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2020 – today
- 2024
[i5]Nick Collins, Mick Grierson:
Avoiding an AI-imposed Taylor's Version of all music history. CoRR abs/2402.14589 (2024)- [i4]Nick Collins:
The Rarity of Musical Audio Signals Within the Space of Possible Audio Generation. CoRR abs/2405.15103 (2024) - 2022
- [i3]Simon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd:
The Beyond the Fence Musical and Computer Says Show Documentary. CoRR abs/2206.03224 (2022) - [i2]Nick Collins:
OK Computer Analysis: An Audio Corpus Study of Radiohead. CoRR abs/2211.15834 (2022) - 2021
- [j9]Adinda Rosa van't Klooster, Nick Collins:
Virtual Reality and Audiovisual Experience in the AudioVirtualizer. EAI Endorsed Trans. Creative Technol. 8(27): e2 (2021) - [c34]Cyrus Omar
, David Moon, Andrew Blinn, Ian Voysey, Nick Collins, Ravi Chugh:
Filling typed holes with live GUIs. PLDI 2021: 511-525 - 2020
- [j8]Justin Lubin, Nick Collins, Cyrus Omar, Ravi Chugh:
Program sketching with live bidirectional evaluation. Proc. ACM Program. Lang. 4(ICFP): 109:1-109:29 (2020) - [c33]Shelly Knotts, Nick Collins:
A survey on the uptake of Music AI Software. NIME 2020: 499-504
2010 – 2019
- 2019
- [c32]Annaliese Micallef Grimaud, Tuomas Eerola, Nick Collins:
EmoteControl: A System for Live-Manipulation of Emotional Cues in Music. Audio Mostly Conference 2019: 111-115 - [i1]Justin Lubin, Nick Collins, Cyrus Omar, Ravi Chugh:
Program Synthesis with Live Bidirectional Evaluation. CoRR abs/1911.00583 (2019) - 2018
- [j7]Nick Collins, Peter D. Manning, Simone Tarsitani:
A New Curated Corpus of Historical Electronic Music: Collation, Data and Research Findings. Trans. Int. Soc. Music. Inf. Retr. 1(1): 34-43 (2018) - [p3]Nick Collins:
Origins of Algorithmic Thinking in Music. The Oxford Handbook of Algorithmic Music 2018 - 2016
- [j6]Nick Collins:
Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-Led Algorithmic Criticism for Automatic Composition and Live Concert Systems. Comput. Entertain. 14(3): 2:1-2:14 (2016) - [j5]Nick Collins:
A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater. Comput. Music. J. 40(3): 41-57 (2016) - [c31]Simon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd:
The "Beyond the Fence" Musical and "Computer Says Show" Documentary. ICCC 2016: 311-321 - 2014
- [c30]Bob L. Sturm, Nick Collins:
The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and Development. ISMIR 2014: 21-26 - [c29]Shelly Knotts, Nick Collins:
The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures. NIME 2014: 191-194 - [c28]Nick Collins, Alex McLean:
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. NIME 2014: 355-358 - [c27]Adinda Rosa van't Klooster, Nick Collins:
In A State: Live Emotion Detection and Visualisation for Music Performance. NIME 2014: 545-548 - 2013
- [b2]Nick Collins, Margaret Schedel, Scott Wilson:
Electronic Music. Cambridge Introductions to Music, Cambridge University Press 2013, ISBN 978-1-107-64817-3, pp. I-XI, 1-227 - [c26]Pejman Mirza-Babaei, Lennart E. Nacke, John Gregory, Nick Collins, Geraldine Fitzpatrick:
How does it play better?: exploring user testing and biometric storyboards in games user research. CHI 2013: 1499-1508 - [c25]Chad McKinney, Nick Collins:
An Interactive 3D Network Music Space. NIME 2013: 400-405 - 2012
- [j4]Nick Collins:
Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening. Comput. Music. J. 36(3): 8-23 (2012) - [c24]Pejman Mirza-Babaei, Lennart E. Nacke, Geraldine Fitzpatrick, Gareth R. White, Graham McAllister, Nick Collins:
Biometric storyboards: visualising game user research data. CHI Extended Abstracts 2012: 2315-2320 - [c23]Nick Collins:
Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation. ISMIR 2012: 1-6 - [c22]Patrick MacAlpine, Nick Collins, Adrian Lopez-Mobilia, Peter Stone:
UT Austin Villa: RoboCup 2012 3D Simulation League Champion. RoboCup 2012: 77-88 - [p2]Amy Alexander, Nick Collins:
Live audiovisuals. The Cambridge Companion to Electronic Music 2012: 126-139 - [p1]Nick Collins:
Musical robots and listening machines. The Cambridge Companion to Electronic Music 2012: 171-184 - [e1]Nick Collins, Julio D'Escrivàn:
The Cambridge Companion to Electronic Music. Cambridge University Press 2012, ISBN 978-0-521-68865-9 [contents] - 2011
- [c21]Nick Collins:
SCMIR: A SuperCollider Music Information Retrieval Library. ICMC 2011 - [c20]Nick Collins, Bob L. Sturm:
Sound Cross-synthesis and Morphing Using Dictionary-based Methods. ICMC 2011 - 2010
- [b1]Nick Collins:
Introduction to Computer Music. Wiley 2010, ISBN 978-0-470-71455-3, pp. 1-377 - [c19]Alex McLean, Dave Griffiths, Nick Collins, Geraint A. Wiggins:
Visualisation of live code. EVA 2010 - [c18]Nick Collins:
Computational Analysis of Musical Influence: A Musicological Case Study Using MIR Tools. ISMIR 2010: 177-182 - [c17]Nick Collins:
Contrary Motion: An Oppositional Interactive Music System. NIME 2010: 125-129 - [c16]Nick Collins, Chris Kiefer, Zeeshan Patoli, Martin White:
Musical Exoskeletons: Experiments with a Motion Capture Suit. NIME 2010: 455-458
2000 – 2009
- 2009
- [c15]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
Phalanger: Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach. NIME 2009: 246-249 - 2008
- [j3]Nick Collins:
Karlheinz Stockhausen: Cosmic Pulses. Comput. Music. J. 32(1): 88-91 (2008) - [c14]Nick Collins:
Errant sound synthesis. ICMC 2008 - [c13]Nick Collins:
Reinforcement Learning for Live Musical Agents. ICMC 2008 - [c12]Nick Collins:
Infno: Generating Synth Pop and Electronic Dance Music on demand. ICMC 2008 - [c11]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
Evaluating the Wiimote as a Musical controller. ICMC 2008 - [c10]Chris Kiefer, Nick Collins, Geraldine Fitzpatrick:
HCI Methodology For Evaluating Musical Controllers: A Case Study. NIME 2008: 87-90 - 2007
- [c9]Nick Collins:
Audiovisual concatenative synthesis. ICMC 2007 - [c8]Nick Collins:
Matching Parts: Inner Voice Led Control for Symbolic and Audio Accompaniment. NIME 2007: 220-223 - 2006
- [j2]Nick Collins, Fredrik Olofsson:
klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. Comput. Music. J. 30(2): 8-18 (2006) - 2005
- [c7]Nick Collins:
An Automated Event Analysis System with Compositional Applications. ICMC 2005 - [c6]Nick Collins:
Drumtrack: beat Induction from an acoustic Drum Kit with synchronised Scheduling. ICMC 2005 - [c5]Nick Collins:
Using a Pitch Detector for Onset Detection. ISMIR 2005: 100-106 - [c4]Alan F. Blackwell, Nick Collins:
The Programming Language as a Musical Instrument. PPIG 2005: 11 - 2004
- [j1]Nick Collins:
Radiohead: Kid ARadiohead: AmnesiacRadiohead: Hail to the Thief. Comput. Music. J. 28(1): 73-77 (2004) - 2003
- [c3]Nick Collins:
A Microtonal Tempo Canon Generator After Nancarrow and Jaffe. ICMC 2003 - [c2]Nick Collins, Fredrik Olofsson:
A Protocol for Audiovisual Cutting. ICMC 2003 - 2002
- [c1]Nick Collins:
The BBCut Library. ICMC 2002
Coauthor Index
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last updated on 2024-10-22 20:16 CEST by the dblp team
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