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ORCIDComputer Music Journal, Volume 32
Volume 32, Number 1, Spring 2008
- Scott Smallwood, Dan Trueman, Perry R. Cook, Ge Wang
:
Composing for Laptop Orchestra. 9-25 - Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
The Laptop Orchestra as Classroom. 26-37
- Rafael Ramírez, Amaury Hazan, Esteban Maestre, Xavier Serra:
A Genetic Rule-Based Model of Expressive Performance for Jazz Saxophone. 38-50
- Christopher Raphael:
A Classifier-Based Approach to Score-Guided Source Separation of Musical Audio. 51-59
- Darrell Conklin, Mathieu Bergeron:
Feature Set Patterns in Music. 60-70 - Jia Zhu, Ye Wang:
Complexity-Scalable Beat Detection with MP3 Audio Bitstreams. 71-87 - Nick Collins:
Karlheinz Stockhausen: Cosmic Pulses. 88-91 - Arne Eigenfeldt:
International Computer Music Conference 2007: Live Electronics. 91-94 - James Harley:
Institut National de l'Audiovisuel: Portraits Polychromes: Max Mathews. 95-97 - Jeffrey Treviño:
Neil Rolnick: Shadow Quartet. 97-98 - Andrew Fletcher:
Pimmon: Electronic Tax Return; Pimmon: Secret Sleeping Birds. 98-100
Volume 32, Number 2, Summer 2008
- Victor Lazzarini, Joseph Timoney, Thomas Lysaght:
The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation. 9-22 - David T. Yeh, Jonathan S. Abel, Andrei Vladimirescu, Julius O. Smith III:
Numerical Methods for Simulation of Guitar Distortion Circuits. 23-42 - Heidi-Maria Lehtonen, Vesa Välimäki, Timo I. Laakso:
Canceling and Selecting Partials from Musical Tones Using Fractional-Delay Filters. 43-56 - Miroslav Zivanovic, Axel Röbel, Xavier Rodet:
Adaptive Threshold Determination for Spectral Peak Classification. 57-67 - Axel Röbel:
Frequency-Slope Estimation and Its Application to Parameter Estimation for Non-Stationary Sinusoids. 68-79 - Charles Turner:
Guerino Mazzola: Elemente der Musikinformatik: Ausgearbeitet von Roland Bärtschi unter Mitarbeit von Stefan Göller. 80-82 - Elizabeth Hoffman:
Various: [re]. 82-84 - Tae Hong Park:
Paul Lansky: Alphabet Book. 84-86 - James Harley:
Gregory Taylor: Voiceband Jilt; The Desert Fathers (Jeff Kaiser, Gregory Taylor): Coptic Icons. 86-88
- Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook:
Erratum: The Laptop Orchestra as Classroom. 4 - Victor Lazzarini:
Erratum: New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. 4
Volume 32, Number 3, Fall 2008
- Yiorgos Vassilandonakis:
An Interview with Philippe Leroux. 11-24
- Jason Freeman:
Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance. 25-41
- Jyri Pakarinen, Tapio Puputti, Vesa Välimäki:
Virtual Slide Guitar. 42-54
- Jonas Braasch, Nils Peters, Daniel L. Valente:
A Loudspeaker-Based Projection Technique for Spatial Music Applications Using Virtual Microphone Control. 55-71
- Matti Ryynänen, Anssi Klapuri:
Automatic Transcription of Melody, Bass Line, and Chords in Polyphonic Music. 72-86
- Jean-François Charles:
A Tutorial on Spectral Sound Processing Using Max/MSP and Jitter. 87-102 - Mark Ballora:
Gareth Loy: Musimathics: The Mathematical Foundations of Music, Volume 2. 103-105 - Matthew McCabe:
Andrew R. Brown: Computers in Music Education: Amplifying Musicality. 105-108 - Michael Boyd:
Dexter Morrill: Music for Stanford. 108-110 - Stephen Lilly:
Agostino Di Scipio: Paysages historiques: musique électroacoustique 1998-2005. 110-113 - Jared Dunne:
DaevlMakr.Plugs Audio Software Effects. 113-115
Volume 32, Number 4, Winter 2008
- Ludger Brümmer:
Stockhausen on Electronics, 2004. 10-16
- Jukka Rauhala, Mikael Laurson, Vesa Välimäki, Heidi-Maria Lehtonen, Vesa Norilo:
A Parametric Piano Synthesizer. 17-30
- Jean Bresson, Carlos Agón:
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. 31-47 - Dionysios Politis, Dimitrios Margounakis, Spyridon Lazaropoulos, Leontios Papaleontiou, George Botsaris, Konstantinos Vandikas:
Emulation of Ancient Greek Music Using Sound Synthesis and Historical Notation. 48-63
- Elizabeth Hellmuth Margulis, Andrew P. Beatty:
Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool. 64-78 - Matthew Dotson:
Seventeenth Florida Electroacoustic Music Festival. 79-82 - Stephen Lee:
Barry Blesser and Linda-Ruth Salter: Spaces Speak, Are You Listening? Experiencing Aural Architecture. 82-83 - Margaret Schedel:
Simon Emmerson: Living Electronic Music. 83-84 - Ilias Anagnostopoulos:
Qubais Reed Ghazala: Circuit-Bending: Build Your Own Alien Instruments. 84-86 - George Tzanetakis:
Anssi Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription. 86-88 - Jeffrey Treviño:
Simon Emmerson: Spaces and Places. 88-89 - Jared Dunne:
Max 5 Programming Language Update. 89-91 - Andrew Fletcher:
Crusher-X Live! Granular Synthesis Software. 91-93
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