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ORCIDComputer Music Journal, Volume 43
Volume 43, Number 1, Spring 2019
- Luc Döbereiner:
Between the Abstract and the Concrete: A Constraint-Based Approach to Navigating Instrumental Space. 8-20 - Alexander Sigman:
Robot Opera: Bridging the Anthropocentric and the Mechanized Eccentric. 21-37 - Juan Pablo Yepez Placencia, Jim W. Murphy, Dale Anthony Carnegie:
Survey of Hardware and Software Design Approaches for Mechatronic Chordophones. 38-58 - David Johnson, Daniela E. Damian, George Tzanetakis
:
Detecting Hand Posture in Piano Playing Using Depth Data. 59-78 - Ralph Lewis:
Electronic Music Midwest. 79-87 - Seth Rozanoff:
The SPLICE Institute. 79-87 - Ross Feller:
Electroacoustic Works. 79-87 - Seth Rozanoff:
Two Live Sets. 79-87
Volume 43, Numbers 2-3, 2020
- Stefan Bilbao, Charlotte Desvages, Michele Ducceschi, Brian Hamilton, Reginald Harrison-Harsley, Alberto Torin, Craig J. Webb:
Physical Modeling, Algorithms, and Sound Synthesis: The NESS Project. 15-30 - Stefan Bilbao, James Perry, Paul Graham, Alan Gray, Kostas Kavoussanakis, Gordon Delap, Tom Mudd, Gadi Sassoon, Trevor Wishart, Samson Young:
Large-Scale Physical Modeling Synthesis, Parallel Computing, and Musical Experimentation: The NESS Project in Practice. 31-47 - Dan Trueman, Michael Mulshine:
Preparing the Digital Piano: Introducing bitKlavier. 48-66 - Dan Trueman, Aatish Bhatia, Michael Mulshine, Theo Trevisan:
Tuning Playfully: Composed and Adaptive Tunings in bitKlavier. 67-88 - Angelo Fraietta, Oliver Bown, Sam Ferguson, Sam Gillespie, Liam Bray:
Rapid Composition for Networked Devices: HappyBrackets. 89-108 - Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gérard Assayag, Kamel Smaïli:
Learning of Hierarchical Temporal Structures for Guided Improvisation. 109-124 - Enrique Hurtado, Thor Magnusson, Josu Rekalde:
Digitizing the Txalaparta: Computer-Based Study of a Traditional Practice. 125-141 - Gilbert Wassermann, Mark E. Glickman:
Automated Harmonization of Bass Lines from Bach Chorales: A Hybrid Approach. 142-157 - Ralph Lewis:
21st Century Piano Composition Competition Concert. 158-159 - Margaret Schedel, Sonya Yuditskaya, Susan E. Green:
New Interfaces for Musical Expression (NIME) Conference. 159-166 - Ross Feller:
The Digital Score: Musicianship, Creativity and Innovation. 166-168 - Ross Feller:
Agostino Di Scipio: Concrezioni Sonore. 168-170 - Seth Rozanoff:
Sabina Covarrubias: Viaje. 170-171
Volume 43, Number 4, Winter 2019
- Stefano Scarani, Adolfo Muñoz, Jaime Serquera, Jorge Sastre Martínez, Roger B. Dannenberg:
Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software. 12-24 - Tom Mudd, Simon Holland, Paul Mulholland:
The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments. 25-40 - Charles Patrick Martin, Jim Tørresen:
Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam. 41-57 - Sergio Canazza, Giovanni De Poli:
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. 58-80 - Ralph Lewis:
HPSCHD@50. 81-84 - Seth Rozanoff:
New Music Gathering 2020. 84-85 - Seth Rozanoff:
2020 SPLICE Institute. 86-87 - Bradley Green:
Selected Compositions III (1986-2017). 88-91 - Ross Feller:
SLEW TEW - A Compilation of Compilation Tracks 2003-2017. 91-93 - Mara Helmuth, Judith Shatin, Annea Lockwood, Elizabeth Hoffman, Elsa Justel, Judy Klein, Elizabeth Hinkle-Turner, Laurie Spiegel, Hildegard Westerkamp, Natasha Barrett, Margaret Schedel, Paula Matthusen, Carla A. Scaletti, Katharine Norman, Frances White, Esther Lamneck:
Sound and Video Anthology: Program Notes. 110-120
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