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ORCID11th ICMC 1985: Burnaby, BC, Canada
- Proceedings of the 1985 International Computer Music Conference, ICMC 1985, Burnaby, BC, Canada, August 19-22, 1985. Michigan Publishing 1985
- Herbert Brün:
The Premise Is That There Be Music. - F. Richard Moore:
The CARL Computer Music Workstation - an Overview. - D. Gareth Loy:
Designing an Operating Environment for a Realtime Performance Processing System. - Andrew Voelkel:
A Cost Effective Input Processor-Pitch Detector for Electronic Violin. - Xavier Chabot:
User Software for Realtime Input by a Musical Instrument. - Timothy A. Wilson:
Data Reduction of Musical Signals. - Gary Schwartz:
Sound Synthesis by Hierarchic Sampling. - Erling Henry Wold, Mark A. Z. Dippé:
Alias-Free Synthesis by Stochastic Sampling. - Julius O. Smith III:
A New Approach to Digital Reverberation Using Waveguide Networks. - Mark Dolson:
Recent Advances in Musique Concrète at CARL. - James M. Roth, Gary S. Kendall, Shawn L. Decker:
A Network Sound System for UNIX. - Shawn L. Decker, Gary S. Kendall:
A Unified Approach to the Editing of Time-Ordered Events. - Ian Bowler:
The Synthesis of Complex Audio Spectra by Cheating Quite a Lot. - Jean-Marie Adrien, Xavier Rodet:
Physical Models of Instruments: A Modular Approach, Application to Strings. - Xavier Rodet, Philippe Depalle:
High Quality Synthesis-by-Rule of Consonants. - Jan Vandenheede, Jonathan Harvey:
Identity and Ambiguity: The Construction and Use of Trimbral Transitions and Hybrids. - Stephen F. Hoge, Anthony Agnello:
A Low-Cost Development System for Digital Audio Signal Processing. - Dana Massie:
The Emulator II Computer Music Environment. - Dave Rossum:
Some Aspects of Sample Rate Conversion. - Kurt J. Hebel:
A Machine-Independent Sound Conversion/Storage System. - Andrew S. Noetzel:
The Use of Interpolating Memories for Music Processing by Microcomputer. - L. Chouinard, Louis N. Bélanger, Huu Tuê Huynh:
A Computer-Based Harmonic Analysis/Additive Synthesis System. - Mark Lentczner:
Sound Kit: A Sound Manipulator. - Bruce W. Pennycook, Jeffrey Kulick, Dave Dove:
The Image and Audio Systems Audio Workstation. - Maurizio Rubbazzer, M. Santoiemma, G. A. Patella:
A New Architecture for a Digital Sound Synthesizer. - John Kitamura, William Buxton, W. Martin Snelgrove, Kenneth C. Smith:
Music Synthesis by Simulation Using a General-Purpose Signal Processing System. - John W. Gordon:
Music Applications for the MSSP System. - John W. Gordon, Julius O. Smith III:
A Sine Generation Algorithm for VLSI Applications. - Nicola Bernardini:
Semiotics and Computer Music Composition. - Claudy Malherbe, Gérard Assayag, Michèle Castellengo:
Functional Integration of Complex Instrumental Sounds in Musical Writing. - Jean-Baptiste Barrière, Yves Potard, Pierre-François Baisnée:
Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures. - David Keane:
Architecture and Aesthetics: The Construction and the Objectives of Elektronikus Mozaïk. - Alcides Lanza:
Exploring Language. - Denis Smalley:
Digital Transformations in 'Tides'. - G. Grisey, Jean-Baptiste Barrière, Pierre-François Baisnée:
"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir. - Frederick L. Malouf:
A System for Interactive Music Composition through Computer Graphics. - Theo Goldberg:
The Prefiguration of a Musical Composition: Model of a Computer Graphics Program. - Stephen Morris:
A Personal Computer, Musical Knowledge-Based System Using Active Objects. - David Rosenboom, Larry Polansky:
HMSL (Hierarchical Music Specification Language): A Real-Time Environment for Formal, Perceptual and Compositional Experimentation. - Charles Ames:
Applications of Linked Data Structures to Automated Composition. - Sever Tipei:
"Maiden Voyages" - A Score Produced with MP1. - Marilyn T. Thomas:
Vivace: A Rule Based Al System for Composition. - Barry Vercoe, Miller S. Puckette:
Synthetic Rehearsal: Training the Synthetic Performer. - Joshua J. Bloch, Roger B. Dannenberg:
Real-Time Computer Accompaniment of Keyboard Performances. - Eric Johnstone:
The Rolky: A Poly-Touch Controller for Electronic Music. - Martin Bartlett:
The Development of a Practical Live-Performance Music Language. - John Lifton:
Some Technical and Aesthetic Considerations in Software for Live Interactive Performance. - Scot Gresham-Lancaster:
Macintosh as a Live Performance Tool. - Michel Waisvisz:
The Hands: A Set of Remote MIDI-Controllers. - Przemyslaw Prusinkiewicz:
Graphics Interfaces for MIDI-Equipped Synthesizers. - Daniel Arfib:
Man-Machine Dialog using MIDI Files. - Ross Gillett, Kenneth C. Smith, Bob Pritchard:
MADDM - Dance-Directed Music. - Giovanni B. Debiasi:
M.I.N.I. (Musical Instruments Numerical Interface). - Ron Kuivila:
Untitled: An Interactive Installation. - Brian L. Schmidt, James M. Roth:
The Synchronization of Audio Production in Computer Music. - John Strawn:
Orchestral Instruments: Analysis of Performed Transitions. - William L. Martens:
Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres. - Stephen McAdams, Kaija Saariaho:
Qualities and Functions of Musical Timbre. - Mira Balaban:
Foundations for Artificial Intelligence Research of Western Tonal Music. - Richard D. Ashley:
KSM: An Essay in Knowledge Representation in Music. - Bernard Mont-Reynaud, Mark Goldstein:
On Finding Rhythmic Patterns in Musical Lines. - Chris Chafe, David A. Jaffe, Kyle Kashima, Bernard Mont-Reynaud, Julius O. Smith III:
Techniques for Note Identification in Polyphonic Music. - James W. Beauchamp, Scot A. Aurenz:
New Computer Music Facilities at the University of Illinois at Urbana-Champaign. - Mike Greenhough, Ian Bowler, S. Morris:
The Electronic Music Studio at University College, Cardiff. - David Rosenboom, Larry Polansky:
Recent Developments at the Center for Contemporary Music, Mills College. - Geoffrey Wright:
Electronic and Computer Music at The Peabody Conservatory.
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