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Computer Music Journal, Volume 39
Volume 39, Number 1, Spring 2015
Algorithmic Composition
- Andrew R. Brown, Toby Gifford
, Robert Davidson:
Techniques for Generative Melodies Inspired by Music Cognition. 11-26
- Charles Roberts, Graham Wakefield, Matthew Wright, JoAnn Kuchera-Morin:
Designing Musical Instruments for the Browser. 27-40
- Christopher Haworth
:
Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music. 41-58
- Jim W. Murphy, James McVay, Paul Mathews, Dale A. Carnegie, Ajay Kapur:
Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones. 59-73
- Akira Maezawa, Hiroshi G. Okuno
:
Bayesian Audio-to-Score Alignment Based on Joint Inference of Timbre, Volume, Tempo, and Note Onset Timings. 74-87 - Michael Boyd:
Thomas DeLio: Selected Compositions (1991-2013). 88-90 - Allan J. Cronin:
Paul Dolden: Who Has the Biggest Sound? 90-91 - Ross Feller:
Paul Fretwell and Ambrose Field: Northern Loop. 91-93
Volume 39, Number 2, Summer 2015
Compositional Software
- Andrea Agostini, Daniele Ghisi:
A Max Library for Musical Notation and Computer-Aided Composition. 11-27
- Andrew P. McPherson:
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. 28-46 - Luke Dahl:
Studying the Timing of Discrete Musical Air Gestures. 47-66
- Lance Putnam:
Echo Shaping Using Sums of Damped Complex Sinusoids. 67-76
- Mathieu Giraud
, Richard Groult, Emmanuel Leguy, Florence Levé:
Computational Fugue Analysis. 77-96 - Andrew Lambert
, Florian Krebs:
The Second International Workshop on Cross-Disciplinary and Multicultural Perspectives on Musical Rhythm and Improvisation. 97-100 - Curtis Roads:
Jacqueline Caux: Almost Nothing with Luc Ferrari (Critical Ear Volume 5). 100-101 - Ross Feller:
Neil Leonard: For Kounellis. 101-102
Volume 39, Number 3, Fall 2015
Music Representation
- Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta:
Representation of Musical Structures and Processes in Simplicial Chord Spaces. 9-24
- Miroslav Spasov:
Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition. 25-45 - Nikolaos Stefanakis, Markus Abel, André Bergner:
Sound Synthesis Based on Ordinary Differential Equations. 46-58
- Alexis Kirke
, Samuel Freeman, Eduardo Reck Miranda
:
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. 59-70
- Dorien Herremans
, Kenneth Sörensen
, David Martens:
Classification and Generation of Composer-Specific Music Using Global Feature Models and Variable Neighborhood Search. 71-91 - Jeffrey Treviño:
Marilyn Nonken: The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age. 92-96 - Barton McLean:
KYMA 7: The Search for the Ultimate Sound Creation Instrument. 96-102
Volume 39, Number 4, Winter 2015
Programming Languages
- Ge Wang
, Perry R. Cook, Spencer Salazar:
ChucK: A Strongly Timed Computer Music Language. 10-29 - Vesa Norilo:
Kronos: A Declarative Metaprogramming Language for Digital Signal Processing. 30-48 - Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
The Microsound Synthesis Framework in the LC Computer Music Programming Language. 49-79
- Reginald Langford Harrison, Stefan Bilbao, James Perry, Trevor Wishart:
An Environment for Physical Modeling of Articulated Brass Instruments. 80-95
- Adam Linson
, Chris Dobbyn, George E. Lewis, Robin C. Laney
:
A Subsumption Agent for Collaborative Free Improvisation. 96-115 - Valerio Velardo, Steven Jan:
Study Day on Computer Simulation of Musical Creativity. 116-118 - Ross Feller:
CJ Symon: Twelve Day Today Preludes and Fugues. 118-120
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