31st SIGGRAPH 2004: Los Angeles, California, USA - Sketches

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  Ronen Barzel:
  31. International Conference on Computer Graphics and Interactive Techniques, SIGGRAPH 2004, Los Angeles, California, USA, August 8-12, 2004, Sketches. ACM 2004

Artistic depiction

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  Jin Wan Park:
  Mosaic for stackable objects. 1
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  Kyoko Murakami, Reiji Tsuruno, Etsuo Genda:
  Strokes for drawings using illuminated paper surfaces. 2
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  William V. Baxter III, Yuanxin Liu, Ming C. Lin:
  A viscous paint model for interactive applications. 3
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  Vidya Setlur, Saeko Takagi, Ramesh Raskar, Michael Gleicher, Bruce Gooch:
  Automatic image retargeting. 4

Sketchy sketches

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  Ken Anjyo, Shuhei Wemler:
  Tweaking stylized light and shade. 5
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  Takashi Ijiri, Takeo Igarashi, Shin Takahashi, Etsuya Shibayama:
  Sketch interface for 3D modeling of flowers. 6
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  Brendan Duncan, Mark Swain:
  SketchPose: artist-friendly posing tool. 7
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  Matt Elson, Walt Sturrock:
  Making the leap: cross-training 2D artists into 3D. 8

Terrain & maps

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  Mårten Larsson, Magnus Wrenninge, Douglas Roble:
  Inter-frame caching for high quality terrain rendering. 9
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  Matt Fairclough, Magnus Wrenninge, Mårten Larsson:
  Robust rendering of high resolution terrain. 10
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  Joachim Pouderoux, Jean-Christophe Gonzato, Pascal Guitton, Xavier Granier:
  A software for reconstructing 3D-terrains from scanned maps. 11
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  Michael Flaxman, Yuzuru Isoda, Keiji Yano:
  Visual simulation of the interaction between market demand, planning rules and city form. 12

I've seen fire and I've seen rain

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  Theodore Kim, Michael Henson, Ming C. Lin:
  A physically based model of ice. 13
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  Niniane Wang, Bretton Wade:
  Rendering falling rain and snow. 14
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  Willi Geiger, Robert Hoffmeister, Masi Oka, Simon Eves:
  Stormy weather. 15
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  Ivo Ihrke, Marcus A. Magnor:
  Image-based tomographic reconstruction of flames. 16

Design and visual communication

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  Maria Alberta Alberti, Andrea Brogi, Paola Trapani, Luca Dusio, Manuela Garcia, Stephan Knobloch:
  Controsenso, but not too much: digital artifacts to ease communication and exchange with seeing-impaired people. 17
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  Ruth West, Jeff Burke, Cheryl Kerfeld, Eitan Mendelowitz, Thomas Holton, Ethan Drucker, Weihong Yan:
  Ecce Homology. 18
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  Fernanda B. Viégas, Ethan Perry, Judith S. Donath, Ethan Howe:
  Artifacts of the presence era: visualizing presence for posterity. 19
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  Jirayu Uttaranakorn, Daryl H. Hepting, Sheila Petty:
  Symbol mall. 20

GPU 1

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  Craig Donner, Henrik Wann Jensen:
  Faster GPU computations using adaptive refinement. 21
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  Sung-Eui Yoon, Brian Salomon, Russell Gayle, Dinesh Manocha:
  Quick-VDR: interactive view-dependent rendering of massive models. 22
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  Naga K. Govindaraju, Ming C. Lin, Dinesh Manocha:
  Fast and reliable collision culling using graphics hardware. 23
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  Peter Kipfer, Mark Segal, Rüdiger Westermann:
  UberFlow: a GPU-based particle engine. 24

Applications

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  Matthew Rizzo, Joan Severson:
  Abstract virtual environments for assessing cognitive abilities. 25
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  Jose L. Hernandez-Rebollar, Erick Méndez:
  Interactive American Sign Language dictionary. 26
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  Andreas Dietrich, Ingo Wald, Philipp Slusallek:
  Interactive visualization of exceptionally complex industrial CAD datasets. 27
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  Alexandre Gillet, Suzanne Weghorst, William Winn, Daniel Stoffler, Michel F. Sanner, David S. Goodsell, Arthur J. Olson:
  Computer-linked autofabricated 3D models for teaching structural biology. 28

Motion

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  Adam G. Kirk, James F. O'Brien, David A. Forsyth:
  Skeletal parameter estimation from optical motion capture data. 29
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  Ari Shapiro, Yong Cao, Petros Faloutsos:
  Interactive motion decomposition. 30
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  German K. M. Cheung, Simon Baker, Jessica K. Hodgins, Takeo Kanade:
  Markerless human motion transfer. 31
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  Yoshiyuki Koie, Toshihiro Konma, Kunio Kondo:
  Motion emphasis filter for making mental motion of 3D characters. 32

Tangible/ambient media

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  Atsuro Ueki, Masa Inakage:
  Café tools: contents that connect people. 33
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  Joanna Berzowska:
  Very slowly animating textiles: shimmering flower. 34
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  Usman Haque:
  Scents of space: an interactive smell system. 35
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  Florian Vogt, Timothy T. H. Chen, Reynald Hoskinson, Sidney S. Fels:
  A malleable surface touch interface. 36

Squash, stretch and repeat

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  Ares Lagae, Olivier Dumont, Philip Dutré:
  Geometry synthesis. 37
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  Doug L. James, Jernej Barbic, Christopher D. Twigg:
  Squashing cubes: automating deformable model construction for graphics. 38
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  Alla Sheffer, Vladislav Kraevoy:
  Shape preserving mesh deformation. 39
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  Alexis Angelidis, Marie-Paule Cani, Geoff Wyvill, Scott A. King:
  Swirling-sweepers: constant volume modeling. 40

Hair

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  Scott Peterson:
  Animating Puss in Boots' feather in Shrek 2. 41
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  Kelly Ward, Nico Galoppo, Ming C. Lin:
  Simulating and rendering wet hair. 42
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  Ivan Neulander:
  Quick image-based lighting of hair. 43
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  Tom Mertens, Jan Kautz, Philippe Bekaert, Frank Van Reeth:
  A self-shadow algorithm for dynamic hair using density clustering. 44

Haptics and sound

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  Mashhuda Glencross, Roger J. Hubbold:
  A framework for haptic rendering of large-scale virtual environments. 45
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  Miguel A. Otaduy, Nitin Jain, Avneesh Sud, Ming C. Lin:
  Haptic rendering of interaction between textured models. 46
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  Michael Wand, Wolfgang Straßer:
  Multi-resolution sound rendering. 47
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  Cynthia Bruyns, Robert Taylor, Carlo H. Séquin:
  Virtual instrument design and animation. 48

Creatures of "Van Helsing"

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  Doug Griffin, Jeff Saltzman, Jeff White, Kevin Wooley:
  Be-heading a vampire: combining 2D and 3D elements with on-set motion capture to create the vampire brides in Van Helsing. 49
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  Ryan Kautzman, Andrea Maiolo, Doug Griffin, Andy Buecker:
  Jiggly bits and motion retargeting: bringing the motion of Hyde to life in Van Helsing with dynamics. 50
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  Chris Monks, Marla Newall, Cary B. Phillips, Nicolas Popravka, Jason Smith, James Tooley:
  Posing as a werewolf: the creature matchmove tool used for "Van Helsing". 51
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  Nigel Sumner, Ari Rapkin, Steve Aplin, Andrew Cawrse, Lee Fulton, Tony Pelle, Philip Peterson, Eric Wong:
  There's more than one way to skin a wolf: wolf transformations in "Van Helsing". 52
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  Zoran Kacic-Alesic, Lee Uren, Tim Brakensiek:
  Long hair and fur for "Van Helsing". 53

Frowns, smiles and pouts

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  Volker Helzle, Christoph Biehn, Thomas Schlömer, Florian Linner:
  Adaptable setup for performance driven facial animation. 54
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  James D. Edge, Steve C. Maddock:
  Constraint-based synthesis of visual speech. 55
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  Daniel Vlasic, Matthew Brand, Hanspeter Pfister, Jovan Popovic:
  Multilinear models for face synthesis. 56
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  Zhenyao Mo, John P. Lewis, Ulrich Neumann:
  Improved automatic caricature by feature normalization and exaggeration. 57

Art-driven modeling

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  Saty Raghavachary:
  Tile-based kolam patterns. 58
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  Esan Mandal, Vinod Srinivasan, Ergun Akleman:
  Column modeling. 59
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  Patrick Coleman, Karan Singh:
  Cords: keyframe control of curves with physical properties. 60
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  Ergun Akleman, Jon Reisch:
  Modeling expressive 3D caricatures. 61

Feature creatures

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  Erick Miller, Serge Sretschinsky, Steve Preeg, Jonathan Gerber, Paul George:
  I, Robot: character pipeline, tools, and methods. 62
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  Kevin Geiger:
  Throwing a CGI curve ball: cartoony character setup on Chicken Little. 63
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  Mark Wiebe, Ben Houston:
  The tar monster: creating a character with fluid simulation. 64
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  William Todd Stinson, Paul G. Thuriot:
  Bulging muscles and sliding skin: deformation systems for Hellboy. 65

Texture

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  Jacob Ström, Tomas Akenine-Möller:
  PACKMAN: texture compression for mobile phones. 66
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  Li-Yi Wei:
  Tile-based texture mapping on graphics hardware. 67
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  Ioana M. Boier-Martin, Holly E. Rushmeier, Richard Giantisco:
  Constrained segmentation of complex models for image-based texture editing. 68
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  Greg Ward, Maryann Simmons:
  Subband encoding of high dynamic range imagery. 69

Feasible fluid, foliage, and fog

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  Jonathan M. Cohen, Jeroen Molemaker:
  Practical simulation of surface tension flows. 70
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  Lewis Kofsky:
  Image based fluids. 71
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  François Antoine, David Allen:
  Leveraging third-party tools for art-driven fluids & foliage. 72
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  Johnny Gibson, Davy Wentworth:
  Fast solutions to gas volumetrics in matrix revolutions. 73

Global illumination

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  Okan Arikan, David A. Forsyth, James F. O'Brien:
  Radiance caching and local geometry correction. 74
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  Jonathan M. Cohen:
  Image-based lighting with a piecewise-constant importance function. 75
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  Diego Gutierrez, Francisco J. Serón, Adolfo Muñoz, Oscar Anson:
  Inelastic scattering in participating media using curved photon mapping. 76
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  Vlastimil Havran, Jirí Bittner, Hans-Peter Seidel:
  Ray maps for global illumination. 77

Art and architecture

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  Oliver Bimber, Franz Coriand, Alexander Kleppe, Erich Bruns, Stefanie Zollmann, Tobias Langlotz:
  Superimposing pictorial artwork with projected imagery. 78
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  Andrzej Zarzycki:
  Abstracting design, designing abstractions...: use of computer graphics in early stages of architectural design. 79
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  Chris Tchou, Jessi Stumpfel, Per Einarsson, Marcos Fajardo, Paul E. Debevec:
  Unlighting the Parthenon. 80
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  Per Einarsson, Tim Hawkins, Paul E. Debevec:
  Photometric stereo for archeological inscriptions. 81

Surface modeling

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  Pushkar Joshi, Carlo H. Séquin, Ryo Takahashi:
  Functionally optimized subdivision surfaces. 82
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  Carlo H. Séquin, Ling Xiao:
  Fair LVC-curves on subdivision surfaces. 83
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  Alyn Rockwood:
  Re-usable implicit functions. 84
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  Jan Klein, Gabriel Zachmann:
  Nice and fast implicit surfaces over noisy point clouds. 85

Effects omelette

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  Charles Rose:
  From the ground up: building a machine city for Matrix: Revolutions. 86
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  Matt Baer:
  Procedural petticoats in Shrek 2. 87
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  Arnauld Lamorlette, Matt Baer:
  Fireballs in Shrek 2. 88
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  George Burshukov, Kody Sabourin, Masuo Suzuki, Oystein Larsen, Tadao Mihashi, Ken Faiman, Scot Schinderman, Oliver James, John Jack:
  Making of The Superpunch. 89

Rendering

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  Addy Ngan, Frédo Durand, Wojciech Matusik:
  Experimental validation of analytical BRDF models. 90
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  Natalya Tatarchuk:
  RenderMonkey: an effective environment for shader prototyping and development. 91
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  Brian A. Barsky, Egon C. Pasztor:
  Rendering skewed plane of sharp focus and associated depth of field. 92
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  Clay Budin:
  zDOF: a fast, physically accurate algorithm for simulating depth-of-field effects in synthetic images using z-buffers. 93

Modeling medley

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  Hayley N. Iben, James F. O'Brien, Erik D. Demaine:
  Refolding planar polygons. 94
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  Min-Hyung Choi, Min Hong, Samuel W. J. Welch:
  Modeling and simulation of sharp creases. 95
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  Fu-Che Wu, Bing-Yu Chen, Rung-Huei Liang, Ming Ouhyoung:
  Prong features detection of a 3D model based on the watershed algorithm. 96
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  Steve Zelinka, Michael Garland:
  Similarity-based surface modelling using geodesic fans. 97

Monkeying with reality

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  Daphna Buchsbaum, Bruce Blumberg:
  Imitation and social intelligence for synthetic characters. 98
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  Melanie Beisswenger:
  3D Character extension for stop motion puppets. 99
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  William W. White:
  X-Ray Window: portable visualization on the International Space Station. 100
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  Masayuki Takemura, Shungo Haraguchi, Yuichi Ohta:
  BLADESHIPS: an interactive attraction in mixed reality. 101

Art on the small screen

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  Henry LaBounta:
  The art of SSX3. 102
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  Stuart Compton:
  Quality issues in asset creation on a massive scale for Everquest II. 103
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  Ken Suzuki, Yoshishige Matsuno, Shigeru Horiguchi, Hiroshi Arima:
  An efficient production pipeline used to create 52 full 3DCGI anime episodes. 104
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  Satoru Yamagishi, Megumi Kondo, Hiroshi Uchibori, Ken Anjyo:
  Workflow and CG tools for the cartoon tv program "Monkey Turn". 105

Augmented reality

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  Daniel Fällman, Andreas Lund, Mikael Wiberg:
  Inside-out interaction: an interaction technique for dealing with large interface surfaces such as web pages on small screen displays. 106
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  Mathias Möhring, Christian Lessig, Oliver Bimber:
  Video see-through and optical tracking with consumer cell phones. 107
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  Alex Olwal, Christoffer Lindfors, Jonny Gustafsson:
  An autostereoscopic optical see-through display for augmented reality. 108
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  Taro Maeda, Hideyuki Ando:
  Wearable scanning laser projector (WSLP) for augmenting shared space. 109

Lighting

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  Thomas Annen, Jan Kautz, Frédo Durand, Hans-Peter Seidel:
  Spherical harmonic gradients. 110
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  Paul Green, Jan Kautz, Wojciech Matusik, Frédo Durand, Henrik Wann Jensen:
  Non-linear kernel-based precomputed light transport. 111
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  David Burke, Abhijeet Ghosh, Wolfgang Heidrich:
  Bidirectional importance sampling for illumination from environment maps. 112
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  Mark A. McLaughlin, Joseph M. Lohmar, Ernest J. Petti, Lewis Wakeland, Chris D. Springfield:
  Wrangling lighting and rendering data at Disney feature animation. 113

Intermedia performance

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  Mette Ramsgard Thomsen, Carol Brown:
  Conceiving embodiment: the dance-architecture of spawn. 114
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  John Crawford, Lisa Naugle:
  NightDriving: videodance in performance. 115
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  Junji Watanabe, Tetsutoshi Tavata, M. A. Verdaasdonk, Hideyuki Ando, Taro Maeda, Susumu Tachi:
  Illusory interactive performance by self eye movement. 116
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  Michael Lew:
  Live cinema: an instrument for cinema editing as a live performance. 117

Production rendering

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  Mark Sagar:
  Reflectance field rendering of human faces for "Spider-Man 2". 118
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  Chris Harvey, Paul George:
  Rendering translucent robots. 119
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  Rick Glumac, David Doepp:
  Generalized approach to rendering fabric. 120
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  Yangli Hector Yee, Anna Newman:
  A perceptual metric for production testing. 121

Mixed reality applications

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  William Meyer:
  The body's surface as a multimedia interface: closed-eyes nonverbal telehaptic communication. 122
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  Arito Mochizuki, Takashi Amada, Sayuri Sawa, Tadayuki Takeda, Shogo Motoyashiki, Kazuhiro Kohyama, Masataka Imura, Kunihiro Chihara:
  Fragra: a visual-olfactory VR game. 123
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  Kenji Iguchi, Tomoki Issac Saso, Masa Inakage:
  Veggie diaries: urban mobile MR entertainment. 124

Computer vision

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  Yoshinari Kameda, Taisuke Takemasa, Yuichi Ohta:
  Outdoor mixed reality utilizing surveillance cameras. 125
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  Voicu Popescu, Elisha Sacks, Gleb Bahmutov:
  Interactive scene modeling from dense color and sparse depth. 126
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  G. Watson, B. Lamond:
  Towards a unified approach to 3D environment capture and rendering. 127
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  James A. Paterson, Andrew W. Fitzgibbon:
  Extracting face bump maps from video. 128
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  Liu Ren, Gregory Shakhnarovich, Jessica K. Hodgins, Hanspeter Pfister, Paul A. Viola:
  Learning silhouette features for control of human motion. 129

Beautiful things

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  Yi-Bo Zhu, Chen-Jia Li, I-Fan Shen:
  A new style of ancient culture: animated Chinese Dunhuang murals. 130
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  Scott Draves:
  The electric sheep distributed screen-saver. 131
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  Anthony Santoro, Paul G. Kry:
  All This Useless Beauty: a 200 megapixel panorama. 132
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  Michael Terry, Gabriel J. Brostow, Grace Ou, Jaroslav Tyman, Diane Gromala:
  Making space for time in time-lapse photography. 133

Fluids and level sets

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  Maurya Shah, Frédéric H. Pighin, Jonathan M. Cohen, Penne Lee:
  Galilean invariance for fluid simulation. 134
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  Nafees Bin Zafar, Henrik Fält, Mir Zafar Ali, Chamberlain Fong:
  DD: : Fluid: : Solver: : SolverFire. 135
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  Nobuhiro Kondoh, Shuuji Sasagawa, Atsushi Kunimatsu:
  Creating animations of fluids and cloth with moving characters. 136
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  Ben Houston, Mark Wiebe, Christopher Batty:
  RLE sparse level sets. 137

Visualization

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