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ORCIDComputer Music Journal, Volume 34
Volume 34, Number 1, Spring 2010
- Grégoire Carpentier, Jean Bresson:
Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment. 10-27
- Victor Lazzarini, Joseph Timoney:
New Perspectives on Distortion Synthesis for Virtual Analog Oscillators. 28-40
- Steven R. Livingstone
, Ralf Mühlberger, Andrew R. Brown, William Forde Thompson:
Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. 41-64 - Luca Mion, Gianluca D'Incà, Amalia de Götzen, Ennio Rapanà:
Modeling Expression with Perceptual Audio Features to Enhance User Interaction. 65-79 - Eduardo Reck Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. 80-96 - Joyce Shintani:
Art | 40 | Basel: Media Art with Music. 97-100 - Jonathan Bragg, Cheng-Zhi Anna Huang:
Mathematics and Computation in Music 2009: John Clough Memorial Conference. 100-102 - Ian Whalley:
David Temperley: Music and Probability. 102-104 - Jeffrey Treviño:
David W. Bernstein, Ed.: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. 104-106 - Thom Blum:
Évelyne Gayou, Editor: Polychrome Portraits 14: Pierre Schaeffer. 106-111 - Michael Boyd:
Amnon Wolman: The Marilyn Series. 111-112 - Elainie Lillios:
Barry Schrader: Fallen Sparrow; Barry Schrader: Monkey King. 112-114 - Patricia L. Dirks:
Natasha Barrett: Trade Winds. 114-115 - Patricia L. Dirks:
Natasha Barrett/Tanja Orning: DR.OX. 116-117
Volume 34, Number 2, Summer 2010
- Örjan Sandred:
PWMC, a Constraint-Solving System for Generating Music Scores. 8-24 - Torsten Anders, Eduardo Reck Miranda:
Constraint Application with Higher-Order Programming for Modeling Music Theories. 25-38
- Kjetil Falkenberg Hansen, Roberto Bresin:
The Skipproof Virtual Turntable for High-Level Control of Scratching. 39-50 - Steven Gelineck, Stefania Serafin:
A Practical Approach towards an Exploratory Framework for Physical Modeling. 51-65
- Chrisoula Alexandraki, Demosthenes Akoumianakis:
Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework. 66-83 - Barton McLean:
Experimental Media and Performing Arts Center: Coming of Age. 84-90 - Joyce Shintani, Metin Kara:
Ars Electronica 2009: "Human Nature" in Linz, Austria. 90-93 - Ian Whalley:
Robert Reigle and Paul Whitehead (Editors): Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference. 93-96 - Mary Simoni, Kristin Fosdick:
Barry Truax: Acoustic Communication and Compositional Techniques. 96-98
Volume 34, Number 3, Fall 2010
- Carlos Guedes, Pedro Rebelo:
Reflections on Music Programming for Conferences: The Case of SMC 2009. 10-19
- Arthur Flexer, Dominik Schnitzer:
Effects of Album and Artist Filters in Audio Similarity Computed for Very Large Music Databases. 20-28
- Juan Pablo Cáceres, Chris Chafe:
JackTrip/SoundWIRE Meets Server Farm. 29-34
- Werner Goebl, Sebastian Flossmann, Gerhard Widmer:
Investigations of Between-Hand Synchronization in Magaloff's Chopin. 35-44 - Kyung Ae Lim, Christopher Raphael:
InTune: A System to Support an Instrumentalist's Visualization of Intonation. 45-55
- Jon Gillick, Kevin Tang, Robert M. Keller:
Machine Learning of Jazz Grammars. 56-66 - Joyce Shintani, Metin Kara:
Sónar in 2009: 16th Barcelona International Festival of Advanced Music and Multimedia Art. 67-69 - Paul Doornbusch:
Gerhard Nierhaus: Algorithmic Composition: Paradigms of Automated Music Generation. 70-74 - Benjamin R. Levy:
Thomas Licata, Ed.: Essays on the Music and Theoretical Writings of Thomas DeLio, Contemporary American Composer, with Accompanying CD of Selected Compositions of Thomas DeLio. 74-78 - D. Gareth Loy, John M. Snell:
Stephen Travis Pope: Ritual and Memory. 78-79 - Pauline Minevich:
Esther Lamneck: Cigar Smoke. 79-81 - Elizabeth Hinkle-Turner:
Priscilla McLean: Symphony of Seasons. 81-85
Volume 34, Number 4, Winter 2010
- Gascia Ouzounian:
An Interview with Paul DeMarinis. 10-21 - Matthew Duignan, James Noble, Robert Biddle:
Abstraction and Activity in Computer-Mediated Music Production. 22-33 - Katie Wilkie, Simon Holland, Paul Mulholland:
What Can the Language of Musicians Tell Us about Music Interaction Design? 34-48 - Steve Benford:
Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances. 49-61 - Thor Magnusson:
Designing Constraints: Composing and Performing with Digital Musical Systems. 62-73 - Michael Boyd:
Society for Electro-Acoustic Music in the United States 2010 National Conference. 74-75 - James Harley:
Ralph Paland and Christoph von Blumröder, Eds.: Iannis Xenakis: Das elektroakustiche Werk. 75-77 - James Harley:
Various: Recovery/Discovery - 40 Years of Surround Electronic Music in the UK. 77-79
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