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ORCID5th AIMC 2024, Oxford, UK
- Proceedings of the 5th AI Music Creativity Conference (AIMC 2024), Oxford, UK, September 9-11, 2024. 2024
- Jiafeng Chen, Kivanç Tatar, Victor Zappi:
A Deep Learning Framework for Musical Acoustics Simulations. - Anna-Kaisa Kaila, Bob L. T. Sturm:
Agonistic Dialogue on the Value and Impact of AI Music Applications. - Bob L. T. Sturm, Ken Déguernel, Rujing Stacy Huang, Anna-Kaisa Kaila, Petra Jääskeläinen, Elin Kanhov, Laura Cros Vila, David Cabrera Dalmazzo, Luca Casini, Oliver Roland Bown, Nick Collins, Eric Drott, Jonathan Sterne, Andre Holzapfel, Oded Ben-Tal:
AI Music Studies: Preparing for the Coming Flood. - Vincenzo Madaghiele, Stefano Fasciani:
A listening agent for live control of synthesis parameters using reinforcement learning. - Jack Armitage, Victor Shepardson:
Augmenting the Expressivity of the Notochord Generative MIDI Model for Arca’s “The Light Comes in the Name of the Voice” Magnetic Resonator Piano Installation. - Mona Hedayati:
Breathless. - Alex Wastnidge, Çagri Erdem:
Deep Steps: A Generative AI Step Sequencer. - Patrick Hartono:
Ciung Wanara; Interactive Gestural Audiovisual Composition (2023). - Matthew Yee-King, Mark d'Inverno, Andrea Fiorucci:
Designing an AI-creativity music course. - Jason Palamara:
DISEnsemble live performance. - Vincenzo Madaghiele:
Experience replay. - Honoka Hida, Shun Sawada, Kouichi Katsurada, Takuro Shibayama, Hidehumi Ohmura:
Flexible Melody Harmonization with Rhythmic Complexity based on Cognitive Music Theory. - Abhishek Kashik, Kayla Rush:
Generating Mixcode Popular Songs with Artificial Intelligence: Concepts, Plans, and Speculations. - Ben Eyes:
Ghost in the Piano – An Investigation into AI, Robotics and Musical Performance. - Kelsey Cotton:
glemöhnic. - Arne Eigenfeldt:
GoGo Musebots. - Guilherme Coelho:
Exploring Semiotic Interactions in Text-to-Audio: A Demonstration of Udio’s Text- to-Audio Capabilities. - Mui Kato:
Investigating the Human-Machine Relationship in Sampling-Based AI Music: Material-Centric Approach to Liveness. - Matthew Keating, Michael Casey:
Jazz Guitar Voice-Leading Chord Fingerings With Long Short-Term Memory. - Huifan Yang, Ryo Ikeshiro:
Large Audio AI Models for Fixed-Media Electronics in “Prelude: To Listening”. - Bofan Ma, Ellen Sargen, David De Roure, Emily Howard:
Learning to Learn: A Reflexive Case Study of PRiSM SampleRNN. - Anna-Maria Christodoulou, Alexander Refsum Jensenius:
Navigating Challenges in Multimodal Music Data Management for AI Systems. - Yichen Wang, Charles Patrick Martin:
Off-the-shelf: Improvising with a Minimal Intelligent Musical Instrument in Mixed Reality. - Yijing Feng, Egemen Sahin, Michael A. Casey:
Phrase-Level Symbolic Music Generation. - Sreekanth Gopi:
Reviving Traditional Raga Music: An AI-Driven Approach for Melody Generation Using GPT-4. - Guilherme Coelho:
Semantic and Semiotic Interplays in Text-to-Audio AI: Exploring Cognitive Dynamics and Musical Interactions. - Visieu Lac, Francisco Tigre Moura:
Sentiment Analysis of AI Generated Music Using Latent Dirichlet Allocation (LDA). - Kelsey Cotton, Kivanç Tatar:
Sounding out extra-normal AI voice: Non-normative musical engagements with normative AI voice and speech technologies. - Luca Casini, Nicolas Jonason, Bob L. T. Sturm:
Sparks of Musical AGI? Challenges and perspectives in music co-creation with LLMs. - Bob L. T. Sturm, Marco Amerotti, David Dalmazzo, Laura Cros Vila, Luca Casini, Elin Kanhov:
Stochastic Pirate Radio (KSPR): Generative AI applied to simulate commercial radio. - Matthew Yee-King, Mark d'Inverno:
Strategies for building AI-enhanced audio software with impact. - Kelsey E. Onderdijk, Makiko Sadakata:
TAM reveals AI negativity bias in VR music performances. - Arne Eigenfeldt:
The Artist in A.I. Art. - Pierre Saint-Germier, Clément Canonne, Marco Fiorini:
The corpus’ body. Embodied Interaction from Machine-Learning in Human-Machine Improvisation. - Elizabeth Wilson, George Fazekas, Geraint A. Wiggins:
Tidal MerzA: Combining affective modelling and autonomous code generation through Reinforcement Learning. - Carlos Román, Jesse Allison:
WhaleBeat Karaoke. - Maziar Kanani, Sean O'Leary, James McDermott:
Grammatical Structure and Grammatical Variations in Non-Metric Iranian Classical Music. - Erik Nystrom:
Unformation. - Axel Chemla-Romeu-Santos:
>> genesis - v2 <<. - Aaron Einbond:
Prestidigitation. - Ted Moore:
saccades. - der Küchenchef:
der Küchenchef performance at club night. - Mayank Sanganeria, Kurt James Werner:
break me, ai. - Craig Vear, Fabrizio Poltronieri:
Solaris: Jazz-AI Quartet Performance. - John Aulich:
Cuticles. - Yigit Kolat:
Spomenik I. - Pierre Eghdami:
Schistosité II (2023), for 4-ch electronic sounds. - Axel Chemla-Romeu-Santos, Kevin Raharolahy, Hugo Scurto:
Daim™: AIAI ^^. - Artemi-Maria Gioti:
Bias II. - Julie Zhu, Erfun Ackley, Zhiyu Zhang, John Granzow:
Deep Drawing: An Intermedia AI Co-Performer. - Bernt Isak Wærstad, Tejaswinee Kelkar:
Three is a crowd? - Kaitlin Pet:
Stravinsky three Pieces with Live Animation. - Nicola Leonard Hein:
Transsonic - Sonic Lightning. - Bjarni Gunnarsson:
Streamlines. - Marco Amerotti, Bob L. T. Sturm:
Endless Generative AI: A Practical Tutorial. - Philippe Pasquier:
Computer-Assisted Composition: Survey and hands-on with Calliope. - Philippe Pasquier:
Computer-Assisted Composition: Survey and hands-on with Calliope. - Hongshuo Fan:
Hand-on workshop on PRiSM’s Music Gesture Recognition tool. - Dominic Thibault:
Mosaïque - Concatenative Synthesis Instrument for the Practicing Musicians.
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