuto, Duncan Williams, Alexis Kirke, Eduardo Reck Miranda:
Identifying music-induced emotions from EEG for use in brain-computer music interfacing. ACII 2015: 923-929 - [c67]Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda:
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities. CMMR 2015: 88-108 - [c66]Joel Eaton, Eduardo R. Miranda:
The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems. CMMR 2015: 132-145 - [c65]Rodrigo Schramm, Helena de Souza Nunes, Leonardo de Assis Nunes, Federico Visi, Eduardo R. Miranda:
3CMS: An Interactive Decision System for Live Performance. CMMR 2015: 190-210 - [c64]Edward Braund, Eduardo R. Miranda:
Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum. CMMR 2015: 271-280 - [c63]Edward Braund, Eduardo R. Miranda:
BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors. CMMR 2015: 405-419 - [c62]Alexis Kirke, Belinda Dixon, Eduardo R. Miranda:
Music and Dementia: Two Case-Studies. CMMR 2015: 438-448 - [c61]Edward Braund, Eduardo Reck Miranda:
Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum. EvoMUSART 2015: 15-26 - [c60]Jared Drayton, Eduardo Reck Miranda:
Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT. EvoMUSART 2015: 62-70 - 2014
- [j24]Jaime Serquera, Eduardo Reck Miranda:
Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design. Comput. Music. J. 38(4): 38-52 (2014) - [j23]Eduardo Reck Miranda, Andrew Adamatzky:
Editorial. Int. J. Unconv. Comput. 10(3): 163 (2014) - [j22]Alexis J. Kirke, Eduardo Reck Miranda:
Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation. Int. J. Unconv. Comput. 10(3): 199-217 (2014) - [j21]Alexis J. Kirke, Eduardo Reck Miranda:
Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education. Int. J. Unconv. Comput. 10(3): 237-249 (2014) - [j20]Eduardo Reck Miranda:
Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition. Int. J. Unconv. Comput. 10(3): 251-268 (2014) - [j19]Alexis Kirke, Eduardo Reck Miranda:
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation. Simul. 90(5): 606-622 (2014) - [c59]Ian Daly, James Hallowell, Faustina Hwang, Alexis Kirke, Asad Malik, Etienne B. Roesch, James Weaver, Duncan Williams, Eduardo Reck Miranda, Slawomir J. Nasuto:
Changes in music tempo entrain movement related brain activity. EMBC 2014: 4595-4598 - [c58]Federico Visi, Duncan Williams, Eduardo Reck Miranda, Giovanni Dothel:
An Immersive Media Model of Amyotrophic Lateral Sclerosis. EVA 2014 - [c57]Joel Eaton, Duncan Williams, Eduardo R. Miranda:
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli. ICMC 2014 - [c56]Federico Visi, Esther Coorevits, Eduardo R. Miranda, Marc Leman:
Effects of different bow stroke styles on body movements of a viola player: an exploratory study. ICMC 2014 - [c55]Duncan Williams, Alexis Kirke, Eduardo R. Miranda, Ian Daly, Etienne B. Roesch, James Weaver, Slawomir J. Nasuto:
Evaluation Perceptual Separation in an Pilot System for Affective Composition. ICMC 2014 - [c54]Federico Visi, Rodrigo Schramm, Eduardo Reck Miranda:
Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies. MOCO 2014: 100 - [c53]Duncan Williams, Peter Randall-Page, Eduardo Reck Miranda:
Timbre morphing: near real-time hybrid synthesis in a musical installation. NIME 2014: 435-438 - [c52]Joel Eaton, Weiwei Jin, Eduardo Reck Miranda:
The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member. NIME 2014: 593-596 - [c51]Federico Visi, Rodrigo Schramm, Eduardo Reck Miranda:
Use of Body Motion to Enhance Traditional Musical Instruments. NIME 2014: 601-604 - 2013
- [c50]Edward Braund, Eduardo Reck Miranda:
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis. CMMR 2013: 175-189 - [p6]Alexis Kirke, Eduardo R. Miranda:
An Overview of Computer Systems for Expressive Music Performance. Guide to Computing for Expressive Music Performance 2013: 1-47 - [p5]Eduardo R. Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. Guide to Computing for Expressive Music Performance 2013: 99-121 - [p4]Alexis Kirke, Eduardo Reck Miranda:
Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency. Music and Human-Computer Interaction 2013: 171-188 - [e2]Alexis Kirke, Eduardo R. Miranda:
Guide to Computing for Expressive Music Performance. Springer 2013, ISBN 978-1-4471-4122-8 [contents] - 2012
- [j18]Francisco Fernández de Vega, Carlos Cotta, Eduardo Reck Miranda:
Special issue on evolutionary music. Soft Comput. 16(12): 1995-1996 (2012) - [c49]Alexis Kirke, Eduardo Reck Miranda, Slawomir J. Nasuto:
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control. CMMR 2012: 490-499 - 2011
- [j17]Torsten Anders, Eduardo Reck Miranda:
Constraint programming systems for modeling music theories and composition. ACM Comput. Surv. 43(4): 30:1-30:38 (2011) - [c48]Noris Mohd Norowi, Eduardo Reck Miranda:
Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process. EUROCON 2011: 1-4 - [c47]Kevin McCracken, John Matthias, Eduardo Reck Miranda:
Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons. EvoApplications (2) 2011: 354-363 - [c46]Alexis Kirke, Matthieu Bonnot, Eduardo R. Miranda:
Towards using expressive performance algorithms for typist emotion detection. ICMC 2011 - [c45]Alexis Kirke, Samuel Freeman, Eduardo R. Miranda:
Application of multi-agent whale modeling to an interactive saxophone and whales duet. ICMC 2011 - [c44]Alexis Kirke, Eduardo R. Miranda:
Developing methods for computer programming by musical performance and composition. ICMC 2011 - [c43]Alexis Kirke, Eduardo R. Miranda:
Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence. ICMC 2011 - [c42]Alexis Kirke, Eduardo R. Miranda:
Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models. ICMC 2011 - [c41]Alexis Kirke, Eduardo R. Miranda, Antonino Chiaramonte, Anna R. Troisi, John Matthias, Jeff Radtke, Nicholas Fry, Catherine McCabe, Martyn Bull:
Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist. ICMC 2011 - [c40]Eduardo R. Miranda, Andrew Adamatzky, Jeff Jones:
Unconventional Computing for Music: Sound Synthesis with Slime Mould. ICMC 2011 - [c39]Eduardo R. Miranda, Slawomir J. Nasuto, Anna R. Troisi, Julia H. Downes, Antonino Chiaramonte, Matthew C. Spencer, Mark W. Hammond, Dimitris Xydas, Benjamin J. Whalley, Victor M. Becerra, Kevin Warwick:
A musical instrument using in vitro neural networks. ICMC 2011 - [c38]Noris Mohd. Norowi, Eduardo R. Miranda:
Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis. ICMC 2011 - [c37]Hanns Holger Rutz, Eduardo R. Miranda, Gerhard Eckel:
Reproducibility and random access in sound synthesis. ICMC 2011 - [c36]Jaime Serquera, Eduardo R. Miranda:
Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model. ICMC 2011 - 2010
- [j16]Eduardo Reck Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. Comput. Music. J. 34(1): 80-96 (2010) - [j15]Torsten Anders, Eduardo Reck Miranda:
Constraint Application with Higher-Order Programming for Modeling Music Theories. Comput. Music. J. 34(2): 25-38 (2010) - [j14]Eduardo R. Miranda:
Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience. Int. J. Arts Technol. 3(2/3): 154-176 (2010) - [c35]Jaime Serquera, Eduardo Reck Miranda:
Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms. EvoApplications (2) 2010: 381-390 - [c34]Luciano Vargas Flores, Marcelo Soares Pimenta, Eduardo Reck Miranda, Eduardo A. A. Radanovitsck, Damián Keller:
Patterns for the design of musical interaction with everyday mobile devices. IHC 2010: 121-128 - [c33]Luciano Vargas Flores, Evandro Manara Miletto, Marcelo Soares Pimenta, Eduardo Reck Miranda, Damián Keller:
Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project. SIGDOC 2010: 199-206 - [p3]Eduardo R. Miranda, Alexis Kirke:
Game of Life Music. Game of Life Cellular Automata 2010: 489-501
2000 – 2009
- 2009
- [j13]Eduardo Reck Miranda, Larry Bull, François Gueguen, Ivan S. Uroukov:
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks. Comput. Music. J. 33(1): 9-18 (2009) - [j12]Simon Durrant, David R. Hardoon, André Brechmann, John Shawe-Taylor, Eduardo R. Miranda, Henning Scheich:
GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison. Connect. Sci. 21(2&3): 161-175 (2009) - [j11]Simon Durrant, David R. Hardoon, André Brechmann, John Shawe-Taylor, Eduardo R. Miranda, Henning Scheich:
GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison. Connect. Sci. 21(4): 383 (2009) - [j10]Alexis Kirke, Eduardo Reck Miranda:
A survey of computer systems for expressive music performance. ACM Comput. Surv. 42(1): 3:1-3:41 (2009) - [c32]Jane Grant, John Matthias, Tim Hodgson, Eduardo Reck Miranda:
Hearing Thinking. EvoWorkshops 2009: 609-614 - 2008
- [j9]Eduardo Reck Miranda, Marcelo Soares Pimenta:
Letter from the Guest Editors. J. Braz. Comput. Soc. 14(3): 5 (2008) - [j8]Eduardo Reck Miranda:
Emergent songs by social robots. J. Exp. Theor. Artif. Intell. 20(4): 319-334 (2008) - [c31]Jaime Serquera, Eduardo Reck Miranda:
Cellular automata sound synthesis: from histograms to spectrograms. Automata 2008: 368-380 - [c30]Torsten Anders, Eduardo R. Miranda:
Constraint-Based Composition in Realtime. ICMC 2008 - [c29]Torsten Anders, Eduardo R. Miranda:
Higher-order Constraint applicators for Music Constraint Programming. ICMC 2008 - [c28]Leandro Lesqueves Costalonga, Eduardo R. Miranda:
Equipping Artificial Guitar Players with Biomechanical Constrains: a Case Study of Precision and Speed. ICMC 2008 - [c27]Alexis Kirke, Eduardo R. Miranda:
An Instance Based Model for Generating Expressive Performance during Composition. ICMC 2008 - [c26]Alexis Kirke, Eduardo R. Miranda:
Comper: towards a Model for Generating Compositions from Expressive Music performances. ICMC 2008 - [c25]Eduardo R. Miranda:
Autonomous Development of singing-like Intonations by interacting babbling robots. ICMC 2008 - [c24]Jaime Serquera, Eduardo R. Miranda:
Spectral synthesis and control with Cellular Automata. ICMC 2008 - [p2]Eduardo Reck Miranda:
Digital Sound Synthesis for Multimedia Audio. Wiley Encyclopedia of Computer Science and Engineering 2008 - 2007
- [c23]Marcelo Gimenes, Eduardo Reck Miranda, Chris A. Johnson:
Musicianship for Robots with Style. NIME 2007: 197-202 - 2006
- [c22]João Magalhães Martins, Eduardo Reck Miranda:
A Connectionist Architecture for the Evolution of Rhythms. EvoWorkshops 2006: 696-706 - [c21]Leandro Lesqueves Costalonga, Eduardo Reck Miranda, John Matthias, Rosa Vicari:
An Idiomatic Plucked String Player. FLAIRS 2006: 231-236 - [c20]Qijun Zhang, Eduardo Reck Miranda:
Evolving musical performance profiles using genetic algorithms with structural fitness. GECCO 2006: 1833-1840 - [c19]Qijun Zhang, Eduardo Reck Miranda:
Towards an Evolution Model of Expressive Music Performance. ISDA (2) 2006: 1189-1194 - 2005
- [j7]Nikolas Valsamakis, Eduardo Reck Miranda:
Iterative sound synthesis by means of cross-coupled digital oscillators. Digit. Creativity 16(2): 90-98 (2005) - [c18]Jesús L. Alvaro, Eduardo Reck Miranda, Beatriz Barros:
Music Knowledge Analysis: Towards an Efficient Representation for Composition. CAEPIA 2005: 331-341 - [c17]Eduardo Reck Miranda, John Matthias:
Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons. EvoWorkshops 2005: 539-544 - [c16]Dan Livingstone, Eduardo R. Miranda:
Orb3 - Musical robots within an Adaptive Social Composition System. ICMC 2005 - [c15]