Computer Music Journal, Volume 39

Volume 39, Number 1, Spring 2015

A Challenge to the Dominant Ontology
Algorithmic Composition

• 
  Andrew R. Brown, Toby Gifford, Robert Davidson:
  Techniques for Generative Melodies Inspired by Music Cognition. 11-26

Environments for Computer Music Applications

• 
  Charles Roberts, Graham Wakefield, Matthew Wright, JoAnn Kuchera-Morin:
  Designing Musical Instruments for the Browser. 27-40

Aesthetics of Computer Music

• 
  Christopher Haworth:
  Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music. 41-58

Musical Robotics

• 
  Jim W. Murphy, James McVay, Paul Mathews, Dale A. Carnegie, Ajay Kapur:
  Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones. 59-73

Music Information Retrieval

• 
  Akira Maezawa, Hiroshi G. Okuno:
  Bayesian Audio-to-Score Alignment Based on Joint Inference of Timbre, Volume, Tempo, and Note Onset Timings. 74-87
• 
  Michael Boyd:
  Thomas DeLio: Selected Compositions (1991-2013). 88-90
• 
  Allan J. Cronin:
  Paul Dolden: Who Has the Biggest Sound? 90-91
• 
  Ross Feller:
  Paul Fretwell and Ambrose Field: Northern Loop. 91-93

Volume 39, Number 2, Summer 2015

Narrowing the Gap between Symbol and Signal
Compositional Software

• 
  Andrea Agostini, Daniele Ghisi:
  A Max Library for Musical Notation and Computer-Aided Composition. 11-27

New Musical Interfaces

• 
  Andrew P. McPherson:
  Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. 28-46
• 
  Luke Dahl:
  Studying the Timing of Discrete Musical Air Gestures. 47-66

Digital Signal Processing

• 
  Lance Putnam:
  Echo Shaping Using Sums of Damped Complex Sinusoids. 67-76

Computational Music Analysis

• 
  Mathieu Giraud, Richard Groult, Emmanuel Leguy, Florence Levé:
  Computational Fugue Analysis. 77-96
• 
  Andrew Lambert, Florian Krebs:
  The Second International Workshop on Cross-Disciplinary and Multicultural Perspectives on Musical Rhythm and Improvisation. 97-100
• 
  Curtis Roads:
  Jacqueline Caux: Almost Nothing with Luc Ferrari (Critical Ear Volume 5). 100-101
• 
  Ross Feller:
  Neil Leonard: For Kounellis. 101-102

Volume 39, Number 3, Fall 2015

Dynamical Systems and Simplicial Chord Spaces
Music Representation

• 
  Louis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta:
  Representation of Musical Structures and Processes in Simplicial Chord Spaces. 9-24

Dynamical Systems in Sound Synthesis and Procession

• 
  Miroslav Spasov:
  Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition. 25-45
• 
  Nikolaos Stefanakis, Markus Abel, André Bergner:
  Sound Synthesis Based on Ordinary Differential Equations. 46-58

Sonification

• 
  Alexis Kirke, Samuel Freeman, Eduardo Reck Miranda:
  Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. 59-70

Music Information Retrieval

• 
  Dorien Herremans, Kenneth Sörensen, David Martens:
  Classification and Generation of Composer-Specific Music Using Global Feature Models and Variable Neighborhood Search. 71-91
• 
  Jeffrey Treviño:
  Marilyn Nonken: The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age. 92-96
• 
  Barton McLean:
  KYMA 7: The Search for the Ultimate Sound Creation Instrument. 96-102

Volume 39, Number 4, Winter 2015

ChucK and Other Recent Languages for Computer Music
Programming Languages

• 
  Ge Wang, Perry R. Cook, Spencer Salazar:
  ChucK: A Strongly Timed Computer Music Language. 10-29
• 
  Vesa Norilo:
  Kronos: A Declarative Metaprogramming Language for Digital Signal Processing. 30-48
• 
  Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu:
  The Microsound Synthesis Framework in the LC Computer Music Programming Language. 49-79

Physical Modeling

• 
  Reginald Langford Harrison, Stefan Bilbao, James Perry, Trevor Wishart:
  An Environment for Physical Modeling of Articulated Brass Instruments. 80-95

Interactive Performance Systems

• 
  Adam Linson, Chris Dobbyn, George E. Lewis, Robin C. Laney:
  A Subsumption Agent for Collaborative Free Improvisation. 96-115
• 
  Valerio Velardo, Steven Jan:
  Study Day on Computer Simulation of Musical Creativity. 116-118
• 
  Ross Feller:
  CJ Symon: Twelve Day Today Preludes and Fugues. 118-120