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26th ICMC 2000: Berlin, Germany
- Proceedings of the 2000 International Computer Music Conference, ICMC 2000, Berlin, Germany, August 27 - September 1, 2000. Michigan Publishing 2000
- Steven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, Donald P. Pazel, James L. Wright:
A Framework for Representing and Manipulating Tonal Music. - Carlos Agón, Marco Stroppa, Gérard Assayag:
High Level Musical Control of Sound Synthesis in OpenMusic. - Marc-Laurent Aird, Joel Laird, John ffitch:
Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes. - Kathryn Alexander, Matthew Suttor:
Current Work at YalMusT, Yale University's Music and Technology Center. - Torsten Anders:
Arno: Constraints Programming in Common Music. - Richard Andrews:
Center for New Music and Audio Technologies (CNMAT) Studio Report. - Federico Avanzini:
On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations. - Rimas Avizienis, Adrian Freed, Takahiko Suzuki, David Wessel:
Scalable Connectivity Processor for Computer Music Performance Systems. - Curtis Bahn:
iEAR Studios: Integrated Electronic Arts at Rensselaer Polytechnic Institute. - Balázs Bank:
Nonlinear Interaction in the Digital Waveguide With the Application to Piano Sound Synthesis. - Robin Bargar, François Déchelle, Insook Choi, Alex Betts, Camille Goudeseune, Norbert Schnell, Olivier Warusfel:
Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality Installation. - Robin Bargar, Alex Betts, Kelly Fitz, Insook Choi:
Models and Deformations in Procedural Synchronous Sound for Animation. - Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. - Natasha Barrett:
A compositional methodology based on data extracted from natural phenomena. - Julien Bensa, Kristoffer Jensen, Richard Kronland-Martinet, Sølvi Ystad:
Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano Tones. - Laura Bianchini, Valerio Casali, Michelangelo Lupone:
Varèse-Le Corbusier. Scenes from a rebellious thought. Reconstruction of the Poème Electronique. - Laura Bianchini:
Designing a virtual theatrical listening space. - Carola Boehm, Donald MacLellan, Cordy Hall:
MuTaTeD'II: A System for Music Information Retrieval of Encoded Music. - Jordi Bonada:
Automatic technique in frequency domain for near-lossless time-scale modification of audio. - Richard Boulanger, Young Jun Choi, Luigi Castelli:
Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System. - Richard Boulanger, Paris Smaragdis, John ffitch:
Scanned Synthesis: An Introduction and Demonstration of a New Synthesis and Signal Processing Technique. - Richard Boulanger:
Two New Courses in Computer Music Performance @ Berklee: Alternate Controllers and the Techno/Rave Ensemble. - Stephen Brandon, Leigh M. Smith:
Next Steps from NeXTSTEP: MusicKit and SoundKit in a New World. - Eli Brandt:
Temporal type constructors for computer music programming. - Roberto Bresin, Anders Friberg:
Rule-Based Emotional Coloring of Music Performance. - Roberto Bresin, Anders Friberg:
Software Tools for Musical Expression. - Philip L. Burk:
Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical Performance. - Kristine H. Burns:
WOW'EM: Encouraging an Integrated Generation. - Antonio Camurri, Paolo Coletta, Massimiliano F. Peri, Matteo Ricchetti, Andrea Ricci, Riccardo Trocca, Gualtiero Volpe:
A real-time platform for interactive dance and music systems. - Antonio Camurri, Paolo Coletta, Matteo Ricchetti, Gualtiero Volpe:
Synthesis of expressive movement. - Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini:
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. - Pedro Cano, Alex Loscos, Jordi Bonada, Maarten de Boer, Xavier Serra:
Voice Morphing System for Impersonating in Karaoke Applications. - Michael A. Casey, Alex Westner:
Separation of Mixed Audio Sources By Independent Subspace Analysis. - Harry D. Castle:
Fleece: Graphical 3-D Trajectory Specification Software for Spatialization in Live Performance. - Ali Taylan Cemgil, Bert Kappen, Peter Desain, Henkjan Honing:
On tempo tracking: Tempogram Representation and Kalman filtering. - Amar Chaudhary, Adrian Freed, Matthew Wright:
An Open Architecture for Real-time Music Software. - Insook Choi, Geoffrey Zheng, Ken Chen:
Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system. - Marek Claussen, Ludger Solbach:
Streaming Structured Audio. - Perry R. Cook, Colby N. Lieder:
squeezeVox: A New Controller for Vocal Synthesis Models. - Maarten de Boer, Jordi Bonada, Pedro Cano, Alex Loscos, Xavier Serra:
Singing Voice Impersonator Application for PC. - Maarten de Boer, Jordi Bonada, Xavier Serra:
Using the Sound Description Interchange Format within the SMS Applications. - François Déchelle, Norbert Schnell, Riccardo Borghesi, Nicola Orio:
The jMax environment: an overview of new features. - Pirouz Djoharian:
Shape and Material Design in Physical Modeling Sound Synthesis. - Christopher Dobrian:
The Gassmann Electronic Music Studio University of California at Irvine. - Richard W. Dobson:
Developments in Audio File Formats. - Gianpaolo Evangelista:
The Short-Time Laguerre Transform: A New Method for Real-Time Frequency Warping of Sounds. - Kenneth Fields:
The Interdisciplining of Computer Music. - Kelly Fitz, Lippold Haken, Paul Christensen:
A New Algorithm for Bandwidth Association in Bandwidth-Enhanced Additive Sound Modeling. - Kelly Fitz, Lippold Haken, Paul Christensen:
Transient Preservation Under Transformation in an Additive Sound Model. - Federico Fontana, Davide Rocchesso:
Online Correction of Dispersion Error in 2D Waveguide Meshes. - Robert J. Frank:
Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music. - Robert J. Frank, Willi Steinke:
Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, Liking, and Artistic Merit of Computer Music. - Howard Jonathan Frederics:
Lars-Gunnar Bodin's "Anima": Intervallic Symmetry as Metaphor for A Cybernetic Age. - Adrian Freed, Rimas Avizienis:
A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication. - Adrian Freed, Osman Isvan:
Musical Applications of New, Multi-axis Guitar String Sensors. - Ichiro Fujinaga, Karl MacMillan:
Realtime Recognition of Orchestral Instruments. - Denise Garcia:
Body Representations in the Electroacoustic Music. - Kostas Giannakis, Matt Smith:
Auditory-Visual Associations for Music Compositional Processes: A Survey. - Mara Helmuth:
Sound Exchange and Performance on Internet2. - Keiji Hirata, Rumi Hiraga:
Next Generation Performance Rendering - Exploiting Controllability. - Karin Höthker, Dominik Hörnel:
Harmonizing in Real-Time with Neural Networks. - Patty Huang, Stefania Serafin, Julius O. Smith III:
A Waveguide Mesh Model of High-Frequency Violin Body Resonances. - Andrew Hugill, Leigh Landy:
The Music, Technology and Innovation Research Group (MTIRG) at De Montfort University - Studio Report. - Andy Hunt, Marcelo M. Wanderley, Ross Kirk:
Towards a Model for Instrumental Mapping in Expert Musical Interaction. - Jae-In Hwang, Gerard Jounghyun Kim:
Design and Analysis of Virtual Musical Environments (VME). - Osamu Ishikawa, Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis. - Hanna Järveläinen, Tony S. Verma, Vesa Välimäki:
The effect of inharmonicity on pitch in string instrument sounds. - Hans G. Kaper, Sever Tipei, Jeff M. Wright:
DISCO: An Object-Oriented System for Music Composition and Sound Design. - Richard Karpen, Juan Pampin, Bret Battey, Chad Kirby:
CARTAH/SMCC Studio Report. - Jürgen Kilian, Holger H. Hoos:
VISCO - Visual SALIERI Components. - JoAnn Kuchera-Morin, Curtis Roads, Alberto de Campo, Anne Deane, Stephen Travis Pope:
CREATE Studio Report 2000. - Ronald Kuivila:
Forests and Trees: distinguishing many from few with a video camera. - Mikael Laurson:
Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperCollider. - Colby Leider:
curvePainter: A New Compositional Tool. - Stéphane Letz, Dominique Fober, Yann Orlarey:
Real-time composition in Elody. - Jianli Liu, Rumi Hiraga, Shigeru Igarashi:
Musical Analysis of a Computer Music Project, by Computer-Assistance, for Computer Music Applications. - Hui-Ling Lu, Julius O. Smith III:
Glottal source modeling for singing voice synthesis. - Peter Lundén:
Snd3D; a 3D sound system for VR and interactive applications. - Eric D. Lyon:
The Bregman Electronic Music Studio at Dartmouth College. - Matija Marolt:
Adaptive oscillator networks for partial tracking and piano music transcription. - Shu Matsuda, Takayuki Rai:
DIPS: the real-time digital image processing objects for Max environment. - James McCartney:
A New, Flexible Framework for Audio and Image Synthesis. - Maureen Mellody, Gregory H. Wakefield:
Signal Analysis of the Singing Voice: Low-Order Representations of Singer Identity. - Massimo Melucci, Nicola Orio, Marco Gambalunga:
An Evaluation Study on Music Perception for Music Content-based Information Retrieval. - Gordon Monro:
In-phase corrections for Ambisonics. - Roberto Morales, Eduardo F. Morales, Luis Enrique Sucar:
Integrating Bayesian Networks with Logic Programs for Music. - Stéphane Natkin:
Mapping a Virtual Sound Space into a Real Visual Space. - Kia Ng, Sita Popat, Bee Ong, Ewan Stefani, Kris Popat, David Cooper:
Trans-Domain Mapping: A Real-time Interactive System for Motion Acquisition and Musical Mapping. - Charles Nichols:
The vBow: A Haptic Musical Controller Human-Computer Interface. - M. Sile O'Modhrain, Stefania Serafin, Chris Chafe, Julius O. Smith III:
Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument. - M. Sile O'Modhrain, Chris Chafe:
The Performer-Instrument Interaction: A Sensory Motor Perspective. - Ingeborg Okkels, Anders Conrad:
Bricoleur and Engineer in Computer Music. - François Pachet, Olivier Delerue, Peter Hanappe:
Dynamic Audio Mixing. - François Pachet:
Rhythms as emerging structures. - Joseph A. Paradiso, Kai-yuh Hsiao, Joshua Strickon, Peter Rice:
New Sensor and Music Systems for Large Interactive Surfaces. - Donald P. Pazel, Steven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, James L. Wright:
A Distributed Interactive Music Application using Harmonic Constraint. - Geoffroy Peeters, Stephen McAdams, Perfecto Herrera:
Instrument Sound Description in the Context of MPEG-7. - Christopher Penrose, Eric D. Lyon:
FFTease: a collection of spectral signal processors for Max/MSP. - Pietro Polotti, Gianpaolo Evangelista:
Time-Spectral Modeling of Sounds by Means of Harmonic-Band Wavelets. - Sita Popat, Kia Ng, Kris Popat, Jacqueline Smith-Autard:
Interactive Composition: Sharing the Creative Process on the Internet. - Ville Pulkki:
Generic panning tools for MAX/MSP. - Kai Renz:
Design and Implementation of a platform independent Guido Notation Engine. - Dominique M. Richard:
Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit. - Anna Rubin:
Forêt profonde by Francis Dhomont - Representation of the Unconscious. - Norbert Schnell, Geoffroy Peeters, Serge Lemouton, Phillippe Manoury, Xavier Rodet:
Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA). - Bernd Schöner, Chuck Cooper, Neil Gershenfeld:
Cluster-Weighted Sampling for Synthesis and Cross-Synthesis of Violin Family Instruments. - Nico Schüler:
Towards a General Methodological Classification of Computer-Assisted Music Analysis. - Diemo Schwarz, Matthew Wright:
Extensions and Applications of the SDIF Sound Description Interchange Format. - Stefania Serafin, Julius O. Smith III:
Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument. - Maja Serman, Niall J. L. Griffith:
Tracking Monophonic Music for Modelling Melodic Segmentation Processes. - Xavier Serra:
Musical Activities at the Audiovisual Institute of the Pompeu Fabra University. - Andrei Smirnov:
Music and Gesture: Sensor Technologies in Interactive Music and the Theremin based Space Control Systems. - Tomonari Sonoda, Yoichi Muraoka:
A WWW-based Melody-Retrieval System: An Indexing Method for a Large Melody Database. - Kenji Suzuki, Keishiro Tabe, Shuji Hashimoto:
A Mobile Robot Platform for Music and Dance Performance. - Tapio Takala, Jarmo Hiipakka, Mikael Laurson, Vesa Välimäki:
An Expressive Synthesis Model for Bowed String Instruments. - Yoichiro Taki, Kenji Suzuki, Shuji Hashimoto:
Real-time Initiative Exchange Algorithm for Interactive Music System. - Harvey D. Thornburg, Fabien Gouyon:
A Flexible Analysis-Synthesis Method for Transients. - David Topper:
SLINC 1.0: A GUI for controlling synthesis and linking instruments in RTcmix. - David Topper:
PAWN & SPAWN: Portable and Semi-Portable Audio Workstation. - Dan Trueman, Curtis Bahn, Perry R. Cook:
Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs). - Kostas A. Tsahalinas:
"Aulos": An RTcmix interfaced software application for modeling cylindrical pipes with tone holes, with emphasis on the simulation of the ancient Greek Auloi. - Riitta Väänänen, Jyri Huopaniemi, Ville Pulkki:
Comparison of Sound Spatialization Techniques in MPEG-4 Scene Description. - Vesa Välimäki, Mikael Laurson, Cumhur Erkut, Tero Tolonen:
Model-Based Synthesis of the Clavichord. - Maarten van Walstijn, Gary P. Scavone:
The Wave Digital Tonehole Model. - Christophe Vergez, Xavier Rodet:
Air Flow Related Improvements for Basic Physical Models of Brass Instruments. - Bill Verplank, Max V. Mathews, Robert Shaw:
Scanned Synthesis. - Gregory H. Wakefield, Laurie M. Heller, Laurel H. Carney, Maureen Mellody:
On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and Synthesis. - Gregory H. Wakefield:
A Mathematical/Psychometric Framework for Comparing the Perceptual Response to Different Analysis-synthesis Techniques: Ground Rules For A Synthesis Bake-off. - Marcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart, Xavier Rodet:
On the Choice of Transducer Technologies for Specific Musical Functions. - Klaus Wassermann, Mark Blanchard, Ulysses Bernardet, Jônatas Manzolli, Paul F. M. J. Verschure:
Roboser - An Autonomous Interactive Musical Composition System. - Ian Whalley:
Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics Modelling. - Gerhard Widmer:
Large-scale Induction of Expressive Performance Rules: First Quantitative Results. - Todd Winkler:
Participation and Response in Movement-Sensing Installations. - Matthew Wright, Amar Chaudhary, Adrian Freed, Sami Khoury, Ali Momeni, Diemo Schwarz, David Wessel:
An XML-based SDIF Stream Relationships Language. - Tomoko Yonezawa, Kenji Mase:
Tangible Sound: Musical Instrument Using Fluid Media. - John Young:
Victoria University of Wellington Electroacoustic Music Studios.
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