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ORCID33rd ICMC 2007: Copenhagen, Denmark
- Proceedings of the 2007 International Computer Music Conference, ICMC 2007, Copenhagen, Denmark, August 27-31, 2007. Michigan Publishing 2007
- Charles W. Fox, Iead Rezek, Stephen J. Roberts:
Drum'n'Bayes: on-Line variational Inference for beat tracking and rhythm Recognition. - Arne Eigenfeldt:
Drum Circle: Intelligent Agents in Max/MSP. - Shunichi Kasahara, Tomoyuki Yamaguchi, Ryo Saegusa, Shuji Hashimoto:
Rhythm Interaction System Based on rhythm Association. - Jan C. Schacher, Martin Neukom:
Where's the beat? Tools for Dynamic Tempo calculations. - Jacques Lemordant, Agnès Guerraz:
Mobile Immersive Music. - G. Douglas Barrett, Michael Winter, Harris Wulfson:
Automatic Notation Generators. - Roger B. Dannenberg:
Abstract Behaviors for Structured Music Programming. - Ge Wang, Rebecca Fiebrink, Perry R. Cook:
Combining Analysis and synthesis in the Chuck Programming Language. - Jamie Bullock, Henrik Frisk:
Libintegra: a System for Software-Independent Multimedia Module Description and Storage. - Diemo Schwarz, Sam Britton, Roland Cahen, Thomas Göpfert:
Musical Applications of Real-Time Corpus-Based concatenative synthesis. - Mika Kuuskankare, Marcus Castrén, Mikael Laurson:
Macset: a Free Visual Cross-Platform pitch-class Set Theoretical Application. - Vesa Norilo, Mikael Laurson:
Development Tools for Pwglsynth. - Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad:
The effect of Timbre in Clarinet Interpretation. - Gary S. Kendall:
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and auditory Spatial Schemata. - Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki, Mireille Besson, Jean-Luc Velay:
Perceptual Categorization of Moving sounds for synthesis Applications. - John Ashley Burgoyne, Stephen McAdams:
Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre. - Anthony Lewis Brooks, Barry Eaglestone, Phil Ellis, Rolf Gehlhaar, Luís Miguel Girão, Wendy Magee, Eduardo Miranda, Eva Petersson, Paulo Maria Rodrigues:
Artabilitation Icmc Panel Paper Denmark 2007: non-Formal rehabilitation via Immersive Interactive Music Environments. - Charles W. Fox, John Quinn:
How to be lost: Principled Priming and Pruning with particles in Score following. - Dimitrios Tzimeas, Eleni E. Mangina:
A GA Tool for Computer Assisted Music Composition. - Yoichi Nagashima:
Ghi Project : New Approach for Musical Instruments. - Tuukka Ilomäki:
The Usability of Music Theory Software: the Analysis of twelve-tone Music as a Case Study. - Adriano Baratè, Goffredo Haus, Luca A. Ludovico:
Petri Nets Applicability to Music Analysis and Composition. - Francisco Gómez, Eric Thul, Godfried Toussaint:
An Experimental Comparison of Formal Measures of rhythmic Syncopation. - Steve Mann, Ryan E. Janzen, Raymond Chun Hing Lo, Chris Aimone:
Inventing New Instruments Based on a Computational "Hack" to Make an out-of-tune or unpitched Instrument Play in Perfect Harmony. - Min-Joon Yoo, In-Kwon Lee:
Interactive Music Summarization Based on Interval Distance Profile. - David Yanagisawa:
The Toncolarium - Immersive Color-Music Instrument. - Heinrich Taube:
Sal: a Simple Algorithmic Language in Common Music. - Per Bloland:
The Electromagnetically-prepared Piano and its Compositional Implications. - Joshua Parmenter:
Dynamic Large-Scale gestural control in Supercollider Server. - Franziska Schroeder, Alain Renaud, Pedro Rebelo, Fernando Gualda:
Addressing the Network: performative Strategies for Playing apart. - Leigh Landy:
The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young. - Ole Kühl:
An Introduction to Musical Semantics: the Gesture in Modelization. - Peter Batchelor:
Fabricating Aural Landscapes: some Compositional Implications of Trompe L'oreille. - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Fatta: Full Automatic Time-Span Tree Analyzer. - Nicola Orio, Laura Zattra:
Audio Matching for the Philological Analysis of Electroacoustic Music. - Kevin Dahan:
Reconstructing Stria. - Nicola Bernardini:
Recovering Giacinto Scelsi's Tapes. - Arun Chandra:
Creating von Foerster's non-Trivial Machine in Digital audio. - Michael Chinen, Naotoshi Osaka:
Genesynth: noise band-Based Genetic Algorithm Analysis/synthesis Framework. - Jean-Baptiste Thiebaut, Juan Pablo Bello
, Diemo Schwarz:
How Musical are Images? From sound Representation to Image Sonification: an Eco Systemic Approach. - Damien Tardieu, Grégoire Carpentier, Xavier Rodet:
Computer-Aided Orchestration Based on Probabilistic Instruments Models and Genetic Exploration. - Edwin Vane, William Cowan:
A Computer-Aided soundtrack Composition System designed for Humans. - David Plans, Davide Morelli:
Remembering the Future : an Overview of Co-Evolution in Musical Improvisation. - Julien Junod, Guerino Mazzola:
From Fux to Ragas-Morphing Contrapuntal Worlds. - Jenny Ren, Phil Winsor, Chih-Fang Huang:
Developing Chinese Style Algorithmic Composition using Markov Chains - from the Classical Chinese-Poetry Perspective. - John Huddleston, Jianna Zhang:
Effects of Musically Meaningful operators in Evolutionary Composition. - Peter Castine, John Dekron:
Realitv. - Claudio Baccigalupo, Enric Plaza:
Sharing and Combining listening Experience: a Social Approach to Web Radio. - Andrew Johnston, Benjamin Marks, Linda Candy:
Sound Controlled Musical Instruments Based on Physical Models. - Patricio de la Cuadra, Rodrigo F. Cádiz, Benoît Fabre, Nicolas Montgermont:
Performance control of a Flute Physical Model using fuzzy Logic. - François Poyer, Claude Cadoz:
Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating Structures. - Tamara Smyth, Jonathan S. Abel:
Extending the generalized Reed Model with measured Reflection Functions. - Stephen Travis Pope, Roger B. Dannenberg:
Models and APIs for audio synthesis and Processing a Panel Discussion. - John Chow Seymour:
Computer Assisted Composition in equal tunings: tonal Cognition and the Thirteen tone March. - Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Fingerings of harmonic Notes on the Flute. - Arne Eigenfeldt:
The Creation of Evolutionary rhythms within a Multi-Agent Networked Drum Ensemble. - Oliver Larkin:
Int.Lib - a Graphical Preset interpolator for Max MSP. - Christopher Ariza:
Serial RSS sound Installation as Open Work: the Babelcast. - Kia Ng, Tran Vu Pham, Bee Ong, Jérôme Barthélemy, Alain Bonardi, David Giaretta:
Digital Preservation of Interactive Multimedia performances. - Risto Holopainen:
Nonlinear filters. - Miller S. Puckette:
On timbre stamps and other frequency-domain filters. - Federico Fontana:
Preserving the Structure of the Moog VCF in the Digital Domain. - Johannes Zmölnig, Gerhard Eckel:
Live coding: an Overview. - David T. Yeh, John Nolting, Julius O. Smith III:
Physical and Behavioral Circuit Modeling of the SP-12 sampler. - Javier Alejandro Garavaglia:
Sound&media Studios @ Londonmet, Commercial RD. London Metropolitan University. - Carlos Guedes, Rui Dias:
Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo Branco. - Christopher Burns, Kevin Schlei, Jon Welstead:
The electro-acoustic Music Center at the University of Wisconsin-Milwaukee. - Mara Helmuth, Jennifer Bernard Merkowitz, Brian McKinney, Kazuaki Shiota, Christopher Stark:
Cincinnati's Center for Computer Music in 2007: (CCM)2. - Myriam Desainte-Catherine, Sylvain Marchand, Pierre Hanna, Mathieu Lagrange, Matthias Robine, Martin Raspaud, Robert Strandh, Antoine Allombert, Guillaume Meurisse, Joan Mouba, Jean Louis Di Santo, Gyorgy Kurtag:
Scrime Studio Report. - Cathy Lane:
Studio Report: sound arts and Design at London College of Communication. - Andrew Schmeder, Matthew Wright, Adrian Freed, Edmund Campion, David Wessel:
Cnmat Information Infrastructure. - Fernando Lopez-Lezcano, Carr Wilkerson:
Ccrma Studio Report. - Andrew May, Jon Christopher Nelson:
Studio Report: Center for Experimental Music and Intermedia. - Jongwoo Yim, Richard Dudas:
New Media Music at Hanyang University: Studio Report. - Graham Wakefield, Wesley Smith:
Using Lua for audiovisual Compostion. - Woon Seung Yeo, Ji Won Yoon, Hee Young Cho:
The Stringball: a ball Interface with Strings for Collaborative Performance. - Ivica Ico Bukvic, Ji-Sun Kim, Dan Trueman, Thomas Grill:
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis. - Kazuaki Shiota:
{TranSpell}. - Naoya Takahashi, Mitsuharu Matsumoto, Shuji Hashimoto:
Electric Koto by vibrating Body. - Edgar Berdahl, Bill Verplank, Julius O. Smith III, Günter Niemeyer:
A Physically Intuitive Haptic Drumstick. - Woon Seung Yeo, Jonathan Berger:
Rasterpiece: a Cross-Modal Framework for Real-Time Image Sonification, sound synthesis, and Multimedia Art. - Amalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin:
Learning Sounding gestures. - Randy Jones, Mathieu Lagrange, W. Andrew Schloss:
A hand drumming Dataset for Physical Modeling. - Tapio Takala:
A Playable synthesis Model and controller for Bowed String Instruments. - Esteban Maestre, Jordi Bonada, Merlijn Blaauw, Alfonso Pérez, Enric Guaus:
Acquisition of Violin instrumental gestures using a Commercial EMF tracking Device. - Diana Young, Stefania Serafin:
Investigating the Performance of a Violin Physical Model: Recent Real Player studies. - Bret Battey:
Editing Strategies for Bézier-modeled continuous expression Curves. - Jonathan Owen Clark:
Sound spatialisation and coupled cell Networks. - Gérard Assayag, Georges Bloch:
Navigating the Oracle: a Heuristic Approach. - David Litke, Keith Hamel:
A Score-Based Interface for Interactive Computer Music. - John ffitch, James Mitchell, Julian A. Padget:
Composition with sound Web Services Andworkflows. - Mick Grierson:
Noisescape: an Interactive 3D audiovisual Multi-User Composition Environment. - José Fornari, Adolfo Maia, Jônatas Manzolli:
Interactive Soundscape Design with Evolutionary sound Processing. - Jaska Uimonen:
Sped - a sound File Editor. - Stephen Travis Pope:
Scripting and Tools for Analysis/resynthesis of audio. - Philippe Guillemain, Vincent Verfaille:
Combining Physical Modeling and additive synthesis as a Mapping Strategy for Realtime control. - Nelson Lee, Zhiyao Duan, Julius O. Smith III:
Excitation signal Extraction for Guitar tones. - Balázs Bank:
Direct Design of Parallel second-order filters for Instrument Body Modeling. - Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter:
Are Cognitive Styles an Important factor in the Design of Electroacoustic Music Software? - Miguel Angel Ortiz Pérez, R. Benjamin Knapp:
Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical Applications. - Tim Sayer:
Using Technology to Ride the reflex/volitional continuum in Improvised Musical Performance. - Swe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li:
On Timbre Based perceptual Feature for Singer identification. - David Litke:
Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral Instrument. - Juan Pampin, Joel S. Kollin, Eunsu Kang:
Applications of ultrasonic sound beams in Performance and sound Art. - William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen:
Placement of sound Sources in the Stereo Field using measured Room impulse responses. - Nils Peters, Megan Evans, Eliot Britton:
Trakhue - Intuitive gestural control of Live Electronics. - J. Milo Taylor:
Immersion: An immersive digital application for creative interaction with sound art archives. - Michael Young:
Nn Music: improvising with a 'Living' Computer. - Kathleya Afanador, Todd Ingalls, Ellen Campana:
Effects of Tempo on the Perceived Speed of Human movement. - Sofia Dahl, David Huron:
The Influence of Body Morphology on Preferred Dance Tempos. - Sonia Wilkie, Catherine J. Stevens, Roger Dean:
Psychoacoustic manipulation of the sound induced Illusory Flash. - Adam Lockhart:
Cognitive Implications of Musical Perception. - Alexander Refsum Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph W. Malloch, Douglas McGilvray, Diemo Schwarz, Matthew Wright:
Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data. - Manuel Rocha Iturbide:
The sound Installation. - Marco Fabiani, Anders Friberg:
Expressive modifications of Musical audio recordings: Preliminary Results. - Jamie Bullock:
Libxtract: a Lightweight Library for audio Feature Extraction. - Alex Norman, Xavier Amatriain:
Data jockey, a Tool for Meta-Data Enhanced Digital DJing and Active listening. - Niels Böttcher, Steven Gelineck, Stefania Serafin:
Physmism: Re-Introducing Physical Modelling for Electronic Musical Exploration. - Juraj Kojs, Stefania Serafin:
Stirring, Shaking, and mixing: Musicalizing everyday Actions. - Stefano Delle Monache, Pietro Polotti, Stefano Papetti, Davide Rocchesso:
Gamelunch: a Physics-Based Sonic Dining Table. - Kjetil Falkenberg Hansen, Marcos Alonso, Smilen Dimitrov:
Combining DJ Scratching, tangible Interfaces and a Physics-Based Model of friction sounds. - Stephen Travis Pope:
Teaching Digital audio Programming: Notes on a two-Year Course sequence at UCSB. - Kia Ng, Oliver Larkin, Thijs Koerselman, Bee Ong, Diemo Schwarz, Frédéric Bevilacqua:
The 3D Augmented mirror: motion Analysis for String Practice Training. - Michael Zbyszynski, Matthew Wright, Edmund Campion:
Design and Implementation of CNMAT's Pedagogical Software. - John Fariselli Young, Lorenzo Picinali, Dimitris Moraitis:
A Practice-Based Approach to using Acoustics and Technology in Musicianship Training. - Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. - Eric Lee, Thorsten Karrer, Jan O. Borchers:
An Analysis of Startup and Dynamic Latency in phase vocoder-Based Time-stretching Algorithms. - Alexandros Kontogeorgakopoulos, Claude Cadoz:
Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations. - Roger B. Dannenberg:
An Intelligent Multi-Track audio Editor. - Peter Castine:
Litter Mutators: Moving Morphological Mutation inside Time. - Nicolas Juillerat, Stefan Müller Arisona, Simon Schubiger-Banz:
Real-Time, low Latency audio Processing in Java. - Joshua S. Auerbach, David F. Bacon, Florian Bömers, Perry Cheng:
Real-Time Music synthesis in Java using the Metronome Garbage Collector. - Morwaread Mary Farbood, Henry Kaufman, Kevin Jennings:
Composing with Hyperscore: an Intuitive Interface for Visualizing Musical Structure. - Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi:
A Musical Framework with Swarming robots. - John Thompson, Dan Overholt:
Sonofusion: Development of a Multimedia Composition for Overtone Violin. - David Topper, Juraj Kojs:
VScore: A Real-time Visual Application for Scoring Music, Version 1.1. - Robert Hamilton:
Back to the Sea: a Software Realization of Dexter Morrill's Sea Songs. - Cynthia M. Grund:
How Computer Music Modeling and Retrieval Interface with Music-and-Meaning studies: Overview of Panelists' Suggestions for Discussion Topics. - Parag Chordia, Alex Rae:
Understanding Emotion in Raag: an Empirical Study of listener responses. - Mikael Laurson, Mika Kuuskankare, Henri Penttinen, Henbing Li:
Score-Based control of Guqin synthesis. - Barbara Pastuszek-Lipiñska:
Musicians outperform non-Musicians in a Study with speech imitation. - Pierre Alexandre Tremblay, Nicolas Boucher, Sylvain Pohu:
Real-Time Processing on the Road: a Guided Tour of [IKS]'s abstr/Cncr setup. - John MacCallum, Aaron Einbond:
Real-Time Analysis of sensory Dissonance. - Stéphane Donikian, Olivier Delerue, Tommaso Bianco, Gildas Clénet:
Toward a Complete Open Source Software Environment for the Creation of Interactive poly-Artistic Works. - Plácido R. Illescas, David Rizo, José Manuel Iñesta Quereda:
Harmonic, Melodic, and Functional Automatic Analysis. - John Chowning:
Fifty Years of Computer Music: Ideas of the Past Speak to a Future-immersed in Rich Detail. - Takayuki Rai, Chikashi Miyama, Shu Matsuda, Takayuki Hamano, Takuto Fukuda, Yota Morimoto:
Introduction of Dips3 (Version 2) for Max/MSP. - Carlos Guedes, Kirk A. Woolford:
Controlling Aural and Visual Particle Systems through Human movement. - Matthew D. Hoffman, Perry R. Cook:
The Featsynth Framework for Feature-Based synthesis: Design and Applications. - Adam Wead, Ian Knopke:
A Computer-Based Implementation of Basso continuo Rules for Figured Bass realizations. - Gil Weinberg, Mark Godfrey, Alex Rae, John Rhoads:
A Real-Time Genetic Algorithm in Humanrobot Musical Improvisation. - Stephen David Beck, Brian Willkie, Joseph Patrick:
Icast: Trials & Tribulations of Deploying Large Scale Computer-Controlled speaker Arrays. - Georg Essl, Michael Rohs:
Shamus - a Sensor-Based Integrated Mobile phone Instrument. - Steve Mann, James Fung, Ariel Garten:
Deconcert: bathing in the light, sound, and Waters of the Musical Brainbaths. - Søren Tjagvad Madsen, Gerhard Widmer:
Key-Finding with Interval Profiles. - Varvara Kyritsi, Anastasia Georgaki, Georgios Kouroupetroglou:
A Score-to-singing voice synthesis System for the Greek Language. - Shlomo Dubnov, Gérard Assayag, Arshia Cont:
Audio Oracle: a New Algorithm for Fast Learning of audio Structures. - Amaury Hazan, Paul Brossier, Piotr Holonowicz, Perfecto Herrera, Hendrik Purwins:
Expectation along the beat: a Use Case for Music Expectation Models. - Georg Boenn:
Automated quantisation and transcription of Ornaments from audio recordings. - Peter Somerville, Alexandra L. Uitdenbogerd:
Note-Based Segmentation and Hierarchy in the Classification of Digital Musical Instruments. - Nicola Orio, Cristiano Zen:
Song identification through HMM-Based Modeling of the Main Melody. - Arshia Cont, Shlomo Dubnov, Gérard Assayag:
Guidage: a Fast audio Query Guided assemblage. - Steve Mann, Ryan E. Janzen, James Meier:
The electric hydraulophone: A hyperacoustic instrument with acoustic feedback. - Bruce N. Walker, Jonathan Kim, Anandi Pendse:
Musical soundscapes for an Accessible Aquarium: Bringing Dynamic Exhibits to the Visually Impaired. - Xavier Amatriain, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope:
Immersive audio and Music in the AlloSphere. - David Birchfield, Aaron Cuthbertson, Laurie Lundquist, Roger Smith:
The Dome: a Case Study for Generative sound in Public Art. - Andrew Sorensen, Andrew R. Brown:
Aa-cell in Practice: an Approach to Musical Live coding. - Miguel Álvarez-Fernández, Asia Piascik, Stefan Kersten:
Soundanism: Blurred by Breathing. - Munetatsu Go, Naotoshi Osaka:
Recognition of Physical motion Pattern using stochastic Petri Nets for sound synthesis. - Rodney Berry:
Using a 3D Modelling Program as a Musical controller. - Dan Stowell, Mark D. Plumbley:
Adaptive whitening for Improved Real-Time audio onset Detection. - Martin Fröjd, Andrew Horner:
Fast sound Texture synthesis using Overlap-Add. - Graham Coleman:
Mused: Navigating the Personal sample Library. - Olivier Bélanger, Caroline Traube, Jean Piché:
Designing and Controlling a Source-filter Model for Naturalistic and Expressive singing voice synthesis. - Thor Magnusson:
The Ixiquarks: Merging Code and GUI in One Creative Space. - Roger B. Dannenberg, Sofia Cavaco, Eugene Ang, Igor Avramovic, Barkin Aygun, Jinwook Baek, Eric Barndollar, Daniel Duterte, Jeffrey Grafton, Robert Hunter, Chris Jackson, Umpei Kurokawa, Daren Makuck, Timothy Mierzejewski, Michael L. Rivera, Dennis Torres, Apphia Yu:
The Carnegie Mellon Laptop Orchestra. - Robert Hamilton:
Maps and Legends: FPS-Based Interfaces for Composition and Immersive Performance. - Dilip Swaminathan, Harvey D. Thornburg, Todd Ingalls, Jodi James, Stjepan Rajko, Kathleya Afanador:
A New gestural control Paradigm for Musical expression: Real-Time conducting Analysis via Temporal Expectancy Models. - Jorge Solis, Atsuo Takanishi:
An Overview of the Research Approaches on Musical Performance robots. - Georgios N. Marentakis, Nils Peters, Stephen McAdams:
Dj SPAT: spatialized Interactions for DJs. - Naoki Iwami, Masanobu Miura:
A Support System for Basic Practice of Playing the Drums. - Tae Hong Park, Jonathan Biguenet, Zhiye Li, Conner Richardson, Travis Scharr:
Feature modulation synthesis (FMS). - Edward Kelly:
Meta-sequencing: Controlling sequence voices and Polyphony using the Polymap, Sieve, valve and Maskxor Objects in Pure Data. - David Topper, Troy Rodgers:
Extended Applications of the Wireless Sensor Array (WISEAR). - Matthias Robine, Graham Percival, Mathieu Lagrange:
Analysis of Saxophone Performance for Computer-Assisted Tutoring. - Matthias Rath, Marcel Wältermann:
An Exploration into potential Relevance of differences of Individual sounds in Drum Patterns. - Nick Collins:
Audiovisual concatenative synthesis. - Ajay Kapur, Eric Trimpin, Afzal Singer, George Suleman, George Tzanetakis:
A Comparison of Solenoid-Based Strategies for robotic drumming. - David Birnbaum, Marcelo M. Wanderley:
A Systematic Approach to Musical vibrotactile feedback. - David Gerhard, Jarrod Ellis:
Focus-plus-Context displays for audio Interaction. - Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby:
Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance. - Heinrich Taube, Todd Ingalls:
Rts: Real Time Scheduling in Common Music. - Masahiro Niitsuma, Hiroaki Saito:
Automatic Thorough-Bass Realization in Baroque Music. - Sever Tipei:
Manifold Compositions: Formal control, Intuition, and the Case for Comprehensive Software. - Yi-Tso Chen, Chih-Fang Huang:
The Methodology and Research of the Interactive Intermedia Art using the gyroscope Sensor for sound and Vision. - Doug Van Nort, David Gauthier, Sha Xin Wei, Marcelo M. Wanderley:
Extraction of gestural Meaning from a Fabric-Based Instrument. - Jean-Julien Filatriau, Daniel Arfib, Donald Glowinski, Gualtiero Volpe:
Virtual Objects as Mediation between Sonic Textures and Interactive gestures. - Russell J. Bradford, Richard W. Dobson, John ffitch:
The sliding phase vocoder. - Jukka Rauhala, Vesa Välimäki:
F0 estimation of Inharmonic Piano tones using Partial frequencies deviation Method. - Marije A. J. Baalman:
On wave Field synthesis and electro-acoustic Music - State of the Art 2007. - Nicolas D'Alessandro, Alexis Moinet, Thomas Dubuisson, Thierry Dutoit:
Causal/anticausal Decomposition for mixed-phase Description of brass and Bowed String sounds. - Jeffrey M. Morris:
Feedback Instruments: Generating Musical sounds, gestures, and Textures in Real Time with Complex feedback Systems. - David Gerhard, Ellen Moffat:
Convocare_consonare: a Duet for Four voices. - Carlos Guedes:
Translating Dance movement into Musical rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance. - Michael A. Casey, Mick Grierson:
Soundspotter / remix-TV: Fast Approximate Matching for audio and video Performance.
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