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ORCID38th ICMC 2012: Ljubljana, Slovenia
- Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, ICMC 2012, Ljubljana, Slovenia, September 9-14, 2012. Michigan Publishing 2012
- Anil Çamci:
A Cognitive Approach to Electronic Music: Theoretical and Experiment-Based Perspectives. - Marko Ciciliani:
Musical Experience beyond audible sound and its Relevance for electro-acoustic Composition. - Malcolm Riddoch:
On the non-Cochlearity of the sounds Themselves. - Alice Eldridge:
Generative sound Art as Poeitic Poetry for an Information Society. - Monty Adkins, Carlos Duque, Gregorio García-Aguilar:
The Electronic Music of Roberto Gerhard. - Andrea Valle, Dario Sanfilippo:
Towards a Typology of feedback Systems. - Samantha Horseman:
The presence of a Tri-Polar Dynamic in Sonic Art Installation. - Anastasia Georgaki, George Kosteletos:
A Turing Test for the singing voice as an Anthropological Tool: epistemological and Technical Issues. - Adam M. Smith:
Strange Loops in CFML: a Livecoder's Riddle. - Spencer Salazar, Ge Wang:
Chugens, Chubgraphs, Chugins: 3 Tiers for Extending Chuck. - Charlie Roberts, JoAnn Kuchera-Morin:
Gibber: Live coding audio in the Browser. - Alex McLean, Hester Reeve:
Live Notation: acoustic resonance? - Georg Essl:
Playing with Time: manipulation of Time and rate in a Multi-rate signal Processing Pipeline. - Richard Dudas:
"Warm Chorus": Re-Thinking the Chorus effect using an Orchestral Section Model. - Eric Smialek, Philippe Depalle, David Brackett:
A spectrographic Analysis of vocal Techniques in Extreme metal for Musicological Analysis. - Gary S. Kendall, Christopher Haworth, Rodrigo F. Cádiz:
Sound synthesis with auditory distortion Products. - Gordan Krekovic, Igor Brkic:
Controlling Dynamic stochastic synthesis with an audio signal. - Marcelo F. Caetano, Naotoshi Osaka:
A Formal Evaluation Framework for sound Morphing. - Patricio de la Cuadra, Benoît Fabre, José Pérez de Arce, Arnaud Gérard:
Real-Time Simulation of Prehispanic Antaras from South America. - Naotoshi Osaka, Atsushi Mita:
Time/pitch modification using narrowband am-FM signals. - Mika Kuuskankare, Sara Adhitya:
The Sum Tool as a Visual controller for Image-Based sound synthesis. - Paul Clift:
Acoustic-Aggregate-synthesis. - André J. Bianchi, Marcelo Queiroz:
Measuring the Performance of Realtime DSP using Pure Data and GPU. - Marcelo O. Johann, Lucas Fialho Zawacki:
A System for recording analog synthesizers with the Web. - Rhys Perkins:
Towards Interactive Sonification Based on Real-Time Physics simulations. - Yoichi Nagashima:
Suac Studio Report. - Sinan Bökesoy:
Presenting 'Cosmosf' as a Case Study of audio Application Design in openFrameworks. - Vesa Norilo:
Kronos as a Visual Development Tool for Mobile Applications. - Alexander Harker, Pierre Alexandre Tremblay:
The Hisstools impulse response Toolbox: convolution for the Masses. - Georg Hajdu, Nick Didkovsky:
Maxscore: Current State of the Art. - Steven Yi, Victor Lazzarini, Joseph Timoney, Damián Keller, Marcelo Soares Pimenta:
The Mobile Csound Platform. - Benjamin D. Smith:
Enabling Live presence: Dynamic video Compression for the Telematic arts. - Adinda Rosa van't Klooster:
Sonifying Animated Graphical Scores and Visualising sound in the Hearimprov Performance. - Jérôme Nika, Marc Chemillier:
Improtek: Integrating harmonic Controls into Improvisation in the filiation of Omax. - Richard Hoadley:
Calder's Violin: Real-Time Notation and Performance through Musically Expressive Algorithms. - Arshia Cont, José Echeveste, Jean-Louis Giavitto, Florent Jacquemard:
Correct Automatic Accompaniment Despite Machine listening or Human errors in Antescofo. - Eric D. Lyon:
Image-Based spatialization. - Kia Ng, Joanne L. Armitage, Paul Halpin, Kyle Hudspeth, Phoebe Bakanas, Joel Balmer:
Mconduct: transcending Domains and Distributed Performance. - Hanns Holger Rutz
:
Sound Similarity as Interface between Human and Machine in Electroacoustic Composition. - Dario Sanfilippo, Andrea Valle:
Heterogeneously-coupled feedback Systems: the |. (Bar dot) Project. - Samuel Aaron, Jenny Judge:
Snapshots: New Possibilities for Social Digital Music-Making arising from the Storage of History. - Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick:
Designing Interactive Audience Participation using Smart phones in a Musical Performance. - Lonce Wyse, Srikumar Subramanian:
Foundations of Interactive sound Design for Traditional Storytelling. - Andrew Lambert:
A Stigmergic Model for oscillator synchronisation and its Application in Music Systems. - Rob van Rijswijk, Jeroen Strijbos, Niels Bogaards:
Walk with me: a Work of pointless Curiosity. - Christos Michalakos:
The Augmented Drum Kit: an Intuitive Approach to Live Electronic Percussion Performance. - Luca Holland:
'Soundexplore: Leeds': towards a Greater engagement with soundscapes. - Graham Booth, Michael Gurevich:
Proceeding from Performance: an ethnography of the Birmingham Laptop Ensemble. - Yuma Ito, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto:
A System for Memorizing Songs by Presenting Musical Structures Based on Phrase Similarity. - Anton Jidkov, Ian S. Gibson, Mark Hildred:
A Wireless, Real-Time controller for the Ensemble audio-Visual System. - Alistair McNichol:
Modern Technology and Creativity: an Approach to Composing at 11-14 Years. - Tae Hong Park, Robert Scott Thompson, Alex Marse, Johnathan Turner:
Georgia State University Music Technology Studio Report. - Mara Helmuth, Joel W. Matthys, Paul Schuette, Sangbong Nam, Benny Martinson:
Center for Computer Music at the College-Conservatory of Music, University of Cincinnati. - Verena Thomas, David Damm, Christian Fremerey, Michael Clausen, Frank Kurth, Meinard Müller:
Probado Music: a Multimodal Online Music Library. - Ciril Bohak, Masahiro Niitsuma, Matija Marolt:
Controlling Mozart's Dice Music using acceleration sensors. - Daniel Bisig, Philippe Kocher:
Tools and Abstractions for Swarm Based Music and Art. - Robin Renwick:
Sourcenode: a Network sourced Approach to Network Music Performance (NMP). - Curtis McKinney, Chad McKinney:
Oscthulhu: Applying video Game State-Based Synchronization to Network Computer Music. - Rob Canning:
Real-Time Web Technologies in the Networked Performance Environment. - Scott Hewitt, Alexander Harker:
Security in Network Connected Performance Environments. - Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto:
A Piano Learning Support System considering rhythm. - Andrea Brown, Yonatan Sasson:
Maestro: using Technology to Improve kinesthetic Skill Learning of Music conductors. - Jordan Hochenbaum, Ajay Kapur:
Nuance: a Software Tool for Capturing Synchronous Data Streams from Multimodal Musical Systems. - Katerina Pejoska:
Technology Penetrates Tradition: Introduction of Music Technology in Macedonia. - Michael Edwards:
An Introduction to slippery chicken. - James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier:
Manuscore: Music Notation-Based Computer Assisted Composition. - Sylvain Le Groux, Paul F. M. J. Verschure:
The Smuse: an Embodied Cognition Approach to Interactive Music Composition. - Andrea Agostini, Daniele Ghisi:
Bach: an Environment for Computer-Aided Composition in Max. - Rodrigo F. Cádiz, Marco Colasso:
Osc-NetLogo: a Tool for Exploring the Sonification of Complex Systems using NetLogo. - Dominique Fober, Yann Orlarey, Stéphane Letz:
Scores Level Composition Based on the GUIDO Music Notation. - Edgar Berdahl, Alexandros Kontogeorgakopoulos:
Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. - Tom Davis, Jason Geistweidt, Alain Renaud, Jason Dixon:
Interfacing the Network: an Embedded Aproach to Network Instrument Creation. - Da-Lei Fang, Yi Qin, Qiangbin Chen, Jia-liang Lu:
Real-Time audio synthesis in a Wireless Interactive Sensor Platform. - Lauren Hayes:
Performing articulation and expression through a Haptic Interface. - Dariusz Jackowski, Jakub Stepniewicz:
Playing with Lights: Music Generation using the LED Cube. - Sébastien Schiesser, Jan C. Schacher:
Sabre: affordances, realizations and Perspectives. - Axel Berndt:
Variance in repetitive Games Music. - Adinda Rosa van't Klooster:
Music as a Mediator of Emotion. - Timothy Anderson:
Airduino: an inexpensive DIY MIDI wind controller. - Justyna Zubrycka, Pawel Cyrta:
Tactile sound Aesthetic Experience. - Lindsay Vickery:
Digital Adaptions of the Scores for cage variations I, II and III. - Donya Quick, Paul Hudak:
Computing with Chord Spaces. - Satoru Fukayama, Daisuke Saito, Shigeki Sagayama:
Assistance for Novice Users on Creating Songs from Japanese Lyrics. - Olmo Cornelis, Joren Six:
Sound to Scale to sound: a setup for Microtonal Exploration and Composition. - Steve Mann, Ryan E. Janzen:
The Xyolin: a 10-Octave continuous-pitch xylophone, and other Existemological Instruments. - Joanne Cannon, Stuart Favilla:
The Investment of Play: expression and affordances in Digital Musical Instrument Design. - Stefano Fasciani, Lonce Wyse:
Adapting General Purpose Interfaces to synthesis Engines using Unsupervised Dimensionality Reduction Techniques and inverse Mapping from Features to parameters. - Daniele Salvati, Sergio Canazza, Gian Luca Foresti:
A microphone array Interface for Real-Time Interactive Music Performance. - Mark Granroth-Wilding, Mark Steedman:
Statistical Parsing for harmonic Analysis of Jazz Chord Sequences. - Sascha Van Cauwelaert, Gustavo Gutierrez, Peter Van Roy:
A New Approach for Constraint Programming in Music using Relation Domains. - Christopher Dobrian:
A Method for Computer characterization of "Gesture" in Musical Improvisation. - Mason Bretan, Marcelo Cicconet, Ryan Nikolaidis, Gil Weinberg:
Developing and Composing for a robotic Musician using Different modes of Interaction. - Gerhard Eckel, Martin Rumori, David Pirrò, Ramón González-Arroyo:
A Framework for the Choreography of sound. - Mike Wozniewski, Zack Settel, Alexandre Quessy, Tristan Matthews, Luc Courchesne:
Spatosc: Providing Abstraction for the Authoring of Interactive Spatial Sudio Experiences. - Andrew Dolphin:
Cyclical Flow: Spatial synthesis sound toy as multichannel Composition Tool. - Katharina Vogt, David Pirrò, Martin Rumori, Robert Höldrich:
Sounds of simulations: Data listening Space. - Julian Rubisch, Jakob Doppler, Stefan Schuster, Hannes Raffaseder:
Semantic Movie Scene Annotation for Rapid Prototyping of Score Music. - Taehun Kim, Stefan Weinzierl:
Phrase boundary estimation in Music Performance with HMM-Based Unsupervised Learning. - Bo Xiong, Özgür Izmirli:
Audio-to-audio Alignment using Particle filters to Handle Small and Large Scale Performance Discrepancies. - Gabrielle Odowichuk, George Tzanetakis:
Browsing Music and sound using gestures in a Self-Organized 3D Space. - Benjamin D. Smith, Guy E. Garnett:
Advancing Expert Human-Computer Interaction through Music. - Kun-Ting Tsai, Che-Wei Liu, Yu-Chung Tseng:
Surrsound. - Verena Thomas, Michael Clausen:
Motifviewer: Hierarchical Pattern Detection. - Ádám Siska:
Partial tracking in two Steps. - Matevz Jekovec, Janez Demsar, Andrej Brodnik:
Computer Aided Melodic Analysis using Suffix Tree. - Peter Knight:
Allotrope: Works for Solo Trumpet, Laptop, Pedals and Guitar amplifier. - Angus G. Forbes, Kiyomitsu Odai:
Iterative Synaesthetic Composing with Multimedia signals. - Aura Pon, Junko Ichino, David Eagle, Ehud Sharlin, Nicolas D'Alessandro, Sheelagh Carpendale:
Vuzik: a Painting Graphic Score Interface for Composing and control of sound Generation. - Aaron Einbond, Christopher Trapani, Diemo Schwarz:
Precise pitch control in Real Time Corpus-Based concatenative synthesis. - Thomas Grill, Arthur Flexer:
Visualization of perceptual qualities in Textural sounds. - Leonardo Gabrielli, Daniele Gabrielli:
The Yin Yang Theory in sound and Music: a First Exploration. - Diemo Schwarz, Benjamin Hackbarth:
Navigating variation: Composing for audio Mosaicing. - Abbas Pirnia, Jon McCormack:
Compressed Multidimensional Trees for Evolutionary Music Representation. - Tom Mudd:
Flexibility, Subtlety and Spontaneity in New Instrument Design: the feedback Joypad.
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