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ORCID27th ICMC 2001: Havana, Cuba
- Proceedings of the 2001 International Computer Music Conference, ICMC 2001, Havana, Cuba, September 17-22, 2001. Michigan Publishing 2001
- Roberto Bresin:
Articulation Rules For Automatic Music Performance. - Tristan Jehan, Bernd Schöner:
An Audio-Driven Perceptually Meaningful Timbre Synthesizer. - Morwaread Mary Farbood, Bernd Schöner:
Analysis and Synthesis of Palestrina-Style Counterpoint Using Markov Chains. - Augusto Sarti, Stefano Tubaro:
Object-Based Sound Synthesis. - Patrick Fourcade, Claude Cadoz:
Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion. - Palle Dahlstedt:
Creating and Exploring Huge Parameter Spaces: Interactive Evolution as a Tool for Sound Generation. - Nick Didkovsky, Philip L. Burk:
Java Music Specification Language, an introduction and overview. - Matthew Burtner, Stefania Serafin:
Real Time Extended Physical Models for the Composer and Performer. - Axel Nackaerts, Bart De Moor, Rudy Lauwereins:
Parameter estimation for dual-polarization plucked string models. - Hilmar Thordarson, Rikhardur H. Fridriksson:
Kopavogur Computer Music Center (KCMC). - Davide Rocchesso:
Simple resonators with shape control. - Barry Moon:
Temporal Filtering: Framing Sonic Objects. - Nick Fells, Carola Böhm:
Studio Report of The Centre for Music Technology, University of Glasgow. - Jonathan Foote, Matthew Cooper:
Visualizing Musical Structure and Rhythm via Self-Similarity. - Mika Kuuskankare, Mikael Laurson:
ENP: Musical Notation Library based on Common Lisp and CLOS. - Tom Schouten, Bart De Moor:
Subband HTLS. - Axel Röbel:
Adaptive additive synthesis using spline based parameter trajectory models. - Wim D'haes, Xavier Rodet:
Automatic Estimation of Control Parameters: An Instance-Based Learning Approach. - Cheuk-Wai Wun, Andrew Horner, Lydia Ayers:
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones. - Larry Austin, Michael Thompson:
Williams [re]Mix[er]: An Interactive I Ching Composing Program. - Emilios Cambouropoulos:
The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing. - Stéphane Rossignol, Peter Desain, Henkjan Honing:
Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods. - Manuel Rocha Iturbide:
The international sound art festival in Mexico City: Sound, its relationship to the art disciplines and to the new technologies. - François Déchelle, Günter Geiger, Dave Phillips:
Demudi: The Debian Multimedia Distribution. - Ali Taylan Cemgil, Bert Kappen:
Bayesian Real-time Adaptation for Interactive Performance Systems. - Mikael Laurson, Mika Kuuskankare:
PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Model Based Synthesis. - Stephen W. Hainsworth, Malcolm D. Macleod:
Automatic Bass Line Transcription from Polyphonic Music. - Cumhur Erkut, Mikael Laurson, Mika Kuuskankare, Vesa Välimäki:
Model-based Synthesis of the Ud and the Renaissance Lute. - Craig Stuart Sapp:
Harmonic Visualizations of Tonal Music. - Ken-Ichi Sakakibara, Hiroshi Imagawa, Tomoko Kouishi, Kazumasa Kondo, Emi Zuiki Murano, Masanobu Kumada, Seiji Niimi:
Vocal Fold and False Vocal Fold Vibrations in Throat Singing and Synthesis of Khöömei. - Hanna Järveläinen, Vesa Välimäki:
Audibility of Initial Pitch Glides in String Instrument Sounds. - Charlotte Truchet, Gérard Assayag, Philippe Codognet:
Visual and Adaptive Constraint Programming in Music. - Simon Dixon:
An Interactive Beat Tracking and Visualisation System. - Camille Goudeseune, Hank Kaczmarski:
Composing Outdoor Augmented-Reality Sound Environments. - Ross Bencina, Phil Burk:
PortAudio - an Open Source Cross Platform Audio API. - Roger B. Dannenberg, Jonathan Foote, George Tzanetakis, Christopher Weare:
Panel: New directions in Music Information Retrieval. - Nicola Orio, François Déchelle:
Score Following Using Spectral Analysis and Hidden Markov Models. - Karl MacMillan, Michael Droettboom, Ichiro Fujinaga:
A System to Port Unit Generators Between Audio DSP Systems. - Marcelo M. Wanderley, Marie-Hélène Serra, Marc Battier, Xavier Rodet:
Gestural Control at IRCAM. - Stephen W. Hainsworth, Patrick J. Wolfe:
Time-Frequency Reassignment for Music Analysis. - Michael Gurevich, Stephan von Muehlen:
The Accordiatron: A Gestural Interface for Interactive Music. - Federico Avanzini, Davide Rocchesso:
Controlling Material Properties in Physical Models of Sounding Objects. - Masatoshi Hamanaka, Masataka Goto, Nobuyuki Otsu:
Learning-Based Jam Session System for A Guitar Trio. - Federico Fontana, Davide Rocchesso, Enzo Apollonio:
Acoustic Cues from Shapes between Spheres and Cubes. - Perry R. Cook, Colby Leider, Tae Hong Park, George Tzanetakis:
Princeton Sound Kitchen Open Source Software Report. - Henri Penttinen, Matti Karjalainen, Tuomas Paatero, Hanna Järveläinen:
New techniques to model reverberant instrument body responses. - Gerhard Widmer:
Inductive Learning of General and Robust Local Expression Principles. - Federico Fontana, Lauri Savioja, Vesa Välimäki:
A Modified Rectangular Waveguide Mesh Structure with Interpolated Input and Output Points. - Miller S. Puckette:
Synthesizing Sounds with Specified, Time-Varying Spectra. - Dominic Mazzoni, Roger B. Dannenberg:
A Fast Data Structure for Disk-Based Audio Editing. - Tue Haste Andersen, Kristoffer Jensen:
On the importance of phase information in additive analysis/synthesis of binaural sounds. - Amar Chaudhary, David Wessel, Lawrence A. Rowe:
Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models. - Roger B. Dannenberg, Patrick van de Lageweg:
A System Supporting Flexible Distributed Real-Time Music Processing. - Karl MacMillan, Michael Droettboom, Ichiro Fujinaga:
Audio Latency Measurements of Desktop Operating Systems. - Christophe Vergez, Xavier Rodet:
Trumpet and Trumpet Player: Model and Simulation in a Musical Context. - Reynald Hoskinson, Dinesh K. Pai:
Manipulation and Resynthesis with Natural Grains. - Curtis Bahn, Tomie Hahn, Dan Trueman:
Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music. - Miller S. Puckette:
New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics. - Mara Helmuth, Chris Watts, Ivica Ico Bukvic:
University of Cincinnati College Conservatory of Music Center for Computer Music. - Patricio de la Cuadra, Aaron S. Master, Craig Sapp:
Efficient Pitch Detection Techniques for Interactive Music. - John P. Young:
Using the Web for Live Interactive Music. - Tamara Smyth, Julius O. Smith III:
A Musical Instrument Based on a Bioacoustic Model of a Cicada. - Eli Brandt:
Hard Sync Without Aliasing. - Eli Brandt:
Implementing Temporal Type Constructors for Music Programming. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Alexandre Topol, Florent Schaeffer:
Enhancing sound description in VRML. - Florent Schaeffer, Stéphane Natkin, Alexandre Topol:
Functional Specification of a Distributed and Mobile Architecture for Virtual Sound Space Systems. - James L. Wright, Eli Brandt:
System-Level MIDI Performance Testing. - Julien Bensa, Frederic Gibaudan, Kristoffer Jensen, Richard Kronland-Martinet:
Note and Hammer Velocity Dependence of a Piano String Model Based on Coupled Digital Waveguides. - Stefania Serafin, Julius O. Smith III, Harvey D. Thornburg, Frédéric Mazzella, Arnaud M. Tellier, Guillaume C. Thonier:
Data driven identification and computer animation of bowed string model. - Guy E. Garnett, Mangesh Jonnalagadda, Ivan Elezovic, Timothy Johnson, Kevin Small:
Technological Advances for Conducting a Virtual Ensemble. - Sergi Jordà:
Improvising with Computers: A Personal Survey (1989-2001). - Rens Bod:
A Memory-Based Model for Music Analysis: Challenging the Gestalt Principles. - Martin Fumarola:
Delimitation of Compositive Constants in Electroacoustic Music from the Interior of Argentina. - Mitsuko Aramaki, Philippe Guillemain, Nathalie Hoeb, Alain Roure:
From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard. - Otto Wüst, Sergi Jordà:
Architectural Overview of a System for Collaborative Music Composition Over the Web. - Immanuel Normann, Hendrik Purwins, Klaus Obermayer:
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. - Hendrik Purwins, Benjamin Blankertz, Klaus Obermayer:
Constant Q Profiles for Tracking Modulations in Audio Data Format. - Riitta Väänänen:
Analysis and Synthesis of Room Acoustics Using the MPEG-4 Scene Description. - Dan Overholt:
The MATRIX: A New Musical Instrument for Interactive Performance. - Christopher Penrose:
Frequency Shaping of Audio Signals. - Bridget Baird, Özgür Izmirli:
Modeling the Tempo Coupling between an Ensemble and the Conductor. - Nicolas Misdariis, François Nicolas, Olivier Warusfel, René Caussé:
Radiation Control on Multi-Loudspeaker Device : La Timée. - Jens Arnspang, Kristoffer Jensen, Declan Murphy, Tue Haste Andersen, Georgios N. Marentakis:
Music Informatics Laboratory. - Paschall de Paor:
Music Technology: Pedagogy and Research @ the University of Limerick. - Matthew Wright, Adrian Freed, Ahm Lee, Tim Madden, Ali Momeni:
Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC. - Timothy Madden, Ronald Bruce Sith, Matthew Wright, David Wessel:
Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra. - Richard Andrews:
Center for New Music and Audio Technologies (CNMAT): Studio Report. - Olivier Lartillot, Shlomo Dubnov, Gérard Assayag, Gill Bejerano:
Automatic Modeling of Musical Style. - Jean-Loup Florens, Cyrille Henry:
Bowed string synthesis with force feedback gesture interaction. - Darrell Conklin, Christina Anagnostopoulou:
Representation and Discovery of Multiple Viewpoint Patterns. - Jordi Bonada, Òscar Celma, Alex Loscos, Jaume Ortolà, Xavier Serra, Yasuo Yoshioka, Hiraku Kayama, Yuji Hisaminato, Hideki Kenmochi:
Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models. - Guillermo García:
A Genetic Search Technique for Polyphonic Pitch Detection. - Barry Eaglestone, Nigel Ford, Mark Clowes:
Do Composition Systems Support Creativity? - An evaluation. - Leigh Landy:
Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysis. - Ville Pulkki:
Evaluating spatial sound with binaural auditory model. - Wolfgang Chico-Töpfer:
Etna - a New Advanced Graphical Tree Representation of Music. - Tillman Weyde:
Grouping, Similarity and the Recognition of Rhythmic Structure. - Sølvi Ystad, Thierry Voinier:
Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital Waveguide Model. - Jonathan Impett, Bert Bongers:
Hypermusic and the Sighting of Sound - A Nomadic Studio Report. - Steven Abrams, Ralph Bellofatto, Robert M. Fuhrer, Daniel Oppenheim, James L. Wright, Richard Boulanger, Neil Leonard, David Mash, Michael Rendish, Joe Smith:
QSketcher: An Environment for Composing Music for Film. - W. Andrew Schloss, Peter F. Driessen:
Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data. - Nicola Orio, Diemo Schwarz:
Alignment of Monophonic and Polyphonic Music to a Score. - Xavier Rodet, Florent Jaillet:
Detection and modeling of fast attack transients. - Belinda Thom:
Machine Learning Techniques for Real-time Improvisational Solo Trading. - Christopher Burns:
Realizing Lucier and Stockhausen: Case studies in electroacoustic performance practice. - Laurent Daudet:
Transients modelling by pruned wavelet trees. - Christopher Raphael:
Music Plus One: A System for Expressive and Flexible Musical Accompaniment. - Paul Trilsbeek, Peter Desain, Henkjan Honing:
Spectral analysis of timing profiles of piano performances.
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