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ORCID9th ICMC 1983: Rochester, New York, USA
- Proceedings of the 1983 International Computer Music Conference, ICMC 1983, Rochester, New York, USA, October 7-10, 1983. Michigan Publishing 1983
- D. Gareth Loy:
An Experimental Music Composition Language With Real-Time Capabilities. - Alexander R. Brinkman:
A Design for a Single Pass Scanner for the DARMS Music Coding Language. - Christopher Fry:
Flavors Band: Beyond Computer Improvisation and/or A Meta-Composition Language. - John Strawn:
eMerge: Toward a Knowledge-Based Spectral Editor. - John Strawn:
Spectra and Timbre. - Julius O. Smith III:
Spectral Pre-Processing for Audio Digital Filter Design. - Roger B. Dannenberg, Arthur H. Benade:
An Automated Approach to Tuning. - Manfred Clynes:
The Code of Musicality - Incorporated into Real Time Computer Performance. - Mark Dolson:
Musical Applications of the Phase Vocoder. - Gary Lee Nelson, John Talbert:
The Alles Machine Revisited. - David A. Jaffe:
A Synthesizer Debugger. - John M. Snell:
Sensors for Playing Computer Music with Expression. - M. Yunik, M. Borys, G. W. Swift:
A Microprocessor Based Digital Flute. - Mira Balaban:
Towards a Computer Research of Tonal Music. - Richard D. Ashley:
Production Systems: Three Applications in Music. - Paul E. Dworak, Jane Piper Clendinning:
Computer Pitch Recognition: A New Approach. - Daniel J. Freed:
Waveshaping Analysis and Implentation: A Generalized Approach Using Complex Arithmetic. - Charles Dierbach:
Some Initial Ideas on the Control of Digital Sound Synthesis Through AI Techniques. - Werner Kaegi:
The MIDIM System. - Barry Truax:
The Compositional Organization of Timbre in a Binaural Space. - Kaija Saariaho:
Using the Computer in a Search for New Aspects of Timbre Organisation and Composition. - Bruce W. Pennycook:
Music Languages and Preprocessors: A Tutorial. - Joel Chadabe:
Interactive Composing: An Overview.
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