default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDITN-DCH 2017: Olimje, Slovenia
- Marinos Ioannides
:
Digital Cultural Heritage - Final Conference of the Marie Skłodowska-Curie Initial Training Network for Digital Cultural Heritage, ITN-DCH 2017, Olimje, Slovenia, May 23-25, 2017, Revised Selected Papers. Lecture Notes in Computer Science 10605, Springer 2018, ISBN 978-3-319-75825-1 - Federica Maietti, Roberto Di Giulio, Marcello Balzani, Emanuele Piaia, Marco Medici, Federico Ferrari:
3D Data Acquisition and Modelling of Complex Heritage Buildings. 1-13 - Maria Chiara Pugliese, Cristiana Bartolomei:
Low Cost 3D Surveying Methodologies: Colors and Dimensional Accuracy in the Case Study of the Island of Procida, Italy. 14-30 - Jaroslav Valach, Jan Bryscejn, Tomás Fíla, Daniel Vavrík, Petra Stefcová:
3D Digitization of Selected Collection Items Using Photometric Stereo. 31-36 - Irina-Mihaela Ciortan, Ruggero Pintus, Giacomo Marchioro, Claudia Daffara, Enrico Gobbetti, Andrea Giachetti:
A DICOM-Inspired Metadata Architecture for Managing Multimodal Acquisitions in Cultural Heritage. 37-49 - Efthymia Moraitou, Evangelia Kavakli:
Knowledge Management Using Ontology on the Domain of Artworks Conservation. 50-62 - Andrej Tibaut, Branko Kaucic, Daniela Dvornik Perhavec:
Ontology-Based Data Collection for Heritage Buildings. 63-78 - John Aliprantis, Eirini Kalatha, Markos Konstantakis, Kostas Michalakis, George Caridakis:
Linked Open Data as Universal Markers for Mobile Augmented Reality Applications in Cultural Heritage. 79-90 - Andreas Vlachidis, Antonis Bikakis, Daphne Kyriaki-Manessi, Ioannis Triantafyllou, Joseph Padfield, Kalliopi Kontiza:
Semantic Representation and Enrichment of Cultural Heritage Information for Fostering Reinterpretation and Reflection on the European History. 91-103 - Federica Maietti, Marco Medici, Federico Ferrari, Anna Elisabetta Ziri, Peter Bonsma:
Digital Cultural Heritage: Semantic Enrichment and Modelling in BIM Environment. 104-118 - Fabrizio Banfi, Lara Chow, M. Reina Ortiz, Christian Ouimet, Stephen Fai:
Building Information Modeling for Cultural Heritage: The Management of Generative Process for Complex Historical Buildings. 119-130 - Klaus Luig, Dieter Jansen, Federica Maietti, Luca Coltro, Dimitrios Karadimas:
Innovative Business Plans for H-BIM Application Related to Alternative Financing Opportunities for Cultural Heritage. 131-143 - Nadezhda Povroznik:
3D Models of Ancient Greek Collection of the Perm University History Museum - Creation and Use. 144-154 - Andreas Weber, Mahya Ameryan, Katherine Wolstencroft, Lise Stork, Maarten Heerlien, Lambert Schomaker:
Towards a Digital Infrastructure for Illustrated Handwritten Archives. 155-166 - Gamze Saygi, Jean-Yves Blaise, Iwona Dudek:
Anchoring Unsorted E-Sources About Heritage Artefacts in Space and Time. 167-178 - Aleksandar Jerkov, Vasilije Milnovic:
Using Innovative Technologies in Preservation and Presentation of Endangered Archives. 179-188 - Stavros Apotsos, Athanasios Giamas, Leandros Zoidis, Despoina Ioannidou, Nikolaos Karagiannis, Zoe Kokkinou, Eleni Marinakou, Vasiliki Masen, Maria Miza, Effrosyni Bilmpili, Dimitrios Papadimitriou, Christina Papaoikonomou, Athena Siafaka, Ioannis Tavlarios, Kiriaki Vasteli:
Analysis, Documentation and Proposal for Restoration and Reuse of the "Chrysalis" Silk Factory in Goumenissa, Kilkis, Northern Greece. 189-198 - Anastasios Dimitropoulos, Konstantinos Dimitropoulos, Angeliki Kyriakou, Maximos Malevitis, Stelios Syrris, Stella Vaka, Panayiotis Koutsabasis, Spyros Vosinakis, Modestos Stavrakis:
The Loom: Interactive Weaving Through a Tangible Installation with Digital Feedback. 199-210 - Dieter Fritsch, Michael Klein:
Design of 3D and 4D Apps for Cultural Heritage Preservation. 211-226 - Marcel Karnapke, Frederick Baker:
Digital Heritage and 3D Printing: Trans-media Analysis and the Display of Prehistoric Rock Art from Valcamonica. 227-238 - Sara Codarin:
The Conservation of Cultural Heritage in Conditions of Risk, with 3D Printing on the Architectural Scale. 239-256 - Cláudia Sofia Ribeiro, Rafael Kuffner dos Anjos, Carla Fernandes:
Virtual Reality Annotator: A Tool to Annotate Dancers in a Virtual Environment. 257-266 - Margarita Papaefthymiou, Marios Evangelos Kanakis, Efstratios Geronikolakis, Argyrios Nochos, Paul Zikas, George Papagiannakis:
Rapid Reconstruction and Simulation of Real Characters in Mixed Reality Environments. 267-276 - Ricardo M. Rodriguez, Rafael Aguilar, Santiago Uceda, Benjamín Castañeda:
3D Pose Estimation Oriented to the Initialization of an Augmented Reality System Applied to Cultural Heritage. 277-288 - Laurent Debailleux, Geoffrey Hismans, Natacha Duroisin:
Exploring Cultural Heritage Using Virtual Reality. 289-303 - Tanja Nusa Kocevar, Barbara Naglic, Helena Gabrijelcic Tomc:
3D Visualisation of a Woman's Folk Costume. 304-323 - Katie Graham, Stephen Fai, Abhijit Dhanda, L. Smith, Kyle Tousant, E. Wang, Adam Weigert:
The VR Kiosk - Using Virtual Reality to Disseminate the Rehabilitation Project of the Canadian Parliament Buildings. 324-336 - Ofilia I. Psomadaki, Charalampos A. Dimoulas, George M. Kalliris, Gregory Paschalidis:
Technologies of Non Linear Storytelling for the Management of Cultural Heritage in the Digital City: The Case of Thessaloniki. 337-349 - Federico Caria, Brigitte Mathiak:
Minimal Functionality for Digital Scholarly Editions. 350-363 - Lina Bountouri, Patrick Gratz, Fulgencio Sanmartin:
Digital Preservation: How to Be Trustworthy. 364-374
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-06-02 01:12 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
