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Claude Cadoz
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2010 – 2019
- 2015
- [j5]Jérôme Villeneuve, Claude Cadoz, James Leonard:
Analyse de modèles physiques, modèles physiques d'analyse. Synthèse sonore et analyse fréquentielle à l'aide des réseaux masses-interactions CORDIS-ANIMA. Traitement du Signal 32(4): 365-390 (2015) - [j4]James Leonard, Claude Cadoz, Nicolas Castagné, Annie Luciani:
Lutherie virtuelle et interaction instrumentale. Une approche physique de l'instrument de musique numérique. Traitement du Signal 32(4): 391-416 (2015) - [c35]James Leonard, Claude Cadoz:
Physical modelling concepts for a collection of multisensory virtual musical instruments. NIME 2015: 150-155 - [c34]Jérôme Villeneuve, Claude Cadoz, Nicolas Castagné:
Visual representation in genesis as a tool for physical modeling, sound synthesis and musical composition. NIME 2015: 195-200 - 2014
- [c33]James Leonard, Jean-Loup Florens, Claude Cadoz, Nicolas Castagné:
Exploring the Role of Dynamic Audio-Haptic Coupling in Musical Gestures on Simulated Instruments. EuroHaptics (1) 2014: 469-477 - [c32]Claude Cadoz, Annie Luciani, Jérôme Villeneuve, Alexandros Kontogeorgakopoulos, Iannis Zannos:
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. ICMC 2014 - [c31]Jérôme Villeneuve, Claude Cadoz:
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation. ICMC 2014 - 2013
- [j3]Claude Cadoz, Annie Luciani:
Groupe ACROE-ICA Ingénierie pour la création artistique : geste, musique, mouvement, image. Tech. Sci. Informatiques 32(3-4): 493-496 (2013) - [c30]James Leonard, Claude Cadoz, Nicolas Castagné, Jean-Loup Florens, Annie Luciani:
A Virtual Reality Platform for Musical Creation: GENESIS-RT. CMMR 2013: 346-371 - [c29]James Leonard, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens:
Interactive Physical Design and Haptic Playing of Virtual Musical Instruments. ICMC 2013 - 2012
- [j2]Edgar Berdahl, Claude Cadoz, Nicolas Castagné:
Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument. EURASIP J. Audio Speech Music. Process. 2012: 9 (2012) - 2010
- [i3]Nicolas Castagné, Claude Cadoz, Jean-Loup Florens, Annie Luciani:
Haptics in computer music : a paradigm shift. CoRR abs/1005.3182 (2010) - [i2]Annie Luciani, Matthieu Evrard, Damien Couroussé
, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens:
A basic gesture and motion format for virtual reality multisensory applications. CoRR abs/1005.4564 (2010)
2000 – 2009
- 2009
- [c28]Nicolas Castagné, Claude Cadoz, Ali Allaoui, Olivier Tache:
G³: GENESIS Software Environment Update. ICMC 2009 - [c27]Olivier Tache, Claude Cadoz:
Organizing Mass-Interaction Physical Models: the CORDIS-ANIMA Musical Instrumentarium. ICMC 2009 - [i1]Nicolas Castagné, Claude Cadoz, Ali Allaoui, Olivier Michel Tache:
G3 : GENESIS software envrionment update. CoRR abs/0911.4642 (2009) - 2008
- [c26]Alexandros Kontogeorgakopoulos, Panagiotis Tzevelekos, Claude Cadoz, Georgios Kouroupetroglou:
Using the cordis-Anima Formalism for the Physical Modeling of the Greek zournas Shawm. ICMC 2008 - 2007
- [c25]Alexandros Kontogeorgakopoulos, Claude Cadoz:
Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations. ICMC 2007 - [c24]François Poyer, Claude Cadoz:
Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating Structures. ICMC 2007 - 2006
- [c23]Annie Luciani, Matthieu Evrard, Damien Couroussé, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens:
A basic gesture and motion format for virtual reality multisensory applications. GRAPP 2006: 349-356 - [c22]Olivier Tache, Claude Cadoz:
Generation of Complex Sound Sequences using Physical Models with Dynamical Structures. ICMC 2006 - 2005
- [c21]Nicolas Castagné, Claude Cadoz:
A Goals-Based Review of Physical Modelling. ICMC 2005 - 2003
- [c20]Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné:
ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. NIME 2003: 235-246 - 2002
- [c19]Claude Cadoz:
The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model. ICMC 2002 - [c18]Nicolas Castagné, Claude Cadoz:
GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical Modeling. ICMC 2002 - 2001
- [c17]Patrick Fourcade, Claude Cadoz:
Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion. ICMC 2001
1990 – 1999
- 1999
- [c16]Claude Cadoz, Sylvain Gubain:
"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments. ICMC 1999 - [c15]Patrick Fourcade, Sylvain Mangiarotti, Claude Cadoz:
Generating Pitches in Transients by a Percussive Excitation. ICMC 1999 - 1998
- [j1]Nicolas Szilas
, Claude Cadoz:
Adaptive networks for physical modeling. Neurocomputing 20(1-3): 209-225 (1998) - [c14]Jean-Loup Florens, Claude Cadoz, Annie Luciani:
A Real-time Workstation for Physical Model of Multi-sensorial and Gesturally Controlled Instrument. ICMC 1998 - 1996
- [c13]Jamel Nouiri, Claude Cadoz, Annie Luciani:
The Physical Modelling of Complex Physical Structures: The Mechanical Clockwork, Motion, Image and Sound. CA 1996: 36- - 1995
- [c12]Claude Cadoz, Jean-Loup Florens, Annie Luciani:
Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces. ICMC 1995 - [c11]Eric Incerti, Claude Cadoz:
Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods. ICMC 1995 - 1994
- [c10]Claude Cadoz, Annie Luciani, Jean-Loup Florens:
Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE. ICMC 1994 - 1993
- [c9]Nicolas Szilas, Claude Cadoz:
Physical Models That Learn. ICMC 1993 - 1991
- [c8]Annie Luciani, Stéphane Jimenez, Jean-Loup Florens, Claude Cadoz, Olivier Raoult:
Computational Physics : A Modeler - Simulator for animated physical Objects. Eurographics 1991: 425-436 - [c7]Annie Luciani, Stéphane Jimenez, Olivier Raoult, Claude Cadoz, Jean-Loup Florens:
An Unified View of Multitude Behavior, Flexibility, Plasticity and Fractures Balls, Bubbles and Agglomerates. Modeling in Computer Graphics 1991: 55-74 - 1990
- [c6]Claude Cadoz, Leszek Lisowski, Jean-Loup Florens:
Modular Feedback Keyboard. ICMC 1990 - [c5]Claude Cadoz, Christophe Ramstein:
Capture, Representation and "Composition" of the Instrumental Gesture. ICMC 1990 - [c4]Jean-Loup Florens, Claude Cadoz:
Modular Modelisation and Simulation of the Instrument. ICMC 1990
1980 – 1989
- 1988
- [c3]Claude Cadoz:
Instrumental Gestures and Musical Composition. ICMC 1988 - 1986
- [c2]Jean-Loup Florens, Aimé Razafindrakoto, Annie Luciani, Claude Cadoz:
Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis. ICMC 1986 - 1982
- [c1]Claude Cadoz, Annie Luciani, Jean-Loup Florens, Talin Dars-Berberyan:
The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models. ICMC 1982
1970 – 1979
- 1979
- [b1]Claude Cadoz:
Synthèse sonore par simulation de mécanismes vibratoires. Applications aux sons musicaux. (Sound synthesis by means of simulating vibrating mechanisms. Applications to musical sounds). Grenoble Institute of Technology, France, 1979
Coauthor Index
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