Computer Music Journal, Volume 36

Volume 36, Number 1, Spring 2012

A Sounding Board Interview

• 
  Elizabeth Anderson:
  An Interview with Annette Vande Gorne, Part One. 10-22

Human-Computer Interaction

• 
  Michael Gurevich, Adnan Marquez-Borbon, Paul Stapleton:
  Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument. 23-41

Applications of Music Theory

• 
  Anthony Prechtl, Andrew J. Milne, Simon Holland, Robin C. Laney, David B. Sharp:
  A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings. 42-54
• 
  Ryan Nikolaidis, Bruce Walker, Gil Weinberg:
  Generative Musical Tension Modeling and Its Application to Dynamic Sonification. 55-64

The History of Electroacoustic Music

• 
  Bob Gluck:
  Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City. 65-80
• 
  Elainie Lillios:
  Larry Austin at Eighty: A Fifty-Year Retrospective, Part I. 81-82
• 
  Michael Gogins:
  Dmitri Tymoczko: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. 83-85
• 
  Ross Feller:
  Christopher Bailey: Immolation Ritual. 86-87

Volume 36, Number 2, Summer 2012

Automated Mix Delivery

• 
  Elizabeth Anderson:
  An Interview with Annette Vande Gorne, Part 2. 10-22

Audio Signal Processing

• 
  Markus Zaunschirm, Joshua D. Reiss, Anssi Klapuri:
  A Sub-Band Approach to Modification of Musical Transients. 23-36
• 
  Michael Terrell, Mark B. Sandler:
  An Offline, Automatic Mixing Method for Live Music, Incorporating Multiple Sources, Loudspeakers, and Room Effects. 37-54

Networked Musical Applications

• 
  Adriana Olmos, Nicolas Bouillot, Trevor Knight, Nordhal Mabire, Josh Redel, Jeremy R. Cooperstock:
  A High-Fidelity Orchestra Simulator for Individual Musicians' Practice. 55-73

Music Representation

• 
  Cordelia V. Hall, John T. O'Donnell:
  Regular Expressions as Violin Bowing Patterns. 74-84
• 
  Jeffrey Treviño, Drew Allen:
  The Audio Programming Book, Edited by Richard Boulanger and Victor Lazzarini. 85-89
• 
  Jeff Kowalkowski:
  Bob Ostertag: Creative Life: Music, Politics, People, and Machines. 89-90
• 
  Christopher Riggs:
  Reed Evan Rosenberg: At the End of an Endless Stream. 90-91

Volume 36, Number 3, Fall 2012

Automatic Generation of Acousmatic Music - Algorithmic Composition

• 
  Nick Collins:
  Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening. 8-23

Musical Applications of Audio Signal Processing

• 
  Grégoire Carpentier, Éric Daubresse, Marc Garcia Vitoria, Kenji Sakai, Fernando Villanueva:
  Automatic Orchestration in Practice. 24-42
• 
  Baris Bozkurt:
  A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets. 43-56

Music Information Retrieval

• 
  Akira Maezawa, Katsutoshi Itoyama, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
  Automated Violin Fingering Transcription Through Analysis of an Audio Recording. 57-72
• 
  Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho, Ana M. Barbancho:
  A Multidimensional Environment for the Exploration of Musical Content. 73-83
• 
  Barry Schrader:
  Elainie Lillios: Entre Espaces. 84-87
• 
  Ross Feller:
  David A. Jaffe: Wildlife. 87-89
• 
  Ross Feller:
  Erdem Helvacioglu: Resonating Universes. 89-91

Volume 36, Number 4, Winter 2012

Building a Community Around a Digital Musical Instrument - Augmented Musical Instruments

• 
  Andrew P. McPherson, Youngmoo E. Kim:
  The Problem of the Second Performer: Building a Community Around an Augmented Piano. 10-27
• 
  Alexander Refsum Jensenius, Victoria Johnson:
  Performing the Electric Violin in a Sonic Space. 28-39

Analysis of Electroacoustic Music

• 
  Elizabeth Hoffman:
  "I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music. 40-58

Preservation of Electroacoustic Music

• 
  Guillaume Boutard, Catherine Guastavino:
  Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process. 59-80

Music Information Retrieval

• 
  Emmanouil Benetos, Simon Dixon:
  A Shift-Invariant Latent Variable Model for Automatic Music Transcription. 81-94
• 
  Cory Kasprzyk:
  SEAMUS 2012: The National Conference of the Society for Electro-Acoustic Music in the United States. 95
• 
  James Harley:
  Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1. 96-98
• 
  Ross Feller:
  Hubert Howe: Clusters. 99-100