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1. CMMR 2003: Montpellier, France
- Uffe Kock Wiil:
Computer Music Modeling and Retrieval, International Symposium, CMMR 2003,Montpellier, France, May 26-27, 2003, Revised Papers. Lecture Notes in Computer Science 2771, Springer 2004, ISBN 3-540-20922-0 - Rubén Hinojosa Chapel:
Some Projects and Re.ections on Algorithmic Music. 1-12 - Kristoffer Jensen, Tue Haste Andersen:
Real-Time Beat Estimation Using Feature Extraction. 13-22 - Loretta Diana, Goffredo Haus, Maurizio Longari:
Towards a General Architecture for Musical Archive Information Systems. 23-33 - Fabrice Marandola:
The Study of Musical Scales in Central Africa: The Use of Interactive Experimental Methods. 34-41 - François Pachet, Aymeric Zils:
Evolving Automatically High-Level Music Descriptors from Acoustic Signals. 42-53 - David M. Eyers:
'Ambiguous Live' - Exploring Collaborative, Dynamic Control of MIDI Sequencers. 54-63 - Philippe Guillemain, Thierry Voinier:
Characterization of Musical Performance Using Physical Sound Synthesis Models. 64-73 - Gerald Friedland, Kristian Jantz, Lars Knipping:
Conserving an Ancient Art of Music: Making SID Tunes Editable. 74-81 - Laurent Pottier:
"GMU" - An Integrated Microsound Synthesis System. 82-88 - Daniel Teruggi:
What Are We Looking for? 89-97 - Esben Skovenborg, Jens Arnspang:
Extraction of Structural Patterns in Popular Melodies. 98-113 - Carlos Grilo, Amílcar Cardoso:
Musical Pattern Extraction Using Genetic Algorithms. 114-123 - Benoit Meudic, Emmanuel Staint-James:
Automatic Extraction of Approximate Repetitions in Polyphonic Midi Files Based on Perceptive Criteria. 124-142 - Geoffroy Peeters:
Deriving Musical Structures from Signal Analysis for Music Audio Summary Generation: "Sequence" and "State" Approach. 143-166 - Pedro J. Ponce de León, José Manuel Iñesta Quereda:
Musical Style Classification from Symbolic Data: A Two-Styles Case Study. 167-178 - Seungmin Rho, Eenjun Hwang:
FMF(Fast Melody Finder): A Web-Based Music Retrieval System. 179-192 - Hugues Vinet:
The Representation Levels of Music Information. 193-209 - PerMagnus Lindborg:
"Leçons": An Approach to a System for Machine Learning, Improvisation and Musical Performance. 210-216 - Leonello Tarabella, Graziano Bertini:
About the Role of Mapping in Gesture-Controlled Live Computer Music. 217-224 - Pascal Gobin, Richard Kronland-Martinet, Guy-Andrá Lagesse, Thierry Voinier, Sølvi Ystad:
Designing Musical Interfaces with Composition in Mind. 225-246
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