Computer Music Journal, Volume 35

Volume 35, Number 1, Spring 2011

Human-Computer Interaction 2 - Spatialization

• 
  Nils Peters, Georgios N. Marentakis, Stephen McAdams:
  Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis. 10-27

Human-Computer Interaction

• 
  M. Sile O'Modhrain:
  A Framework for the Evaluation of Digital Musical Instruments. 28-42
• 
  R. Brent Gillespie, Bo Yu, Robert Grijalva, Shorya Awtar:
  Characterizing the Feel of the Piano Action. 43-57

Digital Preservation of Music

• 
  Gustavo Colmenares, René Escalante, Juan F. Sans, Rina Surós:
  Computational Modeling of Reproducing-Piano Rolls. 58-75

Networked Musical Performance

• 
  Peter F. Driessen, Thomas E. Darcie, Bipin Pillay:
  The Effects of Network Delay on Tempo in Musical Performance. 76-89

Music Perception

• 
  Freya Bailes, Roger T. Dean:
  The Perceived Affective Expression of Computer-Manipulated Sung Sounds. 90-104
• 
  Margaret Schedel:
  Roger T. Dean, Editor: Oxford Handbook of Computer Music. 105-107
• 
  James Harley:
  Évelyne Gayou, Editor: Denis Smalley: Polychrome Portraits No. 15. 107-109
• 
  Ross Feller:
  Melia Watras: Prestidigitation. 109-111
• 
  James Harley:
  Henk Badings: More Electronic Music. 111-112

Volume 35, Number 2, Summer 2011

Communication in Performance

• 
  Jason Freeman, Akito van Troyer:
  Collaborative Textual Improvisation in a Laptop Ensemble. 8-21
• 
  Pieter-Jan Maes, Marc Leman, Katty Kochman, Micheline Lesaffre, Michiel Demey:
  The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human-Computer Interface. 22-35

Human-Computer Interaction

• 
  Antti Jylhä, Inger Ekman, Cumhur Erkut, Koray Tahiroglu:
  Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System. 36-48

Music Analysis

• 
  Andrew Choi:
  Jazz Harmonic Analysis as Optimal Tonality Segmentation. 49-66

Compositional Environments

• 
  Carlos Agón, Jean Bresson, Marco Stroppa:
  OMChroma: Compositional Control of Sound Synthesis. 67-83
• 
  KatieAnna Wolf:
  The Eleventh International Society for Music Information Retrieval Conference (ISMIR 2010). 84-86
• 
  Silvia Matheus:
  KISS 2010: Kyma International Sound Symposium. 86-90
• 
  James Harley:
  XVIII Colloquio di Informatica Musicale: Prossime distanze. 90-92
• 
  Michael Boyd:
  John Luther Adams: The Place Where You Go to Listen: In Search of an Ecology of Music. 92-95

Volume 35, Number 3, Fall 2011

Emulative Algorithms and Creative Algorithms - Sound Synthesis

• 
  Niklas Lindroos, Henri Penttinen, Vesa Välimäki:
  Parametric Electric Guitar Synthesis. 18-27
• 
  Luc Döbereiner:
  Models of Constructed Sound: Nonstandard Synthesis as an Aesthetic Perspective. 28-39

Algorithmic Composition

• 
  Christopher Ariza:
  Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition. 40-56

Automated Performance

• 
  Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola:
  Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. 57-72
• 
  Oliver Bown:
  Experiments in Modular Design for the Creative Composition of Live Algorithms. 73-85

Music Information Retrieval

• 
  Ofer Dor, Yoram Reich:
  An Evaluation of Musical Score Characteristics for Automatic Classification of Composers. 86-97
• 
  Dimitri Voudouris:
  EMusic Indaba 2010: Home Made - Hand Made. 98-100
• 
  Margaret Schedel:
  Chris Salter: Entangled: Technology and the Transformation of Performance. 100-102
• 
  Mary Simoni:
  Tara Rodgers: Pink Noises: Women on Electronic Music and Sound. 102-103
• 
  Ian Whalley:
  Ron Herrema: Changing Weights. 103-104
• 
  Jim Phelps:
  CDCM Computer Music Series Volume 38: Music from Bowling Green State University, MidAmerican Center for Contemporary Music. 105-106

Volume 35, Number 4, Winter 2011

Ensembles of Digitally Controlled Acoustic Instruments

• 
  Sasha Leitman:
  Trimpin: An Interview. 12-27
• 
  Laura Maes, Godfried-Willem Raes, Troy Rogers:
  The Man and Machine Robot Orchestra at Logos. 28-48
• 
  Ajay Kapur, Michael Darling, Dimitri Diakopoulos, Jim W. Murphy, Jordan Hochenbaum, Owen Vallis, Curtis Bahn:
  The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments. 49-63

Algorithmic Composition

• 
  Ching-Hua Chuan, Elaine Chew:
  Generating and Evaluating Musical Harmonizations That Emulate Style. 64-82

Music Information Retrieval

• 
  Konstantinos Trohidis, Leontios J. Hadjileontiadis:
  Tempo Induction from Music Recordings Using Ensemble Empirical Mode Decomposition Analysis. 83-97
• 
  Jordan B. L. Smith, Isaac Schankler:
  The Third International Conference on Mathematics and Computation in Music. 98-99
• 
  Douglas Geers:
  Dan Hosken: An Introduction to Music Technology. 99-101
• 
  Elizabeth Hinkle-Turner:
  Priscilla McLean: Cries and Echoes. 101-103
• 
  Michael Boyd:
  Space/Sound: Multichannel Electroacoustic Music by Thomas DeLio, Thomas Licata, Agostino Di Scipio, Kristian Twombly, Kees Tazelaar, and Linda Dusman. 103-105